Posts Tagged Alice McGlave

Girl Friday Productions Stages 1943 Pulitzer Prize Winning Masterpiece THE SKIN OF OUR TEETH

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Girl Friday Productions Stages 1943 Pulitzer Prize Winning Masterpiece
THE SKIN OF OUR TEETH by Thornton Wilder

Media Contact: Connie Shaver
612.308.5785 shaver@parksquaretheatre.org
Tickets: 651.291.7005 or
parksquaretheatre.org

St. Paul, MN, Jan. 8, 2019 – A surprisingly modern and optimistic tribute to the invincibility of the human spirit, Thornton Wilder’s THE SKIN OF OUR TEETH, produced by Girl Friday Productions and directed by Joel Sass, opens February 9, 2019 on the proscenium stage at Park Square Theatre. Girl Friday Productions brings its signature large ensemble cast to this comedy of epic proportions.

“All I ask is the chance to build new worlds…” – Mr. Antrobus in THE SKIN OF OUR TEETH.

Winner of the 1943 Pulitzer Prize for Drama, THE SKIN OF OUR TEETH juxtaposes everyday life with the historical and mythological past to create a wonderfully odd world. The play follows the adventures of an eternal American family residing in prehistoric and contemporary New Jersey who prevail over a series of apocryphal catastrophes. The ice age, the great flood, world war, family strife, political conventions… the Antrobus family, their maid Sabina, and a host of other characters survive through eons of calamity with their hope intact. Continually facing the end of days, humanity perseveres. This 75-year old comedy about resilience and hope feels fresh and profoundly relevant for today.

Girl Friday Productions is offering a rare opportunity for Twin Cities’ audiences: the last local professional production of THE SKIN OF OUR TEETH was their own. “When Girl Friday first explored this work in 2009, our country was in the depth of economic crisis,” says Girl Friday Productions Artistic Director Kirby Bennett. “Ten years later, we find ourselves at a time of moral peril, facing different yet familiar world calamities: conflicts at home and abroad, a refugee crisis, climate change, a loss of faith in our leaders, a loss of hope. THE SKIN OF OUR TEETH explores all this and more, in ways that are at once unexpected, hilarious and moving. And where else will you see a dinosaur and mammoth onstage?”

Acclaimed Twin Cities’ theatre artist Joel Sass is both directing and creating the scenic design for THE SKIN OF OUR TEETH. A longtime collaborator and advisor to Girl Friday Productions, Sass previously designed sets for Girl Friday Productions’ OUR TOWN and STREET SCENE. His work has been seen regionally and nationally at the Guthrie Theater, Jungle Theater, Park Square Theatre, History Theatre, Open Eye, Oregon Shakespeare Festival and Arizona Theatre Company, among many others. A prolific director, designer and adaptor, and winner of multiple local and national awards, Sass is among the most lauded theatre artists in the region.

“So many people read the play for the first time and cannot believe it was written in 1942,” comments Sass. “THE SKIN OF OUR TEETH still feels utterly fresh, edgy, funny and topical—and if it were written this year it would still be worthy of its Pulitzer Prize. A particular joy of working on this production will be the double opportunity to collaborate with a handful of people I’ve known and grown with for nearly two decades—and another group of amazing talents I have admired around town but not yet worked with. Together we will tackle this ‘mammoth’ of a script and bring its humor, political critique and optimism to a new audience.”

Actors Alayne Hopkins as Sabina, John Middleton as Mr. Antrobus and Kirby Bennett as Mrs. Antrobus lead Girl Friday Productions’ stellar ensemble cast of 15, which features many Twin Cities’ favorites as well as upcoming talent. The full cast includes: Kirby Bennett, Ernest Briggs, Pedro Juan Fonseca, Wendy Freshman, Kathryn Fumie, Alayne Hopkins, Sam Landman, Alice McGlave, John Middleton, Victoria Pyan, James Ramlet, Taj Ruler, Neal Skoy, Mike Swan and Dana Lee Thompson. Joining Sass on the exceptional design team are: Lighting Designer Mike Kittel, Costume Designer Kathy Kohl, Projections Designer Kathy Maxwell, Sound Designer C Andrew Mayer and Properties Designer Rick Polenek.

THE SKIN OF OUR TEETH is made possible by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund; and by the Saint Paul Cultural STAR Program. THE SKIN OF OUR TEETH is being produced by Girl Friday Productions as part of Park Square’s “Theatres in Residence” Series.

Photo of Alayne Hopkins as Sabina by Richard Fleischman HERE
Group photo by Richard Fleischman HERE. Pictured left to right Front row: Taj Ruler, Kathryn Fumie, Neal Skoy, Back row: Dana Lee Thompson, Kirby Bennett, John Middleton, Alayne Hopkins, Ernest Briggs.

About Girl Friday Productions
“It’s wonderful to see these rarely produced gems.” – Girl Friday Productions audience member

The little company that does big plays, Girl Friday Productions focuses on larger scale American plays of exceptional literary merit that are less frequently produced today. The company’s mission is to nurture artists, inspire audiences and illuminate the human condition. Girl Friday Productions chooses to focus on a singular major project every other year. This approach maximizes efforts to work with challenging texts, large and skilled ensemble casts, and distinguished directors and designers. Girl Friday Productions’ work is characterized by exceptional literature, humanity, relevance and stimulating theatricality.

Founded in 2004 by Artistic Director Kirby Bennett, Girl Friday Productions’ most recent productions were IDIOT’S DELIGHT (Lavender Magazine notable performances in 2017), THE MATCHMAKER (2015 year-end recognition from Twin Cities Theatre Bloggers), CAMINO REAL (Lavender Magazine notable performances in 2013) and STREET SCENE (2011 “Top Ten”/Year End Highlights in the Star Tribune, Pioneer Press and Lavender Magazine; Ivey Award for director). Other highlights include THE SKIN OF OUR TEETH (MinnPost “Favorite for 2009”) and OUR TOWN (Pioneer Press’ “Top Ten Shows of 2007”).

Girl Friday Productions presents THE SKIN OF OUR TEETH by Thornton Wilder
February 7 – March 3, 2019

Location: Park Square Theatre’s Proscenium Stage
Historic Hamm Building in Downtown Saint Paul
20 West Seventh Place
Saint Paul, MN 55102

Tickets: Preview: $20/$27/$37; Regular Run: $25/$40/$60; discounts for seniors, students,
age 30 & under, groups, fringe buttons, MPR members, active military personnel; Pay What You Wish February 25.

Tickets: parksquaretheatre.org or call 651.291.7005 (noon – 5:00 p.m. Tuesday – Friday)
Information and company website: girlfridayproductions.org

Performance Schedule (18 performances over 4 weeks)
Evening shows at 7:30 pm, Sundays at 2:00 pm. The specific performance dates are:
Thursday, February 7 at 7:30 pm Preview
Friday, February 8 at 7:30 pm Preview
Saturday, February 9 at 7:30 pm Opening night and reception
Sunday, February 10 at 2 pm

Wednesday, February 13 at 7:30 pm Post show discussion
Thursday, February 14 at 7:30 pm
Friday, February 15 at 7:30 pm Audio description and sensory tour
Saturday, February 16 at 7:30 pm
Sunday, February 17 at 2:00 pm

Thursday, February 21 at 7:30 pm
Friday, February 22 at 7:30 pm
Saturday, February 23 at 7:30 pm
Sunday, February 24 at 2:00 pm American Sign Language and post show discussion
Monday, February 25 at 7:30 pm Pay What You Wish

Thursday, February 28 at 7:30 pm
Friday, March 1 at 7:30 pm Open captioning
Saturday, March 2 at 7:30 pm Open captioning
Sunday, March 3 at 2:00 pm Open captioning, closing performance

– End –

Alice McGlave, the Bride-to-Be

Gilbert and Sullivan’s The Pirates of Penzance is a fast-paced, zany comedy with a love story at its core. Playing Mabel, the bride-to-be of Frederic, the pirate apprentice, is Alice McGlave. Here she is to tell us about her role and a bit about herself:

1. What do you like about playing Mabel?

I like Mabel’s optimism and vulnerability. She falls in love so quickly with Frederic and remains positive even when the odds are against them and it seems like they won’t make it as a couple.

2. What’s the hardest part about playing Mabel?

I think the hardest part about playing Mabel is her music. She has some demanding vocal lines. It is a challenge to sing through those vocal lines while in character. Throw some choreography on top of that, and it can get pretty tricky.

3. How has your training prepared you for this part?

Alice McGlave in rehearsal
(Photo by Connie Shaver)

The key to playing Mabel is to make sure I am warmed up. Warming up was a crucial part of my training. Every voice lesson begins with a warm up. I compare singing a role like Mabel to that of an athlete. Like athletes warm up before a game or race, singers have to properly warm up to prepare for a performance.

4. What was your aha moment in realizing that you wanted to be an actor?

It was in high school. I began to realize how much joy performing brought me. There is nothing like performing in front of a live audience. It’s exhilarating!

5. What’s your favorite song in this show and why?

I really enjoy When the Foeman Bares His Steel. In the song, I am trying to motivate the police to go and fight the pirates. It’s such a goofy song, and the police are so much fun to watch. There is a lot of physical comedy throughout.

6. What’s your favorite “piratey” thing?

I am a huge fan of the pirate hats. The more feathers the better!

 

L to R: Bradley Greenwald, Alice McGlave and Christina Baldwin
(Photo by Petronella J. Ytsma)

 

Tickets and information here

Flower Drum Song: Highlights from Opening Night

Being an introvert, I don’t often relish attending highly social events, but this Friday’s opening night for Flower Drum Song was an exception to the rule. If you have been following the blog posts related to the musical, you can’t have missed how personally meaningful this production has been for its Asian American participants.  Here were some of my personal favorite highlights of the evening:

David Henry Hwang joined us for the opening night of Flower Drum Song (Photo by Connie Shaver)

David Henry Hwang joined us for the opening night of Flower Drum Song
(Photo by Connie Shaver)

1. Playwright David Henry Hwang not only attended the opening night performance of Flower Drum Song but also spoke during the pre-show reception as well as mingled during the post-show festivities.

Briana Belland and Meng Xiong were two of the Ensemble members in the cast (Photo by Connie Shaver)

Brianna Belland and Meng Xiong were two of the Ensemble members in the cast
(Photo by Connie Shaver)

2. The members of the Ensemble were amazing, playing multiple roles and singing and dancing their hearts out in such humorous numbers as “Fan Tan Fannie” and “Chop Suey” and, of course, the very emotional signature song “A Hundred Million Miracles.” Flower Drum Song could not have succeeded without them. The full Ensemble included Alice McGlave, Nicole Riebe, Ashley Kershaw, Kylee Brinkman, Brianna Belland, Michelle de Joya, Nikko Paul Raymo, Joseph Vang and Meng Xiong.

Katie Bradley played Madame Liang

Katie Bradley played Madame Rita Liang

 3. The biggest laugh resulted from a line delivered by Katie Bradley as Madame Rita Liang, a Chinese American talent agent, as she gave advice about how to handle the press to showgirl Linda Low: “They’re reporters. We don’t tell them the truth.”

cast-flower-drum-song-12-29

4. The ending when each cast member stepped forward to do that incredibly moving thing that you’ll want to see for yourself.

Chinese Zodiac Scarf 1

5. The fact that the opening night performance preceded the beginning of the Lunar New Year, making the next day that much more special. The Proscenium Stage lobby was decorated with Chinese zodiac scarves that could also be displayed as wall hangings. They were created by artist and Park Square Theatre patron Jane Goodspeed, who had designed them as gifts to donors who donate $99 to sponsor nine students attending a matinee performance of Flower Drum Song.

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Flower Drum Song continues until February 19. As Mu’s Artistic Director Randy Reyes aptly puts it, “This story is for anyone whose family came to this country from somewhere else.” Don’t miss your opportunity to see this rich and moving musical.