Posts Tagged Erik Paulson

Introducing the Company of THE HUMANS

FOR IMMEDIATE RELEASE

MEDIA CONTACT
Rachel Wandrei |wandrei@parksquaretheatre.org
Emily Halstead | halstead@parksquaretheatre.org

A FRESH PERSPECTIVE ON FAMILY IN THE HUMANS

Saint Paul, MN. August 25, 2022: Park Square Theatre’s 2022-2023 Season opens with the Tony Award-winning comedy-drama THE HUMANS (September 14 – Oct 9, 2022) by Stephen Karam, directed by Lily Tung Crystal. A one-act performed in real time, the play takes place as three generations gather for Thanksgiving at the new apartment of one of the children. Blisteringly funny but with a dark underside, Karam offers a stunning portrayal of a family navigating the challenges of everyday life.

Audiences are likely to come away commenting about how they relate to one or all of the family members. “This play is deeply and delightfully about family,” shares director Lily Tung Crystal. “What I love about THE HUMANS is that it fully captures the joy, humor, and dysfunction of family in all its nuances. The characters are doing the best they can to get through this one Thanksgiving dinner and everything else life throws at them–the trauma of 9/11, economic hardship, health challenges, broken relationships, old age, the effects of a hurricane. No one is perfect, but no one is a villain either, and somehow their love for one another helps bind them together, for better or worse.” 

After premiering in Chicago in 2014, THE HUMANS opened on Broadway in 2016 where it became a finalist for the 2016 Pulitzer Prize for Drama and won the 2016 Tony Award for Best Play, but Tung Crystal is busy thinking about how to interpret it for a Minnesota audience in 2022. “There are a lot of Asian adoptees around the country, but particularly in Minnesota, and portraying a family of White parents with Korean adoptee daughters seemed to make a lot of sense. In fact, that choice has opened up many new ways to think about the play, which the audiences here in the Twin Cities will understand and resonate with. People often have a monolithic perception of what it means to be an ‘American family,’ but we are approaching this show with a 2022 lens, embracing a blend of different ethnicities, backgrounds, and beliefs, rather than the ‘traditional’ family construct. Portraying the family in this way allows us to embrace all the diversity that family can be.” 

Three generations will by played by John Middleton* and Charity Jones* as parents Erik and Deirdre Blake, Laura Anderson* and Dexieng “Dae” Yang as their daughters, Aimee and Brigid, Angela Timberman* as grandmother Fiona “Momo” Blake, and Darrick Mosley* as Brigid’s boyfriend, Richard. Lori Constable, Gary David Keast, James Rodriguez, and Janet Scanlon will understudy.

Examining human relationships and the bonds that tie people together is a through-line in the Park Square 2022-2023 Season. Executive Director Mark Ferraro-Hauck notes that THE HUMANS and BETWEEN RIVERSIDE AND CRAZY (at Park Square May 24- June 18, 2023) both specifically portray American family life. “A large part of the USA’s contribution to theatre is the exploration of family,” says Ferraro-Hauck. “It is really important to recognize that these two plays are in the same vein. While the central storytelling is told with different voices and comes from different lived experiences, they both show us ways in which our lives are bound together through the common experiences of family life.” 

Ferraro-Hauck also appreciates the deft hand in which Karam crafts the play. “What is amazing about THE HUMANS is how it weaves its way through both the best and worst of family experience but does so without judgment. It embraces us as flawed beings trying to make community and family together. It allows us to laugh at it, get angry, and cry over it simultaneously.” Who hasn’t felt that way after a holiday spent with their own family?

The production team for THE HUMANS includes Roshni Desai (Assistant Director), Erik Paulson (Set Designer), Matthew LeFebvreᐩ (Costume Designer), Katharine Horowitz (Sound Designer), Karin Olson (Lighting Designer), John Novak (Properties Designer), Katie Bradley (Dramaturge), Andrea Moriarity (Wigs Designer), Isabella Dawis (Music Director), Shae Palic (Intimacy Director), Keely Wolter (Dialect Coach), Lyndsey R. Harter* (Stage Manager), and Em Friedman (Assistant Stage Manager).
* Member, Actors’ Equity Association, ᐩ Member, USA Union 829

CALENDAR INFORMATION:

THE HUMANS

Park Square’s Proscenium Stage

Previews: September 14, 15

Opening Night: September 16

Regular Run: September 16–October 9

Audio Description: September 23

Pay-As-You’re-Able: September 25

ASL: September 25

Open Captioning: October 7, 8, 9

Post-Show Discussions: September 25, 29

TICKET PRICES: Previews: $27-$37. Regular Run: $40-$55. Pay-As-You’re-Able on Sunday, Sept 25. Discounts are available for students and educators, seniors, military personnel, those under age 30, and groups of 10 or more. Tickets are on sale by phone at 651.291.7005, (12 noon to 5 p.m. Wednesday-Friday), or online at parksquaretheatre.org.   #pstHumans

PHOTOS: As available, production photos will be posted at: PST The Humans_FOR PRESS.

BIOGRAPHIES:

LILY TUNG CRYSTAL (she/her) is a director and actor and the artistic director of Theater Mu. She is grateful to be collaborating with such talented and generous artists. In the Twin Cities, she has directed Jiehae Park’s peerless, Lauren Yee’s Cambodian Rock Band, and the live film-theater production of Susan Soon He Stanton’s Today Is My Birthday at Mu and Art is a Verb (Harrison Rivers, librettist) at MNOpera. Other shows include David Henry Hwang’s Chinglish and Flower Drum Song at Palo Alto Players, and the world premiere of Leah Nanako Winkler’s Two Mile Hollow at Ferocious Lotus. For all three shows, she was named a Theatre Bay Area Award Finalist for Outstanding Direction. As an actor/singer, Lily has performed at theaters across the country, including Cal Shakes, Crowded Fire, Magic Theatre, Mixed Blood Theatre, New World Stages, Playwrights’ Center, Portland Center Stage, SF Playhouse, and Syracuse Stage. She is a YBCA 100 honoree, named by Yerba Buena Center for the Arts as a “creative pioneer making the provocations that will shape the future of culture.” theatermu.org; lilytungcrystal.com

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul
Ticket Office: 651.291.7005. www.parksquaretheatre.org

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Setting the Stage for HOLMES AND WATSON

Behind the Scenes:
Erik Paulson, the set designer for Holmes and Watson, shares what goes into turning ideas in a script into a full-fledged world!

“The first step is always reading the script and then doing visual research with attention to how the director is thinking about the play. From there I will do a number of “low-stakes” sketches just to rough in some ideas and composition on stage (Image 1).

Pencil sketch of a set design.

Image 1

I usually jump in to Sketchup (a 3d modeling program on the computer), but on this I built a very rough scale model made for discussion with the Director (Image 2).

Rough model of a set design

Image 2

As we narrowed in on what was working I created a series of computer models and updated the winner until it was approved (Image 3). Knowing I could show a more complete look with an actual scale model I redrew everything in a separate drafting program and reduced it to 1/4” scale for the sake of 3d printing. Each piece was divided up into small sections and textures were added.

Finally, all the plastic pieces, balsa wood, foam core, and printed graphics were assembled into the 3d model with theater surrounding it (Image 4). I hand painted most of details in place.

Computer model of a set design

Image 3

This process is primarily important for the sake of communication. It’s all stages of taking what is in my brain and sharing it with collaborators –  the director, lighting designer, technical director, etc., and then refining it. The steps are different every time. Sometimes I don’t sketch, I  just jump into the computer model.  Sometimes I won’t make a scale model. Sometimes I mock up full technical models to discuss ways to make things move on stage.

Full scale model of the set for Holmes and Watson

Image 4

For me, the process is dynamic depending on the the needs of the collaboration and the play. For Holmes and Watson,  the director, Michael Evan Haney, and I collaborated between Minnesota and Sicily to suss out this rough environment. The challenge of the design was to first see Moriarty on the Reichenbach Falls and then see how an asylum would co-exist around it.  The architecture is supposed to be an old Scottish fort, reclaimed into a light house, and finally renovated into an asylum on an island.

While the architecture needed to feel specific, we wanted to also work abstractly, so the hope is that we are taken away to the perilous falls, or we see a Sherlock emerge from a cell, without being too literal.”

Construction on the set for Holmes and Watson is in progress now with first previews on July 12.
Learn more about Holmes and Watson and get your tickets now!

KEEPING UP WITH THE HOLMESES

KEEPING UP WITH THE HOLMESES

Park Square’s summer mystery will keep audiences guessing ‘who is the real Sherlock?’

Saint Paul, MN. June 9, 2022: Park Square Theatre’s summer tradition of cozy suspense returns to the Proscenium stage with the regional premiere of Jeffrey Hatcher’s HOLMES AND WATSON (July 12 – August 21, 2022), directed by Michael Evan Haney. Set in a tumultuous period when Holmes is presumed dead, pushed over a waterfall by his archnemesis, the play begins when Dr. Watson receives a telegram from a mental asylum: three patients are all claiming to be the famous detective. Who’s the real detective and who are the imposters? This time it’s up to Watson to unravel the case.

The three patients will be played by Pearce Bunting*, Paul de Cordova*, and Peter Simmons* with Bruce Roach* as Watson and a company of fantastic local talent including Kirby Bennett, Peter Christian Hansen*, and Daniel Petzold*, with understudies William Edson, Jeffrey Goodman, and Anna Olson

“Is one a Holmes or a Watson?” ponders Playwright Jeffrey Hatcher. “This is the question that came to mind a few years ago when casting another play based on Arthur Conan Doyle’s immortal characters. Their height, weight, voice, features, manner, persona. Many fit the profile, but only one can be the real thing.” The production follows in the footsteps of other popular Holmes adaptations by Hatcher at Park Square, most recently SHERLOCK HOLMES AND THE ICE PALACE MURDERS (2015) lauded as “peppered with witty ripostes and humorous allusions” (Star Tribune). If Hatcher’s mastery of characterizing the famous resident of 221B Baker Street was ever in question, his catalog also includes the screenplay of “Mr. Holmes.”

How to cast not one but three Holmeses was a thoughtful decision for Director Michael Evan Haney**, who deliberately chose actors who have not played Sherlock before in order to avoid giving the audience any tip offs. (Steve Hendrickson, who has played the sleuth in many Park Square productions, is set to return to the role in 2023 in HOLMES/POIROT, which he co-wrote with Hatcher). ”I’m really looking forward to seeing how audiences respond to this carefully wrought tale,” says Haney. “It reads like part of the Conan Doyle canon and is such a fun ride!” A relative newcomer to Twin Cities stages, Haney brings over 50 years of professional theatre experience to the production, including 15 years as associate artistic director with The Cincinnati Playhouse in the Park. His 2016 production of Beckett’s HAPPY DAYS at Open Eye Theatre was acclaimed as offering “hope in the face of absurdity” (Star Tribune

“We are eager to welcome back to the theatre our many summer mystery aficionados, and some new fans, for this exciting new work rooted in a long tradition at Park Square.” says Executive Director Mark Ferraro-Hauck. After being delayed a full two years from its spot in Park Square’s 2020 season, HOLMES AND WATSON promises to be the perfect evening out for mystery buffs, literature lovers, and anyone looking for a cool plot twist on a hot summer night.

The production team for HOLMES AND WATSON includes Erik Paulson (Set Designer), Matthew LeFebvreᐩ (Costume Designer), Montana Johnson (Sound Designer), Mary Shabatura (Lighting Designer), Sadie Ward (Properties Designer),  Andrea Moriarity (Wig Artisan), Annie Enneking (Fight Director), Keely Wolter (Dialect Coach), Laura Topham* (Stage Manager), and Austin Schoenfelder (Assistant Stage Manager).

* Member, Actors’ Equity Association, ** Member, Stage Directors and Choreographers Society, ᐩ Member, USA Union 829

CALENDAR INFORMATION:

HOLMES AND WATSON

Park Square’s Proscenium Stage

Previews: July 12, 13, 14
Opening Night: July 15
Regular Run: July 15 – August 21
Audio Description: July 22
Pay-As-You’re-Able: July 24
ASL: July 24
Open Captioning: August 5, 6, 7
Conversation with Jeffrey Hatcher: July 17
Post-Show Discussion: July 24

TICKET PRICES: Previews: $27-$37. Regular Run: $40-$55. Discounts are available for students and educators, seniors, military personnel, those under age 30, and groups. Tickets are on sale by phone at 651.291.7005, (12 noon to 5 p.m. Wednesday and Thursday), or online at parksquaretheatre.org.   #pstHolmes

BIOGRAPHIES:

Jeffrey Hatcher’s Broadway credits include: NEVER GONNA DANCE (book). Off-Broadway credits include: THREE VIEWINGS and A PICASSO at Manhattan Theatre Club; THE GOVERNMENT INSPECTOR at Red Bull Theater; SCOTLAND ROAD and THE TURN OF THE SCREW at Primary Stages; LUCKY DUCK (book w/ Bill Russell) at the New Victory Theater; TUESDAYS WITH MORRIE (w/ Mitch Albom) at the Minetta Lane Theatre; MURDER BY POE, THE TURN OF THE SCREW, and A CONNECTICUT YANKEE AT KING ARTHUR’S COURT at the Acting Company; TEN CHIMNEYS at Peccadillo Theater Company; NEDDY at American Place; and FELLOW TRAVELERS at Manhattan Punchline. 

Other theatre credits include: COMPLEAT FEMALE STAGE BEAUTY, MRS. MANNERLY, MURDERERS, MERCY OF A STORM, SMASH, ARMADALE, KORCZAK’S CHILDREN, WORK SONG (w/ Eric Simonson), TO FOOL THE EYE, SHERLOCK HOLMES AND THE SUICIDE CLUB, JEFFREY HATCHER’S HAMLET, THE SCARECROW AND HIS SERVANT, DR. JEKYLL AND MR. HYDE, THE CRITIC, HOLMES AND WATSON, and others at the Guthrie, the Old Globe, Yale Rep, the Geffen, Seattle Rep, Huntington Theatre Company, the Shakespeare Theatre, Cincinnati Playhouse, Cleveland Playhouse, South Coast Rep, Arizona Theatre Company, San Jose Rep, the Empty Space, Indiana Rep, Children’s Theatre Company, History Theatre, Madison Rep, Intiman Theatre, Illusion Theater, Denver Center, Oregon Shakespeare Festival, Alabama Shakespeare Festival, Milwaukee Rep, Repertory Theatre of St. Louis, Actors Theatre of Louisville, Philadelphia Theatre Company, Asolo Repertory Theatre, City Theater, Studio Arena, and dozens more in the US and abroad.

FILM/TV: “Stage Beauty,” “Casanova,” “The Duchess,” “Mr. Holmes,” “The Good Liar,” “Columbo,” “Murder at the Cannes Film Festival,” and “The Mentalist.” GRANTS/AWARDS: NEA, TCG, Lila Wallace Fund, Rosenthal New Play Prize, Frankel Award, Charles MacArthur Fellowship Award, McKnight Foundation, Jerome Foundation, Barrymore Award (Best New Play), and the 2013 Ivey Lifetime Achievement Award. He is a member and/or alumnus of the Playwrights’ Center, the Dramatists Guild, the Writers Guild, and New Dramatists.

Michael Evan Haney is celebrating his 51st year in the professional theatre. He has directed plays off-Broadway (AROUND THE WORLD IN 80 DAYS), internationally in Vienna and Frankfurt (THE SYRINGA TREE) and in regional theatres including Actors Theatre of Louisville, Alabama Shakespeare Festival, Open Eye Theatre (Beckett’s HAPPY DAYS), Repertory Theatre of St. Louis, and Cincinnati’s Ensemble Theatre. He was the Associate Artistic Director for the Cincinnati Playhouse for fourteen years directing among many others BLACKBIRD, CRIME AND PUNISHMENT, THE CLEAN HOUSE, and A CHRISTMAS CAROL (for 25 years).

He has acted in over 100 plays including on  Broadway in Elie Wiesel’s Zalman, at the Moscow Art Theatre in OUR TOWN, in the U.S. premier of Charles Dickens’ NICHOLAS NICKELBY, and in seasons at The Arena Stage, Great Lakes Shakespeare Festival, The Missouri Repertory Theatre and others. On screen with his wife, Amy Warner he has appeared with Cate Blanchette in “Carol” and with Mark Ruffalo in “Dark Waters.”

Awards: Best Directing Acclaim Awards in Cincinnati for THE HISTORY OF INVULNERABILITY (a play about Superman and the Holocaust), LOVE SONG and 80 DAYS, an L.A Dramalogue Award for Jeffery Hatcher’s SCOTLAND ROAD, a Kevin Kline Award for SOUVENIR, and the Lifetime Achievement Award from the League of Cincinnati Theatres. Member, Stage Directors and Choreographers Society.

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul
Ticket Office: 651.291.7005. www.parksquaretheatre.org

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