Posts Tagged Angela Timberman

Introducing the Company of THE HUMANS

FOR IMMEDIATE RELEASE

MEDIA CONTACT
Rachel Wandrei |wandrei@parksquaretheatre.org
Emily Halstead | halstead@parksquaretheatre.org

A FRESH PERSPECTIVE ON FAMILY IN THE HUMANS

Saint Paul, MN. August 25, 2022: Park Square Theatre’s 2022-2023 Season opens with the Tony Award-winning comedy-drama THE HUMANS (September 14 – Oct 9, 2022) by Stephen Karam, directed by Lily Tung Crystal. A one-act performed in real time, the play takes place as three generations gather for Thanksgiving at the new apartment of one of the children. Blisteringly funny but with a dark underside, Karam offers a stunning portrayal of a family navigating the challenges of everyday life.

Audiences are likely to come away commenting about how they relate to one or all of the family members. “This play is deeply and delightfully about family,” shares director Lily Tung Crystal. “What I love about THE HUMANS is that it fully captures the joy, humor, and dysfunction of family in all its nuances. The characters are doing the best they can to get through this one Thanksgiving dinner and everything else life throws at them–the trauma of 9/11, economic hardship, health challenges, broken relationships, old age, the effects of a hurricane. No one is perfect, but no one is a villain either, and somehow their love for one another helps bind them together, for better or worse.” 

After premiering in Chicago in 2014, THE HUMANS opened on Broadway in 2016 where it became a finalist for the 2016 Pulitzer Prize for Drama and won the 2016 Tony Award for Best Play, but Tung Crystal is busy thinking about how to interpret it for a Minnesota audience in 2022. “There are a lot of Asian adoptees around the country, but particularly in Minnesota, and portraying a family of White parents with Korean adoptee daughters seemed to make a lot of sense. In fact, that choice has opened up many new ways to think about the play, which the audiences here in the Twin Cities will understand and resonate with. People often have a monolithic perception of what it means to be an ‘American family,’ but we are approaching this show with a 2022 lens, embracing a blend of different ethnicities, backgrounds, and beliefs, rather than the ‘traditional’ family construct. Portraying the family in this way allows us to embrace all the diversity that family can be.” 

Three generations will by played by John Middleton* and Charity Jones* as parents Erik and Deirdre Blake, Laura Anderson* and Dexieng “Dae” Yang as their daughters, Aimee and Brigid, Angela Timberman* as grandmother Fiona “Momo” Blake, and Darrick Mosley* as Brigid’s boyfriend, Richard. Lori Constable, Gary David Keast, James Rodriguez, and Janet Scanlon will understudy.

Examining human relationships and the bonds that tie people together is a through-line in the Park Square 2022-2023 Season. Executive Director Mark Ferraro-Hauck notes that THE HUMANS and BETWEEN RIVERSIDE AND CRAZY (at Park Square May 24- June 18, 2023) both specifically portray American family life. “A large part of the USA’s contribution to theatre is the exploration of family,” says Ferraro-Hauck. “It is really important to recognize that these two plays are in the same vein. While the central storytelling is told with different voices and comes from different lived experiences, they both show us ways in which our lives are bound together through the common experiences of family life.” 

Ferraro-Hauck also appreciates the deft hand in which Karam crafts the play. “What is amazing about THE HUMANS is how it weaves its way through both the best and worst of family experience but does so without judgment. It embraces us as flawed beings trying to make community and family together. It allows us to laugh at it, get angry, and cry over it simultaneously.” Who hasn’t felt that way after a holiday spent with their own family?

The production team for THE HUMANS includes Roshni Desai (Assistant Director), Erik Paulson (Set Designer), Matthew LeFebvreᐩ (Costume Designer), Katharine Horowitz (Sound Designer), Karin Olson (Lighting Designer), John Novak (Properties Designer), Katie Bradley (Dramaturge), Andrea Moriarity (Wigs Designer), Isabella Dawis (Music Director), Shae Palic (Intimacy Director), Keely Wolter (Dialect Coach), Lyndsey R. Harter* (Stage Manager), and Em Friedman (Assistant Stage Manager).
* Member, Actors’ Equity Association, ᐩ Member, USA Union 829

CALENDAR INFORMATION:

THE HUMANS

Park Square’s Proscenium Stage

Previews: September 14, 15

Opening Night: September 16

Regular Run: September 16–October 9

Audio Description: September 23

Pay-As-You’re-Able: September 25

ASL: September 25

Open Captioning: October 7, 8, 9

Post-Show Discussions: September 25, 29

TICKET PRICES: Previews: $27-$37. Regular Run: $40-$55. Pay-As-You’re-Able on Sunday, Sept 25. Discounts are available for students and educators, seniors, military personnel, those under age 30, and groups of 10 or more. Tickets are on sale by phone at 651.291.7005, (12 noon to 5 p.m. Wednesday-Friday), or online at parksquaretheatre.org.   #pstHumans

PHOTOS: As available, production photos will be posted at: PST The Humans_FOR PRESS.

BIOGRAPHIES:

LILY TUNG CRYSTAL (she/her) is a director and actor and the artistic director of Theater Mu. She is grateful to be collaborating with such talented and generous artists. In the Twin Cities, she has directed Jiehae Park’s peerless, Lauren Yee’s Cambodian Rock Band, and the live film-theater production of Susan Soon He Stanton’s Today Is My Birthday at Mu and Art is a Verb (Harrison Rivers, librettist) at MNOpera. Other shows include David Henry Hwang’s Chinglish and Flower Drum Song at Palo Alto Players, and the world premiere of Leah Nanako Winkler’s Two Mile Hollow at Ferocious Lotus. For all three shows, she was named a Theatre Bay Area Award Finalist for Outstanding Direction. As an actor/singer, Lily has performed at theaters across the country, including Cal Shakes, Crowded Fire, Magic Theatre, Mixed Blood Theatre, New World Stages, Playwrights’ Center, Portland Center Stage, SF Playhouse, and Syracuse Stage. She is a YBCA 100 honoree, named by Yerba Buena Center for the Arts as a “creative pioneer making the provocations that will shape the future of culture.” theatermu.org; lilytungcrystal.com

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul
Ticket Office: 651.291.7005. www.parksquaretheatre.org

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AIRNESS BRINGS ROCK GLORY TO SAINT PAUL

Air guitar crosses into theatre with an epic feel-good comedy at Park Square

Three people all doing air guitar moves.

Neal Skoy, Julia Valen and Michael Terrell Brown are ready to rock out in Airness.

Saint Paul, MN. April 11, 2022: For its first full production since March of 2020, Park Square Theatre offers a breath of fresh air with an uplifting story about air guitar enthusiasts. AIRNESS, by Chelsea Marcantel, directed by Angela Timberman will be staged on Park Square’s Proscenium Stage, May 11 – June 5, 2022. (link to photos)

A righteous and smile-inducing comedy, AIRNESS begins as newcomer Nina enters her first air guitar competition. She thinks winning will be easy, but as she befriends a group of charismatic fanatics all committed to becoming the next champion, she discovers that there’s more to the art form than playing pretend; it’s about forging friendships, finding yourself in your favorite songs, and performing with raw joy. 

“Have you ever tried to find something you really want and then you accidentally find what you really need instead?” ask director Angela Timberman. “That’s what this play is about.” With samples of favorite rock anthems threaded throughout, including hits by Queen, the Ramones, Pat Benetar and many more, AIRNESS is an exuberant reminder that everything we need to rock is already inside us.

“An all-out comedy that’s fricking funny, hella heartfelt, and badass brilliant.” — DC Metro

A  group from Park Square fell in love with the play when it premiered at the Humana Festival of New American Plays in Louisville in 2017. The original January 2021 production was postponed due to the coronavirus pandemic, so it is with a roar of rock catharsis that AIRNESS at last makes its shredding, stage ascension. 

“I love how AIRNESS doesn’t take itself too seriously,” says Park Square Artistic Associate, Ellen Fenster. “It’s even better after the pandemic, it’s the breath of freshness which we all need right now, and yet, it really resonates today in terms of trying to ‘figure out how the skin I’m in connects to others.’ It portrays a place, physically and emotionally, where the characters really feel seen, when they are usually not seen in that way. It celebrates the human capacity for strange and unique passions, things people find to make meaning in their lives, connect with others, and find a place of belonging. Who knew air guitar was such a serious business?”

The play’s title comes from the three judging criteria of competitive air guitar: technical merit, stage presence and airness. “The last criteria is the most difficult to define yet often the most decisive of all,” according to the US Air Guitar Association’s website. “Airness is defined as the extent to which a performance transcends the imitation of a real guitar and becomes an art form in and of itself.” Minneapolis hosted the U.S. Air Guitar Championships in 2012, but anyone looking to get involved in 2022 will have to travel as the nearest competitions (at time of writing) are in Cleveland and Nashville. So put on your coolest power outfit, grab your best friend or a new crush, and head to Park Square to rock out with a play for everyone whose inner rock-god is waiting to break free.

The cast for AIRNESS includes Shae Palic* (Astrid “CANNIBAL QUEEN” Anderson), Daniel Petzold* (Mark “FACEBENDER” Lender), Neal Skoy (Ed “SHREDDY EDDY” Leary), Michael Terrell Brown (Gabe “GOLDEN THUNDER” Partridge), Julia Valen (Nina O’Neal), and understudies Berto Borroto and Maggie Cramer.

The production team for AIRNESS includes Angela Timberman* (Director), Dorian Brooke (Assistant Director), MJ Leffler (Set Designer), Ash M. Kaun (Costume Designer), Eric M. C. Gonzalez (Sound Designer), Alex Clark (Lighting Designer), Christopher Heilman (Props Designer), Jess Rau (Wig Designer), Kathy Maxwell (Projection Designer), Leslie Ritenour (Assistant Projection Designer), Ashley Raper* (Stage Manager), and Jaya Robillard (Assistant Stage Manager).

*Member, Actors Equity Association

TICKET PRICES: Previews: $27-$37. Regular Run: $40-$55. Discounts are available for students and educators, seniors, military personnel, those under age 30, and groups. Tickets are on sale by phone at 651.291.7005, (12 noon to 5 p.m. Wednesday and Thursday), or online at parksquaretheatre.org.   #pstAirness

COVID-19 vaccinations or negative test results as well as masks are required at all performances. 

PHOTOS by Richard Fleischman Photography on the Park Square website HERE, or in Google Drive HERE.

The Realistic Joneses: Featuring Angela Timberman

As part of our ongoing Meet the Cast of The Realistic Joneses Blog Series, let us introduce you to Angela Timberman:

timberman-angela-2016-color

ROLE: Jennifer, Bob Jones’ wife, 40s

DIRECTOR JOEL SASS’ COMMENT:

Angie is well-known locally and especially for her memorable turns in musical theater and comedy.  But she has a rich, dramatic dimension as well, which I don’t think gets enough opportunity to show itself on our stages.  A role like Jennifer Jones is perfect for someone like Angie because, while the character is extremely funny, her humor is like a band-aid that covers some deep scars of sadness and anger.

QUESTION FOR ANGELA:

How you see Jennifer Jones now will likely evolve as you go through rehearsals, but do you have an idea of how you may initially approach your role?

I think Jennifer is a natural caregiver. That’s her “super power.” She’s got a good heart. It’s also her “feet of clay.” When duty calls, she’s there; and I think, like all of us, when we’re good at something (especially when a problem arises that requires our “super power”), we can go overboard. She has to learn to let a crisis ride itself out without her help. Or recognize when a person (particularly her husband) doesn’t need her support every moment. When she overdoes it, she loses herself. I want the audience to see her discover who she really is, what her relationship with her husband is, what her fascination with her male neighbor is, as she navigates the fallout from this disease that’s entered their lives. One person can’t fix everything or be everything to another person. We’re taught that about marriage, and it’s a fallacy.

As subtle as the ending seems in this play, I think these characters are very different people in the end. Maybe, even happier. Or at least more content and wiser.

CAST BACKGROUND:

Park Square Sons of the Prophet, The Sisters Rosensweig, Painting Churches, Good People Representative Theatre Guthrie Theater, Jungle Theater, Children’s Theatre Company, Chanhassen Dinner Theatres, History Theatre, Illusion Theater, Ordway Center for the Performing Arts

Angela Timberman with JC Cutler at a rehearsal. Photograph by Connie Shaver

Angela Timberman with JC Cutler at a rehearsal.
Photograph by Connie Shaver

The Realistic Joneses – Area Premiere – Andy Boss Thrust Stage – September 23 to October 16

 

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