Posts Tagged Park Square Theatre

A Season of Perspective and Sharing

Park Square and SteppingStone Theatres Announce Joint Season

MEDIA CONTACTS
Mark Ferraro-Hauck: 952.220.2178 mark@steppingstonetheatre.org
Rachel Wandrei: 617.543.5770 wandrei@parksquaretheatre.org

Saint Paul, Minn., April 20, 2022 – Park Square Theatre and SteppingStone Theatre for Youth announced their 2022-2023 season plans today, continuing the process of bringing the two companies together in one downtown Saint Paul home. The two organizations will retain their names for their first united season, but are planning to become a single legal entity this fall.

For Park Square’s 48th season, the cohort of five artistic associates has worked to select plays that come from many points of view, with the goal of creating theatre filled with both meaning and entertainment. “We strive to be a place where everyone is able to tell their story, and where we can hear and see each other with open hearts, particularly as we rebuild connections and communities after these years apart,” says Executive Director Mark Ferraro-Hauck. The season includes two world premieres, two regional premieres, a Tony Award winner, a Pulitzer Prize winner, and the 25th anniversary of a play that has become central to Park Square’s youth education programs. The SteppingStone performance calendar will include a winter-themed play, Shakespeare performed by young people, and a touring production for very young audiences.

A slightly smaller season than in previous years, the theatres are aiming to reset and organically rebuild after the pandemic. Each play will have a slightly shorter run, have fewer preview performances and a modified rehearsal schedule that eliminates the “10 out of 12” rehearsal days that are notoriously grueling for the artists involved. 

The theatre year will open with the 2016 Tony Award winner for Best Play, THE HUMANS (Sept 14 – Oct 9, 2022), by Stephen Karam. Three generations of the Blake family have assembled for Thanksgiving and everyone is determined to make the best of it, but as they attempt to focus on the positive, old wounds, current mistakes, and future fears threaten their stability. Both blisteringly funny and deeply chilling, the play offers a stunning portrayal of the human condition; a family at its best and worst navigating the challenges of everyday life.

Next, Park Square deepens its relationship with Full Circle Theater Company with a co-production of FIRE IN THE NEW WORLD (Oct 19 – Nov 6, 2022), written by Rick Shiomi, who is a co-founder of Full Circle and serves as an artistic associate for Park Square. In this world premiere noir mystery, Sam Shikaze, hard-boiled private eye, fights crime and discrimination in Vancouver’s Japantown in the years after WWII. When the beautiful Japanese American wife of an ambitious real estate developer goes missing, Sam is on the case in a savvy detective caper that mixes social commentary with plenty of sly intrigue.

For the holiday season, SteppingStone will present THE SNOWY DAY AND OTHER STORIES BY EZRA JACK KEATS (Dec 1 – 23, 2022). With a script by Jerome Hairston, and based on the books by Ezra Jack Keats, this magical tale will explore the wonder of a fresh snowfall, the delight of whistling for the first time, the awe in finding special treasures, and the joy of making new friends. A timeless classic, THE SNOWY DAY is the most checked-out volume of all time at the New York Public Library and is known for being the first book featuring an African American child to win the Caldecott Medal. This new ensemble-driven production will explore connections to water and the changing of the seasons through movement and storytelling.

Frances Goodrich and Albert Hackett’s adaptation of THE DIARY OF ANNE FRANK has become a core part of Park Square’s educational offerings over 25 years, with over 265,000 students having experienced Anne Frank’s story at the theatre. To commemorate the anniversary, the company will present an all-new production. As the Frank family hides in Nazi-occupied Amsterdam, Anne shares both her everyday teenage challenges and the terror of the Holocaust. Now more relevant than ever, this resonant story of hope and imagination in the darkest of times illuminates a part of history that must not be forgotten. On the Park Square Theatre mainstage for all audiences Jan 18 – Feb 12, 2023, with an extended run for education groups.

In February, SteppingStone will produce its first ever Shakespeare featuring a cast of actors ages 16-21. A MIDSUMMER NIGHT’S DREAM (Feb 8 – Mar 5, 2023) will bring a genuinely youthful perspective to some of the bard’s most well-known young characters. Available to both school and public audiences, this production will be a new variation on the theme of literary classics that have been at home on the Park Square stage for many years. 

Collaboration continues in the spring with a co-production with PRIME Productions of THE REVOLUTIONISTS (Mar 29 – Apr 16, 2023), by Lauren Gunderson. In this riotous comedy four women find themselves caught up in the French Revolution: an assassin, a spy, a playwright, and, of course, Marie Antoinette. They plot murder, find friendship (and do some good writing), in an irreverent, poignant comedic romp that considers how we go about changing the world.

A comedy-drama exploring fatherhood, loneliness, and the complexity of justice, BETWEEN RIVERSIDE AND CRAZY (May 24 – Jun 18, 2023), by Stephen Adly Guirgis, won the 2015 Pulitzer Prize for Drama. The New York Times describes it as “a rich new play… Mr. Guirgis has a splendid ear in blurring lines between the sacred and profane and it is a dizzying and exciting place to be.” Surrounded by a beautiful and eclectic stream of family and houseguests, ex-cop and recent widower “Pops” is barely holding on to his stability and his once-grand apartment on Manhattan’s Riverside Drive. This production features a cast of well-known local artists led by James A. Williams as Pops.

SteppingStone has two titles yet to be announced for the spring and summer. In May, the theatre will devise a new work for very young audiences. The work will be hugely interactive and travel to schools, libraries, museums and other hot-spots of the under-5 set. Later, SteppingStone will bring back its annual summer musical performed by some of the Twin Cities’ most talented young performers.

Summer rolls in with some firebrand comedy as Park Square presents ANN (Jun 7 – Jul 2, 2023), a no-holds-barred portrait of Ann Richards, the legendary governor of Texas. This inspiring and hilarious solo play brings us face to face with a complex, colorful and captivating character bigger than the state from which she hailed. ANN takes a revealing look at this impassioned woman as she grows into her power and holds fast to her convictions while enriching the lives of her followers, friends, and family.

Finally, Park Square concludes its season with a world premiere mystery by Jeffrey Hatcher and Steve Hendrickson. HOLMES/POIROT (Jul 19 – Aug 20, 2023) is based on “Murder on the Links” by Agatha Christie with characters created by Sir Arthur Conan Doyle, bringing not one, but two of the greatest detectives of all time to the stage in a tour-de-force of cunning plot twists and deft storytelling. Separated by 25 years, the two master sleuths examine a related case, each employing their signature methods and indelible personalities. 

SEASON TICKETS are on sale now for the Park Square season. Subscriptions include seven or five show packages, as well as choose-your-own packages. Subscription prices begin at $66 and offer discounts up to $100 over single tickets. SINGLE TICKETS will be available on a rolling basis, with the fall productions becoming available July 5. SteppingStone’s THE SNOWY DAY is available for school bookings now. General audience tickets will become available July 5. 

The ticket office is open Wednesday and Thursday, noon-5pm, at 651.291.7005, or at tickets@parksquaretheatre.org.

Park Square and SteppingStone Theatre to Join Forces

PARK SQUARE THEATRE AND STEPPINGSTONE THEATRE ARE
JOINING FORCES
TO CREATE “THEATRE FOR LIFE”

Media Contacts:
Connie Shaver,  shaver@parksquaretheatre.org
Kiersten Birondo kiersten@steppingstonetheatre.org

This fall, Park Square Theatre and SteppingStone Theatre for Youth join forces to create “your theatre for life” in downtown Saint Paul. The two companies have entered into a Memorandum of Understanding that will lead to more robust regional theatre programming for all ages. Through joint management and mission, though operating as separate legal entities with separate boards and finances, the two companies will provide a full range of theatre experiences out of the Historic Hamm Building. 

Those experiences will encompass all ages and the best that both theatres have to offer: classes and camps for young people, workshops for adults and intergenerational groups, family-oriented productions for young audiences, and Park Square’s full mainstage season of new works, classics, mysteries and beloved musicals. In tandem the two partner organizations will serve an audience of 125,000 with more than 70,000 young people attending performances and educational programs.

“I got my start in a theatre for youth company at eight and had my first theatre internship at 18,” says Park Square executive director Michael-jon Pease. “What excites me by joining forces is how together we truly become Saint Paul’s theatre for life for artists and audiences. This innovative partnership is a natural outgrowth of the theatre-in-residence concept Richard Cook started with the addition of Park Square’s Andy Boss Stage.”

SteppingStone’s artistic and executive director Mark Ferraro-Hauck agrees. “With the planned sale of our building near Summit Avenue and Victoria Street in Saint Paul, SteppingStone will return to its downtown roots for performances while maintaining easy accessibility for our hundreds of camp and class families through neighborhood-based programs and facilities.  Greater geographical flexibility and the strength of our combined resources are essential to meet the evolving needs of young artists, families, and schools.”

Each company has championed new work for the stage, from Park Square’s world premiere commission of Christina Ham’s NINA SIMONE: FOUR WOMEN that has gone on to productions around the country to SteppingStone’s recent world premiere of Ricardo Gamboa’s THE REAL LIFE ADVENTURES OF JIMMY DE LAS ROSAS. Park Square’s mainstage subscription programming will continue, such as the upcoming world premiere of BAD THINGS, GOOD WHISKEY, and the new musical TRIANGLE (a co-production with The Ordway). SteppingStone’s annual productions by and for young audiences will move to the Park Square stages during the school year, with summer productions held elsewhere to accommodate the growing summer audience. The partnership kicked off informally on August 1 and 2 with the SteppingStone production of DISNEY’S LITTLE MERMAID, JR, which took place outdoors on the 7th Place Plaza in front of Park Square.

“Partnerships with artists, theatre companies, and schools have also been integral to both Park Square and SteppingStone’s work in recent years,” comments SteppingStone Board President Mike Erlandson.  The new joint venture will include ongoing partner relationships with local companies such as Ghoulish Delights/The Mysterious Old Radio Listening Society, Flying Foot Forum, PRIME Productions, Ballet Co Lab, Full Circle Theater, TruArtSpeaks, and Trademark Theatre. 

“This step not only protects both Park Square and SteppingStone during the continued pandemic and forced theatre ‘intermission,’ by bringing together their assets and skillsets,” notes Park Square Board chair Paul Mattessich, “but re-establishes the Hamm Building – which also houses the former SPCO recital hall and the former Vieux Carré jazz club – as a thriving, diverse performance center that can help rebuild downtown’s economy once the pandemic is over.”

With this move, the two organizations are also transforming their leadership model and building on Park Square’s March announcement of a cohort model of Artistic Associates including Kim Vasquez, Rick Shiomi and Ellen Fenster. Mark Ferraro-Hauck becomes the newest element of the artistic and executive leadership team, serving as interim Executive Director, while Vasquez will become Producing Director of the Park Square Mainstage. Another Artistic Associate is currently meeting with the team and is expected to be announced in the coming weeks. Michael-jon Pease, Park Square’s current Executive Director, will remain with the company as a part-time consultant through the transition. Pease begins a new career as Executive Director of the Saint Paul Parks Conservancy in September. Ferraro-Hauck observes, “As we have discussed the challenges of the current economic moment and the complexity of bringing together two organizations, we have also been inspired by the necessity of re-imagining artistic leadership in ways that join and celebrate the many gifts and lived experiences found in our artistic community.”

As a teacher at St Paul City School, a current board member of SteppingStone Theatre, and a subscriber and donor to Park Square Theatre, Pondie Taylor agrees. “I think the energy of SteppingStone and Park Square Theatre truly complement each other well. Thanks to their theater classes, SteppingStone has given my children the tools and confidence to be on stage. Park Square Theatre has invited my students to watch the magic of a novel come to life on stage. I bring my entire family to watch a SteppingStone play and my husband and I enjoy date night at Park Square! I think these two theaters together will continue to strengthen the art scene in the Twin Cities and the greater Midwest.”  

Artistic and Executive leadership

Mark Ferraro-Hauck
Interim Executive Director of Park Square, Artistic Executive Director of SteppingStone Theatre for Youth
Mark has a passion for providing all youth with an opportunity to grow, discover their strengths, and interact with the world around them. He has conducted teacher and parent trainings in arts-based wellness strategies for youth and led a federal study of the role of the arts in building resiliency with traumatized youth. Mark has directed and designed over 60 plays throughout the Midwest at professional and educational theatres. He was a founder and held the position of Executive Producing Director of the Great River Shakespeare Festival in Winona, Minnesota, and was also founder of Public Theater of Minnesota in 2010, a program focused on professional Shakespeare productions featuring young actors. In addition to working in the arts, Mark spent 15 years as the principal designer and co-owner of Bluestem Construction, a nationally recognized residential and commercial remodeling firm.

Kim Vasquez
Producing Director of the Park Square Mainstage, Park Square Theatre Artistic Associate
Kim Vasquez is a Saint Paul native specializing in the development of new plays and musicals as head of Gray Lady Entertainment, Inc. She is currently a producer on Be More Chill (Chicago, London, Broadway and Off-Broadway) and Austen’s Pride. Kim is a proud Founding Producer for the currently defunct New York Musical Theatre Festival (NYMF), which survived for a glorious 15 years. Her most recent directing credit was for the New York Times bestselling Author and Poet, Rupi Kaur, in a live theatrical production of The Sun And Her Flowers at the Tribeca Performing Arts Center. Kim is also an Actor recently having worked on In The Heights, the movie, and Saturday Night Live. Proud member of SAG-AFTRA.

Ellen Fenster
Park SquareTheatre Artistic Associate
Ellen Fenster is a professional theater director and arts educator in Minneapolis. Ellen has directed at Pillsbury House Theatre, The Illusion Theater, Yellow Tree Theater, Theatre Mu, Artistry, Gremlin Theatre, U of MN/Guthrie Theater Actor Training Program and Park Square Theater. She is an associate artist at Pillsbury House Theatre where she ran the Chicago Avenue Project from 2008 to 2016.  She is also an artistic associate at Illusion Theatre where she helps connect the theater with young and emerging artists. She is currently the Artistic and Executive Director of Twin Cities Theater Camp, a summer theater intensive for children.

Rick Shiomi
Park Square Theatre Artistic Associate
Rick Shiomi is a founding member and the Co-Artistic Director of Full Circle Theater. He has been a playwright, director and artistic director in the Asian American theater movement since the 1980s and was a co-founder of Theater Mu and Artistic Director for twenty years. His twenty plays include Mask Dance, Rosie’s Café and Yellow Fever. His directing credits include: Flower Drum Song (David Hwang version), Into The Woods, The New Mikado and Caught by Christopher Chen. He has received The McKnight Distinguished Artist Award, The Ivey Award for Lifetime Achievement and the Sally Ordway Irvine Award for Vision.

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“Plotting” out Theatre

PLOTTING OUT THEATRE DURING THE CORONAVIRUS INTERMISSION
PARK SQUARE ANNOUNCES NEW INTERACTIVE ONLINE MYSTERY

Media Contact – Connie Shaver shaver@parksquaretheatre.org

Saint Paul, Minn., June 23, 2020 – As theatres in Minnesota and around the country face an ongoing “intermission,” Park Square Theatre continues to create projects that keep audiences and artists connected. The latest is RIDDLE PUZZLE PLOT, an online interactive mystery written by acclaimed playwright Jeffrey Hatcher (SHERLOCK HOLMES AND THE SUICIDE CLUB; SHERLOCK HOLMES AND THE ICE PALACE MURDERS), and directed by Warren C. Bowles (A RAISIN IN THE SUN; MY CHILDREN, MY AFRICA). The theatre would have been producing Hatcher’s play HOLMES AND WATSON on stage this summer, but rather than adapt an existing play that relies on stage tricks for a distanced production, this show is written expressly for the video chat medium. The story begins with an all-too-familiar premise: when a pandemic puts the kibosh on their annual summer scavenger hunt (as well as their acting gigs) a close-knit band of thespians take their game online.  But that is where the familiar ends. When someone winds up dead, the actors – and the audience – have to rush find the killer before the next life gets “disconnected.”  Full of secrets, clues and twisting plotlines the play will be a thrill for mystery lovers and theatre fans alike.

In a nod to classic mystery novels which were often serialized in magazines or newspapers, RIDDLE PUZZLE PLOT will be revealed in four episodes released weekly from July 24 –August 14. Audiences have the choice of streaming the episodes on their own schedule, or zooming in on Friday or Saturday nights for live introductions and post-play discussions (including hints to whodunit) with the cast and playwright, the episodes themselves being pre-recorded. One ticket will invite the ticketholder to all four episodes.

“Taking the summer mystery online in just a few weeks is a fun challenge,” notes Park Square’s executive director Michael-jon Pease. “We couldn’t have better partners than Jeffrey and Warren. Our core audience and new patrons around the country have been so engaged with our online productions – they keep pushing us to serve the mission in every way possible as we all endure the current health crisis.”

In May, Park Square released a Zoom-created production of THE DIARY OF ANNE FRANK – acclaimed by the Wall Street Journal – as well as a virtual festival of scenes from plays that will eventually be on stage. A monthly online residency with THE MYSTERIOUS OLD RADIO LISTENING SOCIETY easily transitioned from on stage to online.

The cast for RIDDLE PUZZLE PLOT includes local theatrical favorites: Aimee K. Bryant (A RAISIN IN THE SUN; NINA SIMONE: FOUR WOMEN); Alessandra Bongiardina (ROMEO AND JULIET); Sun Mee Chomet (AUBERGINE); Pearce Bunting* (HOLMES AND WATSON); Shanan Custer (2 Sugars, Room for Cream, SOMETIMES THERE’S WINE); Rodolfo Nieto; and E.J. Subkoviak* (THE RED BOX, MIGHT AS WELL BE DEAD, OF MICE AND MEN).

The production team includes Aaron Fiskradatz (Zoom Technician) and Lizzie Streif* (Stage Manager) *member, actors’ equity association

MORE ABOUT JEFFREY HATCHER:
Jeffrey Hatcher is a local playwright and screenwriter, beloved for home-grown work like the musical GLENSHEEN, with music by Chan Pohling. He wrote the stage play Compleat Female Stage Beauty, which he later adapted into a screenplay. He also co-wrote the stage adaptation of Tuesdays with Morrie with author Mitch Albom, and Three Viewings, a comedy consisting of three monologues – each of which takes place in a funeral home. He wrote the screenplay Casanova for director Lasse Hallström, as well as screenplays for The Duchess (2008); MR HOLMES (2015); and THE GOOD LIAR (2019). 

TICKET PRICES: All tickets $30.

Tickets are on sale at the www.parksquaretheatre.org.  
The ticket office is temporarily closed due to coronavirus. Please email tickets@parkquaretheatre.org with questions.

CALENDAR INFORMATION

Performances:

Friday Night Series: July 24, 31, Aug 7, 14 at 7:30 pm

Saturday Night Series: July 25, Aug 1, 8, 15 at 7:30 pm

Or streaming online through August 16.

Tickets: $30

Ticket office:  www.parksquaretheatre.org

PHOTOS available at https://www.parksquaretheatre.org/media/photos/

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

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Introducing the first members of new Artistic Associates cohort!

Park Square Theatre announces the first members of its new cohort of Artistic Associates, who will help shape programming in 2022. Park Square first developed its Artistic Associates model in 2014-2018 as an intentional way to expand the range of its storytelling. An open call for additional associates will be announced this spring.

Artistic Associates confirmed to date are:

Ellen Fenster, a professional theater director and arts educator in Minneapolis. Ellen has directed at Pillsbury House Theatre, The Illusion Theater, Yellow Tree Theater, Theatre Mu, Artistry, Gremlin Theatre, U of MN/Guthrie Theater Actor Training Program and Park Square Theater. She is an associate artist at Pillsbury House Theatre where she ran the Chicago Avenue Project from 2008 to 2016.  She is also an artistic associate at Illusion Theatre where she helps connect the theater with young and emerging artists. She is currently the Artistic and Executive Director of Twin Cities Theater Camp, a summer theater intensive for children.

Rick Shiomi, a founding member and the Co-Artistic Director of Full Circle Theater. He has been a playwright, director and artistic director in the Asian American theater movement since the 1980s and was a co-founder of Theater Mu and Artistic Director for twenty years. His twenty plays include Mask Dance, Rosie’s Café and Yellow Fever. His directing credits include: Flower Drum Song (David Hwang version), Into The Woods, The New Mikado and Caught by Christopher Chen. He has received The McKnight Distinguished Artist Award, The Ivey Award for Lifetime Achievement and the Sally Ordway Irvine Award for Vision.

Kim Vasquez, a Saint Paul native specializing in the development of new plays and musicals. She is currently a producer on Be More Chill (Chicago, London, Broadway and Off-Broadway) and Austen’s Pride. Kim is a proud Founding Producer for the currently defunct New York Musical Theatre Festival (NYMF), which survived for a glorious 16 years. Her most recent directing credit was for the New York Times bestselling Author and Poet, Rupi Kaur, in a live theatrical production of The Sun And Her Flowers at the Tribeca Performing Arts Center.

“Park Square’s Artistic Associates are working professionals who direct, write, teach, produce and perform,” says Pease. “They come to us with rich careers, distinct histories, personal networks and perspectives that will keep expanding Park Square’s circle of artistic relationships. We live among many different histories, cultures and people; the community is always enriched whenever new voices are added to the conversation.”

NOT ONLY ENTERTAINING BUT TIMELESS AND FEMINIST

A Pride and Prejudice Director’s Note from Lisa Channer

I’m not sure how I avoided her for so long but until Park Square artistic director Flordelino sent me Kate Hamill’s adaptation of Pride and Prejudice, I had never cracked a Jane Austen book. Ever. Not even Pride and Prejudice. I did not know what I was missing all those years! Her portrayals of family dynamics, gender, marriage and class through witty recognizable characters makes her not only entertaining but timeless and feminist.

That this play is funny is undeniable, but it is the desperate stakes of their world that roots all the humor and sets the context in which these characters play out their decisions. With no brothers to inherit the family home the Bennet women face the prospect of poverty, homelessness and desperation if they can’t “win” husbands. But also, for a woman in Regency era England, marriage meant “civil death” in which she ceases to be a separate human being with individual autonomous rights. Tough choice. Poverty or Erasure? And lest we congratulate our modern world too quickly, as recently as 1972 my own mother was unable to apply for a bank account in her own name without a husband’s signature and we still do not have an Equal Rights Amendment. And so Jane Austen remains current.

As I laugh at these brilliant characters in the hands of these talented actors, I am reminded of the great 17th century French playwright Molière. Like Molière, Austen is a genius of comedic social commentary, pointing out preposterous
social rules with a pen as sharp as a knife.

-Lisa Channer, director of Pride and Prejudice

Tickets and Information

 

PARK SQUARE THEATRE PAUSES TO RIGHT-SIZE

Park Square Theatre pauses to right-size and roll out a new vision by its new leader

Saint Paul, Minn., October 29, 2019 – To better serve its stakeholders, Park Square Theatre has made the difficult decision to revise its season and cancel its planned productions of the major musicals EVITA and MISS YOU LIKE HELL.

Financial challenges, brought on by less than expected ticket sales and fundraising shortfalls, led to this difficult decision. “Park Square is taking this valuable opportunity to regroup so that we may become a stronger organization and meet the needs of the Twin Cities theater community,” states artistic director Flordelino Lagundino. “This was a very difficult decision to make as it causes hardships, especially to the artists working with us. As an actor and director, I do not take lightly the impact it has on the talented people I came to Minnesota to work with.”

Lagundino further states Park Square is working towards a healthy business model that supports stellar artistry for appreciative audiences. “It is a natural pattern for a 47-year-old theater to evolve, and this is part of that maturation process.”

The Park Square Theatre’s nine-show season continues with THE ROCKY HORROR SHOW and PAIGE IN FULL, both of which close this week. Upcoming productions include:  PRIDE AND PREJUDICE by Kate Hamill (Nov 15 – Dec 22, 2019); FACE TO FACE: OUR HMONG COMMUNITY with Ping Chong + Co. (Mar 5 – 15, 2020); HOLMES AND WATSON by Jeffrey Hatcher (Jun 12 – Jul 26, 2020); and a remount of MARIE AND ROSETTA by George Brandt (Dates TBD).

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Your help is needed at this critical time. Make a donation today HERE.

Purchase tickets to Pride and Prejudice HERE.

For questions regarding subscriptions and ticketing, email tickets@parksquaretheatre.org.

 

 DANCE, HIP HOP, THEATRE AND PERSONAL MEMOIR COMBINE IN A VISUAL MIX TAPE

PAIGE HERNANDEZ GIVES THEATRE A JOLT WITH HER UNIQUE MULTI-RACIAL EXPERIENCE

Paige Hernandez in Paige in Full.

Park Square Theatre announces a special one-week only presentation of PAIGE IN FULL by Paige Hernandez on the Boss Stage (Friday, Oct 25 – Sunday, Oct 27). This unique experience blends poetry, dance, media and music to share a multicultural girl’s journey through hip-hop to self-discovery. Since its premiere in 2010, this “visual mix-tape” has sold out performances throughout the country and garnered praise from critics and audiences alike for its energy, intelligence, and originality.  In addition to just three public performances, the show will play to schools at special weekday matinees.

“With Paige in Full, I aimed to create what I wanted to see on stage: a positive story from a woman of color that is both uplifting and insightful,” says creator Paige Hernandez.  “The show needed to blur cultural lines with infectious music, choreography that moved the story forward, poems that defied structure, accessible emotion, and a strong narrative of love, pain, and triumph. I wanted a story that would help to reclaim the positive energy that hip hop was once known to create. Lastly, I wanted a story for little girls of color. I want them to know that no matter where they fall in the rainbow, their voice is interesting, unique and needs to be heard.”

Paige Hernandez* (writer, choreographer, and performer) is a multifaceted artist, who is known for her innovative fusion of poetry, hip hop, dance and education. As a master teaching artist, Paige has taught throughout the country, to all ages, in all disciplines. The Huffington Post named Paige a “classroom hero” because of her outstanding arts integration and work with STEM initiatives. She has collaborated with The Lincoln Center (NY) and was commissioned by the National New Play Network in 2012.

The show is directed by Danielle A. Drakes* with live beats and sound design by Nick tha 1da.

*Member, Actors Equity Association

Ticket prices $16-$30. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, downtown Saint Paul, by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTPaige

PHOTOS parksquaretheatre.org/media/photos/

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2019-2020 Season opens with AUBERGINE

Park Square Theatre opens its 2019-2020 Theatre Season with the area premiere of Aubergine by Julia Cho — a poignant and lyrical new play

Saint Paul, Minn., July 29, 2019 – Park Square Theatre opens its 2019-2020 Theatre Season on the Andy Boss Trust Stage with the area premiere of Aubergine (SEPT 20 – OCT 20, 2019) by Julia Cho, author of The Language Archive. Aubergine will be directed by Park Square’s Artistic Director Flordelino Lagundino – his Park Square directing debut.

In this poignant and lyrical new play, a son cooks a meal for his dying father to say everything that words can’t. Since this first generation Korean American speaks English and only limited Korean, the making of a perfect meal is an expression more precise than language, and the medium through which his love gradually reveals itself.

“This was one of the most beautiful plays I have ever read,” says Flordelino. “When I encountered it for the first time, I felt it was the best play I had read by an Asian American author in the last ten years. The writing feels so personal. It is a humorous and sensitive play about memories, food, and a relationship fractured by the loss of native language and the distance created between families because of war and the resulting Korean diaspora.”

“This play is also personal to me and plays out in my own history” Flordelino continues. “My father is Filipino, I am Filipino-American. I don’t speak his dialect, Ilocano. This is something that immigrants from any country feel.  I also think it’s a fascinating exploration of men as caregivers since Ray’s father in the play is in hospice care. The personal aspects hit home.”

The cast includes, Sun Mee Chomet*, Shanan Custer, Song Kim, Glenn Kubota, Kurt Kwan*, and Darrick Mosley*.

The Production team includes: Lindsey Cacich Samples (Assistant Director Fellow), Deb O (Set Designer), Amber Brown (Costume Design), Matt Otto (Sound Designer), Karin Olson (Light Designer), Kenji Shoemaker (Properties Designer), Kathy Maxwell (Video Designer), Annie Enneking (Fitght Choreographer), Ruth Coughlin Lencowski (Vocal Coach), Akiem Scott (Assistant Sound Design Fellow), Maxwell Colliard (Assistant Video Design Fellow).

*Member, Actors Equity Association

Picture of a man in a chef jacket surrounded by vines and eggplants. Heading says "Nothing says love like a home-cooked meal."

Ticket prices: Previews: $20-$37. Regular Run: $25-$55. Discounts are available for seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, or by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTAubergine

TICKETS are on sale now.  Subscription package prices begin at $66.

CALENDAR INFORMATION

Previews: Sep 20 – Sep 26, 2019

Opening Night: Sep 27, 2019

Regular Run: Sep 27 – Oct 20, 2019

Tickets: Previews: $20-$37; Regular Run: $25-$55

Ticket office: 651.291.7005 or www.parksquaretheatre.org

The Ticket Office is open from noon to 5:00 pm Tuesday through Friday. Call 651.291.7005.

 

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

 

Film and Talk, Rape: A Crime Against Humanity

Film and Talk, Rape: A Crime Against Humanity

Event Notice and Special Guest Blog by Ellen J. Kennedy, Ph.D., Executive Director, World Without Genocide

Please join Park Square on Sunday May 19 at 1:30 pm, for a screening of the documentary film I Came to Testify, followed by a conversation with Judge Peggy Kuo, one of the lead prosecutors at the International Criminal Tribunal of former Yugoslavia (ICTY), who is featured in the film.

Film and Talk, Rape: A Crime Against Humanity

Sunday, May 19, 1:30 pm
Park Square Theatre, Proscenium Stage

Screening: I Came to Testify. Run time, 50 minutes
Talk: Magistrate Judge Peggy Kuo, Eastern District of New York
Interviewed by John Docherty, Assistant United States Attorney in Minnesota

I Came to Testify is the moving story of how a group of 16 women who had been imprisoned by Serb-led forces in the Bosnian town of Foča broke history’s great silence – and stepped forward to take the witness stand in an international court of law. This historic trial changed international law, designating rape as a crime against humanity and a crime of genocide. We are honored to be joined by Judge Peggy Kuo, who played a critical role in the trial.

This event is part of the series Justice After Genocide*, a series of events presented in anticipation of the upcoming play Heaven, Theatre in Residence Flying Foot Forum’s theatrical look into war-torn Bosnia through music, dance, and story. To deepen our collective understanding of the conflict and of the challenges faced in the war’s aftermath, Park Square is collaborating with World Without Genocide and The Flying Foot Forum to offer this series.

Tickets:
$10 general public, $5 seniors and students; $25 for lawyers’ CLE credits at most programs; ‘clock hours’ for educators. Purchase tickets at the door, no advance registration is required.

Rape Camps

by Ellen J. Kennedy, Ph.D.
Executive Director, World Without Genocide

People do unspeakable things during war. They view the ‘other’ as less than human and behave in ways that most of us could not even imagine. That was the situation during the war in Bosnia in the 1990s.

Bosnian Serbs abducted Muslim women and girls, brought them to unused schools, hotels, and other buildings, and imprisoned them for months at a time, subjecting them to sexual slavery and cruelty. These places of horror became known as ‘rape camps.’

As the war escalated, an international court was created for the first time since World War II to prosecute the worst perpetrators of the conflict. This court, known as the International Criminal Tribunal for former Yugoslavia, was operated by the United Nations.

One of the many cases was the trial of three leaders of the ‘rape camps.’ The prosecution team was led by three remarkable women: Tejshree Thapa from Nepal, Hildegard Retzlaff from Germany, and Peggy Kuo, an American.

These prosecutors were determined to seek justice. First, however, was the very difficult challenge of finding women survivors who were willing to testify. To speak about their horrors meant reliving the trauma. It also meant that, like women everywhere who have been subjected to sexual violence, they felt shamed and ruined; and now they were being asked to publicly acknowledge what had happened to them. In addition, these women were likely to face deadly intimidation or retribution if they testified. Ultimately, many women came forward and spoke the truth of what had been done to them.

All three defendants were found guilty. More than that, however, the prosecutors changed international law. Rape is now a crime against humanity and a crime of genocide. These women prosecutors, like other women in the legal profession, brought a gendered perspective into that courtroom – and influenced gendered justice around the world.

Peggy Kuo, one of those fierce and determined prosecutors at that trial, will be here on May 19. Join us at Park Square Theatre to meet her and to see the remarkable documentary about the trial.

Ellen J. Kennedy is the founder and Executive Director of World Without Genocide, a human rights organization headquartered at Mitchell Hamline School of Law, St. Paul, MN.

Through World Without Genocide, Kennedy promotes Holocaust and genocide education in high schools, colleges, faith-based organizations, and civic groups and advocates with elected officials at city, state, and national levels. Kennedy was a professor at the University of St. Thomas for nearly twenty years and the Interim Director at the Center for Holocaust and Genocide Studies, University of Minnesota, for three years. She began as an adjunct professor at Mitchell Hamline School of Law in September 2010 and remains today.

Information about JUSTICE AFTER GENOCIDE at: https://parksquaretheatre.org/programs-justice-after-genocide/
Information about HEAVEN at: https://parksquaretheatre.org/box-office/shows/2018-19/heaven/

Justice After Genocide is co-sponsored by the Minnesota Chapter, Federal Bar Association; the Human Rights Committee, Minnesota State Bar Association; DKG, an international women educators’ society; ILSA, the International Law Student Association at Mitchell Hamline School of Law; and the St. Paul and Minneapolis-University Rotary Clubs.

$10,000 Water Damage Challenge Grant! Help the show go on!

Park Square Backstage Flooded. $10,000 Challenge grant in place to double your gift and meet the $20,000 goal.

You know how cold it was during the Polar Vortex.

Saint Paul recorded its coldest temperatures since 1996 (and before that 1887)!

Imagine the shock as Park Square’s technical staff came in Wednesday morning, January 30 – bundled up against the cold, coaxing their car batteries to start – to find a cascade of water falling from the ceiling of the scene shop due to burst pipes in the building.

Water pouring in above the scene shop.

The drains were quickly overwhelmed. Water cascaded into the technical office, dressing rooms and green room, eventually forcing the sewer lines to back up. Ick. Yes, the cast’s shoes were submerged in you-know-what.

The damage is extensive. The room holding the furniture and props for our 20th anniversary production of The Diary of Anne Frank was flooded. Crews are busy rebuilding and painting set pieces, replacing shoes, drying out the stage curtains and creating temporary dressing room for the valiant cast of Girl Friday Production’s upcoming show The Skin of Our Teeth, which opens Feb 9.

Insurance will cover most of the damage, but never all. If you’ve been in an old building with water damage, you know the discovery of new problems will continue on well into the spring. (We think there’s still one of those coming!)

A large curtain being dried.

Early estimates are that there will be a $20,000 gap when all is said and done.

And you need us to be ready to welcome 25,000 more teens this spring for field trips to Antigone, The Diary of Anne Frank and Romeo and Juliet.

You can make sure the shows go on at Park Square!

  • Please buy tickets.
  • Please make a gift to meet the $10,000 challenge match and the $20,000 goal.
  • “Party with a purpose” when you Sign up for the Cattle Call Ball or our Spring Mischief Gala. Exceeding our goals at these events will make a difference (and be fun!)
  • Volunteer to help move stuff and repaint.

When you give today, you will join the heroes of a record-breaking cold, wet, smelly, spirit-crushing day.

The entrance to the dressing rooms.

Your pantheon of heroes includes these all-stars Gaea Dill-D’Ascoli (Assistant Technical Director), Dave Peterson (Facility Director), Gabe Salmon (facility associate), Mary Mongtomery-Jensen (Interim Production Manager), Trevor Muller-Hegel, Eric Hofstead, Allison Oberg, Rachel “Olli”  Johnson, Peter Talbot, and Anna Lund.

On your behalf, they are working around the clock with the remediation company, assessing damage, making inventories, cleaning up (you don’t want to know the details), and getting your shows ready with amazing artists.

Thank you for being the friends that keep the show going for your whole community. With you on our side, we can do it!

With gratitude,

Michael-jon

Executive Director

P.S. And if you haven’t picked up on the irony, The Skin of Our Teeth follows the eternal family through the Ice Age, a great flood and a world war with their hope intact. You are our hope!

Tickets

The Park Square Ticket Office is open for phone calls Wednesday, Thursday, and Friday from noon to 5:00 pm.
Please call 651.291.7005.

For service other days of the week, please email tickets@parksquaretheatre.org.

Tickets can be purchased online at anytime.

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