Posts Tagged Leslie Vincent

Meet Leslie and Zach of Jefferson Township

Meet Leslie and Zach of Jefferson Township

Jefferson Township’s Delightful Journey from the Minnesota Fringe Festival to Park Square Theatre: Conversations with Actors Leslie Vincent and Zach Garcia

An irreverent, bold musical satire about a talent show in a small town opened Friday, June 21 on Park Square’s Boss stage. Jefferson Township Sparkling Junior Talent Pageant, a new play about a pageant competition in rural Jefferson Township, tells the story of Frannie Foster Wallace — a thirty-something who must come to terms with her own personal failures after moving back to her  hometown. We reached out to Leslie Vincent and Zach Garcia, who play “Val” and “Travis” in the show, to talk about what it was like developing this musical comedy at Park Square after its first premiere at The Minnesota Fringe Festival in 2017.

Jefferson Township was first presented at the Minnesota Fringe Festival and has gone through an extensive workshop process here at Park Square. How has it and you, as performers and theatre makers, evolved along with it?

Leslie: The production value that Park Square can add to a piece really makes it special. This version has so many elements that we couldn’t pull off in a Fringe setting. The costumes, lights, and set we have now are magical. I’ve grown so much during this process. I’ve become a more flexible, confident, and joyful performer. I’ve learned to take wild risks with abandon because it’s more fun that way. When I’m out there on stage, singing Keith’s beautiful harmonies or cracking one of his jokes, I’m truly in heaven.

Headshot of actor Zach GarciaZach: In a Fringe festival setting, we had to challenge the audience to suspend their disbelief with certain plot points and character relationships due to the confinement of time. With this full-length version of the play, it felt great to evolve and deepen our characters, their relationships to each other and their stories. The cast has lived with these characters for two years, and to begin to adjust and refine the way we think about them was the biggest thrill and challenge in this workshop process.

What is the most important takeaway for the show (how do you want the audience to feel when they leave the theatre)?

Leslie:  I hope people can feel a sense of camaraderie with us. Everyone feels lost in their lives at some point. Everyone struggles with life’s unexpected shifts. These characters are over the top, but at the end of the day their struggle to find success and meaning in their lives isn’t that far-fetched.

Zach: I hope the audience walks away feeling that they’re exactly where they’re supposed to be in life. The beautiful thing about Keith’s writing is that he works with universal themes that span generations. Everybody has felt anxiety or uncertainty about where they are or what they are supposed to have accomplished by a certain point. My sincere hope is that every audience member can leave the theater knowing that it’s okay to not have all the answers and to remember to laugh their way through their own journey.

What character in the story do you most identify with and why?

Headshot of actor Leslie Vincent

Leslie Vincent

Leslie:  “Val” was written with me in mind, so obviously I most identify with her (#TEAMVAL). I love her brashness, wit, determination, and fearlessness. I also love all of my costumes — I want to wear more hot pink track suits in my day-to-day life.

Zach: The greatest gift in my career has been working with Keith, who writes stories specifically for the actor in that role.  “Travis” was loosely based on me and my life. He has a huge heart, is immensely loyal and cherishes the people close to him; I relate to all of these qualities. I spent a large portion of my childhood in rural Wisconsin. I know the pleasure of kicking it on the back of a truck bed with friends or hanging out in a parking lot. Another huge link to me is the role of being a father. When we first performed this piece at the Fringe Festival two years ago, my wife and I had just begun the discussion about starting a family. Fast forward to now and we’ve welcomed our son Oliver — three days before we went into rehearsals at Park Square!  Art imitates life I guess.

Tickets for Jefferson Township Sparkling Junior Talent Pageant are available HERE!

Picture of girl putting a tiara on her head and looking surprised.Interview by Rebecca Nichloson, Marketing Manager.

Small Town Talent Show Turns to Mayhem

Small Town Talent Show Turns to Mayhem

SMALL TOWN TALENT SHOW TURNS TO MAYHEM in

JEFFERSON TOWNSHIP SPARKLING JUNIOR TALENT PAGEANT

World Premiere Musical Comedy

 Park Square Theatre’s summer fare kicks off on the Andy Boss Thrust Stage with the world premiere of Jefferson Township Sparkling Junior Talent Pageant (June 14 – July 28, 2019), with book, music and lyrics by Keith Hovis. Described as Avenue Q meets The Book of Mormon with a little bit of Heathers mixed in, this newly created irreverent, hummable, and heartfelt musical reflects the quirks of small-town life. In 1997, a contestant died onstage and permanently ended the popular local talent pageant. Twenty years later, Frannie Foster Wallace still blames all her failures in life on losing out on the chance to become Jefferson’s Sparkling Junior Champion. That is, until she gets the chance for a rematch with the surviving contestants.

The work, which had its first stage of development as part of the 2017 Fringe Festival, will be directed by Park Square’s Laura Leffler. “When I saw Jefferson at the Fringe, I was elated,” says Leffler. “Here was this hilarious musical with a story that really is as heart-wrenching as it is heart-warming, and it was just shimmering with potential. There was this lightning energy in the room, and I wanted to bring that to Park Square. It’s been so rewarding to workshop the piece with Keith and the performers over the last nine months. The music is fun, catchy, and down-right gorgeous.”

The original cast of Zach Garcia (Travis Hernandez), Kelly Houlehan (Frannie Foster Wallace) , Ryan London Levin (Liam Ackermann), and Leslie Vincent (Valerie Hutchinson) returns in the new full-length version with added songs and plot twists. “When Keith and his cast came to the theatre a year ago to give our staff (most of whom are under 40, if not under 30), a sample of the script and a few songs, they laughed until they had tears in their eyes,” says Executive Director Michael-jon Pease. “We knew we had to take on this sweet story that speaks to today’s young adults. Regardless of generation, so many of us can relate to those moments when you feel like you’re not getting where you want to go in life and remember back to that ‘on top of the world/endless possibilities’ feelings of childhood.”

The production team for Jefferson Township Sparkling Junior Talent Pageant includes Ursula Bowden (Set Designer), Mike Kittel (Lighting Designer), Jake Davis (Sound Designer), Brian Pekol (Music Director), Antonia Perez (Choreographer), Foster Johns (vocal coach), Abbee Warmboe (Properties Designer), Tyler Olsen-Highness (FX Designer), Hannah Holman (Dramaturg), Rubble&Ash (Co-costumers), Laura Topham* (Stage Manager) and Jared Zeigler* (Assistant Stage Manager). Sophie Peyton is the Assistant Director. *Member, Actors Equity Association

Ticket prices: Previews: $25-$37. Regular Run: $25-$60. Discounts are available for seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, or by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTSparkle

CALENDAR INFORMATION

Previews: June 14 – 20, 2019

Opening Night: June 21, 2019

Regular Run: June 21 – Jul 28, 2019

Tickets: Previews: $20-$37; Regular Run: $25-$60

PARK SQUARE THEATRE, 20 W. Seventh Place, Saint Paul

Ticket office: 651.291.7005 or www.parksquaretheatre.org

PHOTOS by Petronella J Ytsma parksquaretheatre.org/media/photos/

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PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

What’s Behind JEFFERSON TOWNSHIP?

Developing a new play – or a MUSICAL – is an exciting and complicated process filled with rewrites, workshops, edits and additions! We asked Keith Hovis, the playwright and composer of Jefferson Township Sparkling Junior Talent Pageant, on stage in June of 2019, to tell us more about the concept and creative process behind this new full-length and still-developing show!

You can hear a full sing-through of the show with Keith and the cast at a Workshop Presentation on November 1st, at 7:30 pm. Tickets are $10 (including a Free Drink!) and are on sale HERE.

#JeffersonSparkle


line illustration of a tiara crown - dark burgundy on bright plum background

I started writing Jefferson Township Sparkling Junior Talent Pageant at one in the morning after I’d hit a massive writer’s block on another project. I had the actors, a director, and a production date (the 2017 Minnesota Fringe Festival), but inspiration was not striking.

Sitting at my keyboard I just started playing music. Four chords over and over, until I heard a chorus. What emerged over the next couple hours was the song, “Sparkling Junior Champion,” in which two former classmates, now in their 30’s, decide to revive their small hometown children’s talent competition.

Leslie Vincent and Kelly Houlehan. Photo by Petronella J. Ytsma.

This absurd premise, serves as the jumping off point for the show. At its core, Jefferson Township is about finding your way when you’ve hit an age where you’re told you should already have a plan in place. It’s about going home – that place where you grew up and helped shape your identity and values – and suddenly realizing you feel like an outsider in your own community. It’s about realizing that success and happiness come in many forms, and sometimes you need to open yourself up to possibilities you never considered before.

It’s a comedic, heartfelt exploration for anyone who has ever felt lost.

A scene from the Fringe Festival production of Jefferson Township Sparkling Junior Talent Pageant.

The original Fringe Festival version was an hour of fast-paced, farce-like comedy, peppered with moments of reflection. Expanding the piece to full length provides an opportunity to flesh out the characters and add more commentary on the pressures we face on a daily basis whether personal, societal, socioeconomic, familial, or generational.

I placed the show in a small town because I don’t feel like that is a population commonly reflected on stage; and when they are depicted, it is often through the lens of being simple, hard-working folk. Growing up, I was fed a narrative that having big dreams and being successful meant having to leave my hometown. It’s only as I’ve gotten older that I realize how false this narrative is.

Even now, as we near the election, I am amazed at all of the think pieces about rural America. What they want and how they might impact who is elected. In a world that has gotten more and more divided, this rural/urban split ignores that fact that no matter where you live, everyone wants to do their best. Have a family, succeed in their career, maybe buy a house, and who knows, possibly retire someday. These wants are universal. The reality is that people are people, no matter where you live. Crazy, right?

Writing Jefferson Township has reinforced how proud I am of where I came from. Yes, even if I still try to avoid awkward conversations with former classmates each time I go back to the Coborn’s in Princeton. I’ll just blame that on being slightly introverted.

It has also made me realize how lucky I am to have found my chosen community here in the cities. My new small-town community tucked in an urban landscape. And even more lucky that a few members of that chosen community, my cast – Zach Garcia, Kelly Houlehan, Ryan London Levin and Leslie Vincent – get to be on the journey of bringing Jefferson Township to Park Square.

Keith with the cast. From left to right: Ryan London Levin, Leslie Vincent, Keith Hovis, Kelly Houlehan, Zach Garcia. Photo by Petronella J. Ytsma.

I am excited to share my musical with Park Square audiences. I hope they laugh and are moved in equal measure. As we head into a public reading of the current draft on November 1, I am looking forward to seeing how people respond. I want the production in June of 2019 to be the best it can be, and I know this feedback will be essential for continued development of the show.

Now if you’ll excuse me, I need to get back to my keyboard!

Keith Hovis as a playwright and composer based in Minneapolis. He can currently be seen onstage at the Southern Theater in A Morbid History of Sons & Daughters, an original, ensemble-created musical presented as part of the Twin Cities Horror Festival.