Posts Tagged Full Circle Theatre

Introducing the first members of new Artistic Associates cohort!

Park Square Theatre announces the first members of its new cohort of Artistic Associates, who will help shape programming in 2022. Park Square first developed its Artistic Associates model in 2014-2018 as an intentional way to expand the range of its storytelling. An open call for additional associates will be announced this spring.

Artistic Associates confirmed to date are:

Ellen Fenster, a professional theater director and arts educator in Minneapolis. Ellen has directed at Pillsbury House Theatre, The Illusion Theater, Yellow Tree Theater, Theatre Mu, Artistry, Gremlin Theatre, U of MN/Guthrie Theater Actor Training Program and Park Square Theater. She is an associate artist at Pillsbury House Theatre where she ran the Chicago Avenue Project from 2008 to 2016.  She is also an artistic associate at Illusion Theatre where she helps connect the theater with young and emerging artists. She is currently the Artistic and Executive Director of Twin Cities Theater Camp, a summer theater intensive for children.

Rick Shiomi, a founding member and the Co-Artistic Director of Full Circle Theater. He has been a playwright, director and artistic director in the Asian American theater movement since the 1980s and was a co-founder of Theater Mu and Artistic Director for twenty years. His twenty plays include Mask Dance, Rosie’s Café and Yellow Fever. His directing credits include: Flower Drum Song (David Hwang version), Into The Woods, The New Mikado and Caught by Christopher Chen. He has received The McKnight Distinguished Artist Award, The Ivey Award for Lifetime Achievement and the Sally Ordway Irvine Award for Vision.

Kim Vasquez, a Saint Paul native specializing in the development of new plays and musicals. She is currently a producer on Be More Chill (Chicago, London, Broadway and Off-Broadway) and Austen’s Pride. Kim is a proud Founding Producer for the currently defunct New York Musical Theatre Festival (NYMF), which survived for a glorious 16 years. Her most recent directing credit was for the New York Times bestselling Author and Poet, Rupi Kaur, in a live theatrical production of The Sun And Her Flowers at the Tribeca Performing Arts Center.

“Park Square’s Artistic Associates are working professionals who direct, write, teach, produce and perform,” says Pease. “They come to us with rich careers, distinct histories, personal networks and perspectives that will keep expanding Park Square’s circle of artistic relationships. We live among many different histories, cultures and people; the community is always enriched whenever new voices are added to the conversation.”

True Gems

I was recently inspired by Matthew Glover’s blogs on June 1 (“When 40 Feels Like a Lot”) and June 3 (“The Finish Line”). Glover was co-Director and Project Lead on Sandbox Theatre’s Queens, which just ended its run on Park Square Theatre’s Andy Boss Thrust Stage. Each of his posts gave us a glimpse of the immense dedication of artists to bring their creations to audiences, regardless of size, and how they feel called to give beyond the best of themselves—in this case, performing through excruciating pain from an injury.

Glover made me recall how I had discovered Sandbox Theatre at Park Square Theatre last season. The ensemble was performing War With the Newts, also on the Boss Stage and as part of Park Square’s Theatres in Residence Series. It was a truly groundbreaking production, described as “a deep exploration of the themes of nationalism, exploitative business practices and human nature’s self-destructive tendencies.” In short, humanity faced extinction at the hands of anthropomorphic newts. Reviewers described the play as “quirky” and “darkly funny.” The utter originality of the production simply blew my mind—in a very good way, leading me to see it twice.

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As you can imagine, I could not wait to see Queens this season. But like War With the Newts, Queens also fought for a larger audience, though both garnered good reviews. The sheer quiet beauty of the sure-footed performances made me want to see Queens again as well, though I was unable to do so this time.

In a May 25 review on Queens in City Pages, Jay Gabler wrote, “If you’re willing to set aside your expectations of a conventional narrative, though, you’ll find a show built on trust—trust among the performers, trust in the material, and trust in the audience.” I think that his words would also ring true for War With the Newts a year ago. Sandbox Theatre does excellent but unconventional work that may challenge the audience in new ways; and, often, cutting-edge art takes time to be recognized for the gem that it is—to, essentially, build an audience.

Pondering on the incredible dedication of Sandbox Theatre to its craft made me think about all the other smaller theatres in the Twin Cities that have or will perform at Park Square Theatre this season–Wonderlust Productions, Mu Performing Arts, Other Tiger Productions and Flying Foot Forum–and how they “sweat blood” to inspire us, broaden and challenge our views, and bring us together.

New start-ups, such as Full Circle Theatre (co-founded by Rick Shiomi who was also co-founder of Mu Performing Arts) and Hero Now Theatre (which cast our own Vincent Hannam in its inaugural play), have only cropped up this past year; and you can be sure that others will keep coming, all bent on working to build mutual understanding and inspire a better future.

I encourage you to come and engage with these and other theatres as you discover their existence. Come be challenged. Come to explore. Come to receive their gifts—always with an open mind.

 

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