Press Release

PARK SQUARE THEATRE PAUSES TO RIGHT-SIZE

Park Square Theatre pauses to right-size and roll out a new vision by its new leader

Saint Paul, Minn., October 29, 2019 – To better serve its stakeholders, Park Square Theatre has made the difficult decision to revise its season and cancel its planned productions of the major musicals EVITA and MISS YOU LIKE HELL.

Financial challenges, brought on by less than expected ticket sales and fundraising shortfalls, led to this difficult decision. “Park Square is taking this valuable opportunity to regroup so that we may become a stronger organization and meet the needs of the Twin Cities theater community,” states artistic director Flordelino Lagundino. “This was a very difficult decision to make as it causes hardships, especially to the artists working with us. As an actor and director, I do not take lightly the impact it has on the talented people I came to Minnesota to work with.”

Lagundino further states Park Square is working towards a healthy business model that supports stellar artistry for appreciative audiences. “It is a natural pattern for a 47-year-old theater to evolve, and this is part of that maturation process.”

The Park Square Theatre’s nine-show season continues with THE ROCKY HORROR SHOW and PAIGE IN FULL, both of which close this week. Upcoming productions include:  PRIDE AND PREJUDICE by Kate Hamill (Nov 15 – Dec 22, 2019); FACE TO FACE: OUR HMONG COMMUNITY with Ping Chong + Co. (Mar 5 – 15, 2020); HOLMES AND WATSON by Jeffrey Hatcher (Jun 12 – Jul 26, 2020); and a remount of MARIE AND ROSETTA by George Brandt (Dates TBD).

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Your help is needed at this critical time. Make a donation today HERE.

Purchase tickets to Pride and Prejudice HERE.

For questions regarding subscriptions and ticketing, email tickets@parksquaretheatre.org.

 

PARK SQUARE’S FIRST TAKE ON JANE AUSTEN IS A FROLICSOME GAME OF GENDER POLITICS

BUT TRUE LOVE DOES WIN IN THE END

Neal Beckman, Sara Richardson, China Brickey and Kiara Jackson in Pride and Prejudice. Photo by Richard Fleischman.

Park Square Theatre rings in the winter holidays with its first ever production of a Jane Austen novel with the regional premiere of PRIDE AND PREJUDICE (Nov 15 – Dec 22, 2019) adapted from the classic by Kate Hamill (SENSE AND SENSIBILITY, LITTLE WOMEN) and directed by Lisa Channer in her Park Square debut. This clever comedy offers a decidedly progressive take on the trials of Lizzy, Mr. Darcy, and the whole Bennet clan, with a few dance breaks thrown in for good measure.

“I love it because of the emphasis on the actor and the emphasis on theatricality,” says Park Square Theatre Artistic Director, Flordelino Lagundino. “Many of the actors play multiple roles and there is a sense of joy and abandon. Like the original Austen, it also gets to the depths of what it means to really fight for love and family.”

Many consider Austen to be one of the early feminist writers. To fully mine the gender politics of Austen’s most famous story, Hamill has constructed the role doubling in such a way that some characters have to be played by an actor of the opposite gender. Neal Beckman, for example, plays both Mr. Bingley and Bennet sister Mary, while McKenna Kelly-Eiding, who delighted audiences as Sherlock Holmes in KEN LUDWIG’S BASKERVILLE, plays the bumbling Mr. Collins and the dastardly Wickham.

Hamill also plays on the idea of the “perfect match,” by constructing the action like a game and or military strategy. “As I was writing, I started thinking about when you meet someone and you fall in love or something happens that changes your life beyond your control, and I wanted a way to make that more tangible. So, I thought bells are things you can’t ignore—church bells, wedding bells, alarm bells, door bells—they let us know something has changed, and I wanted to incorporate those in the script. So, every time something happens beyond the character’s control, something happens with a bell.”

Channer sets this decidedly frolicsome world as a play within a play. The entire proscenium stage will be open to the back wall with no side curtains, allowing the audience to see the actors preparing “offstage” for their next time in the “ring” which serves as the playing space.

The cast includes Sara Richardson* (Jane, Miss De Bourgh), China Brickey* (Lizzy), Kiara Jackson* (Lydia), Paul Rutledge (Mr. Darcy), McKenna Kelly-Eiding (Mr. Collins, Wickham), Neal Beckman (Mr. Bingley, Mary), Alex Galick* (Charlotte, Mr. Bennet), George Keller* (Mrs. Bennet).

The Production team includes:  Ruth Coughlin Lencowski (Vocal Coach), Annie Katsura Rollins (Scenic Designer), Sonya Berlovitz (Costume Design), Dan Dukich (Sound Designer), Karin Olsen (Lighting Designer), Josephine Everett (Properties Designer), Scott Stafford (Choreographer) Tim Komatsu (Park Square Theatre Dramaturgy Fellow), Rachael Rhoades (Advance Stage Manager), Megan Fae Dougherty (Production Stage Manager) Jaya Robillard (Assistant Stage Manager), Rane Oganowski (Wardrobe) Charlotte Deranek (Sound Board Operator)  *Member, Actors Equity Association

Ticket prices: Previews: $27-$37. Regular Run: $40-$60. Discounts are available for students, seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, or by phone: 651.291.7005, (Noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTAusten   SEASON TICKETS are on sale now.  Subscription package prices begin at $66.

CALENDAR INFORMATION

Previews: Nov 15 – 21, 2019

Opening Night: Nov 22, 2019

Regular Run: Nov 22 – Dec 22, 2019

Tickets: Previews: $20-$37; Regular Run: $25-$65

PARK SQUARE THEATRE, 20 W. Seventh Place, Saint Paul

Ticket office: 651.291.7005 or parksquaretheatre.org

 

 DANCE, HIP HOP, THEATRE AND PERSONAL MEMOIR COMBINE IN A VISUAL MIX TAPE

PAIGE HERNANDEZ GIVES THEATRE A JOLT WITH HER UNIQUE MULTI-RACIAL EXPERIENCE

Paige Hernandez in Paige in Full.

Park Square Theatre announces a special one-week only presentation of PAIGE IN FULL by Paige Hernandez on the Boss Stage (Friday, Oct 25 – Sunday, Oct 27). This unique experience blends poetry, dance, media and music to share a multicultural girl’s journey through hip-hop to self-discovery. Since its premiere in 2010, this “visual mix-tape” has sold out performances throughout the country and garnered praise from critics and audiences alike for its energy, intelligence, and originality.  In addition to just three public performances, the show will play to schools at special weekday matinees.

“With Paige in Full, I aimed to create what I wanted to see on stage: a positive story from a woman of color that is both uplifting and insightful,” says creator Paige Hernandez.  “The show needed to blur cultural lines with infectious music, choreography that moved the story forward, poems that defied structure, accessible emotion, and a strong narrative of love, pain, and triumph. I wanted a story that would help to reclaim the positive energy that hip hop was once known to create. Lastly, I wanted a story for little girls of color. I want them to know that no matter where they fall in the rainbow, their voice is interesting, unique and needs to be heard.”

Paige Hernandez* (writer, choreographer, and performer) is a multifaceted artist, who is known for her innovative fusion of poetry, hip hop, dance and education. As a master teaching artist, Paige has taught throughout the country, to all ages, in all disciplines. The Huffington Post named Paige a “classroom hero” because of her outstanding arts integration and work with STEM initiatives. She has collaborated with The Lincoln Center (NY) and was commissioned by the National New Play Network in 2012.

The show is directed by Danielle A. Drakes* with live beats and sound design by Nick tha 1da.

*Member, Actors Equity Association

Ticket prices $16-$30. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, downtown Saint Paul, by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTPaige

PHOTOS parksquaretheatre.org/media/photos/

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Let’s do the Time Warp Again!

Let's do the Time Warp Again!

PARK SQUARE DOES THE TIME WARP WITH ROCKY HORROR MUSICAL
Naughty Fun in the Era of Trans Rights and #MeToo

Media Contact – Connie Shaver
shaver@parksquaretheatre.org 

Saint Paul, Minn., August 5, 2019 – Park Square Theatre opens its Proscenium Stage Season with the Tony Award-nominated campy rock musical THE ROCKY HORROR SHOW by Richard O’Brien (Sept 27 – Nov 2, 2019), directed by Ilana Ransom Toeplitz. “I really want to rock the house and upend the way that people think of Park Square,” says Flordelino Lagundino, Park Square’s Artistic Director. “This is a great show to bring the generations together – those that stood in line as teenagers to see the original movie in 1975 (coincidentally the year Park Square opened), and young people experiencing it for their first time. I want the walls to shake and for people to get up, dance, laugh and have a good time!”

THE ROCKY HORROR SHOW will be Toeplitz’s Park Square and Twin Cities directing debut. She has served as associate director for the national tours of DIRTY DANCING: THE CLASSIC STORY ON STAGE and A CHRISTMAS STORY: THE MUSICAL!, as well as being a Drama League Director’s Project Alum (2017 Leo Shull New Musicals Directing Fellow). “The whole night should feel like a party that’s been locked up in a time machine for years, begging to come out and play,” says Toeplitz. “It all culminates in Frank-N-Furter’s epic floor show, which has all the glitz of a David Bowie concert combined with all of the glam of an episode of RuPaul’s Drag Race. Audience participation is encouraged.”

In the campy, audaciously sexy story, naïve sweethearts Brad and Janet get a flat tire during a storm and seek shelter at the eerie mansion of Dr. Frank-N-Furter, a “sweet transvestite from transsexual Transylvania.” As their innocence is lost, Brad and Janet meet a houseful of wild characters. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest scientific creation: a muscular man named “Rocky.”

What started as a stage musical in 1973 became a cult classic film starring Tim Curry, Susan Sarandon and Meat Loaf in 1975. Most recently, Fox remade the classic for the small screen starring black transgender activist Laverne Cox in the role of Dr. Frank-N-Furter (played by Tim Curry in the original).

Photo of an androgynous actor in black corset, gloves, and fishnet tights.

Gracie Anderson as Frank. Photo by Richard Fleischman.

The cast includes local favorites Gracie Anderson (Dr. Frank-N-Furter), Marcela Michelle (Narrator), Natalie Shaw (Janet), Ben Lohrberg (Brad), Randy Schmeling* (Riff Raff), Celena Vera Morgan (Columbia), Hope Nordquist (Magenta), Rush Benson* (Rocky), Cameron Reeves (Eddie), and Sara Ochs (Dr. Scott).

The Production team includes: Ashawnti Sakina Ford (Assistant Director Fellow), Andrew Fleser (Music Director), An-Lin Dauber (Set Designer), Peter Morrow (Sound Designer), Andrew Griffin (Light Designer), Foster Johns (Vocal Coach), Mary Capers (Assistant Wigs Design Fellow). *Member, Actors Equity Association

Ticket prices: Previews: $25-$37. Regular Run: $25-$55. Discounts are available for seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, or by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTRocky

SEASON TICKETS are on sale now.  Subscription package prices begin at $66.

CALENDAR INFORMATION

Previews: Sep 27 – Oct 3, 2019
Opening Night: Oct 4, 2019
Regular Run: Oct 4 – Nov 2, 2019

Tickets: Previews: $20-$37; Regular Run: $25-$55
The Ticket Office is open from noon to 5:00 pm Tuesday through Friday. Call 651.291.7005.

PHOTOS by Richard Fleischman parksquaretheatre.org/media/photos/

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

2019-2020 Season opens with AUBERGINE

Park Square Theatre opens its 2019-2020 Theatre Season with the area premiere of Aubergine by Julia Cho — a poignant and lyrical new play

Saint Paul, Minn., July 29, 2019 – Park Square Theatre opens its 2019-2020 Theatre Season on the Andy Boss Trust Stage with the area premiere of Aubergine (SEPT 20 – OCT 20, 2019) by Julia Cho, author of The Language Archive. Aubergine will be directed by Park Square’s Artistic Director Flordelino Lagundino – his Park Square directing debut.

In this poignant and lyrical new play, a son cooks a meal for his dying father to say everything that words can’t. Since this first generation Korean American speaks English and only limited Korean, the making of a perfect meal is an expression more precise than language, and the medium through which his love gradually reveals itself.

“This was one of the most beautiful plays I have ever read,” says Flordelino. “When I encountered it for the first time, I felt it was the best play I had read by an Asian American author in the last ten years. The writing feels so personal. It is a humorous and sensitive play about memories, food, and a relationship fractured by the loss of native language and the distance created between families because of war and the resulting Korean diaspora.”

“This play is also personal to me and plays out in my own history” Flordelino continues. “My father is Filipino, I am Filipino-American. I don’t speak his dialect, Ilocano. This is something that immigrants from any country feel.  I also think it’s a fascinating exploration of men as caregivers since Ray’s father in the play is in hospice care. The personal aspects hit home.”

The cast includes, Sun Mee Chomet*, Shanan Custer, Song Kim, Glenn Kubota, Kurt Kwan*, and Darrick Mosley*.

The Production team includes: Lindsey Cacich Samples (Assistant Director Fellow), Deb O (Set Designer), Amber Brown (Costume Design), Matt Otto (Sound Designer), Karin Olson (Light Designer), Kenji Shoemaker (Properties Designer), Kathy Maxwell (Video Designer), Annie Enneking (Fitght Choreographer), Ruth Coughlin Lencowski (Vocal Coach), Akiem Scott (Assistant Sound Design Fellow), Maxwell Colliard (Assistant Video Design Fellow).

*Member, Actors Equity Association

Picture of a man in a chef jacket surrounded by vines and eggplants. Heading says "Nothing says love like a home-cooked meal."

Ticket prices: Previews: $20-$37. Regular Run: $25-$55. Discounts are available for seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, or by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTAubergine

TICKETS are on sale now.  Subscription package prices begin at $66.

CALENDAR INFORMATION

Previews: Sep 20 – Sep 26, 2019

Opening Night: Sep 27, 2019

Regular Run: Sep 27 – Oct 20, 2019

Tickets: Previews: $20-$37; Regular Run: $25-$55

Ticket office: 651.291.7005 or www.parksquaretheatre.org

The Ticket Office is open from noon to 5:00 pm Tuesday through Friday. Call 651.291.7005.

 

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

 

Agatha Christie: Rule of Thumb Opens July 12

Agatha Christie: Rule of Thumb Opens July 12

THREE MYSTERIES IN ONE NIGHT

First time Hercule Poirot appears at Park Square Theatre

Media Contact – Connie Shaver 612.308.5785
shaver@parksquaretheatre.org

June 18, 2019 – Park Square Theatre’s summer fare continues on the Proscenium Stage with the regional premiere of AGATHA CHRISTIE’S RULE OF THUMB (July 12 – August 25, 2019). Directed by local powerhouse Austene Van*, the evening featured three one-act murder mysteries by the most-read mystery writer of all time – Dame Agatha Christie. In The Wasp’s Nest, Hercule Poirot comes between a bitter triangle of lovers to prevent a sinister murder; in The Rats, adulterous lovers find themselves lured to a flat, only to be framed for murder; and completing the triple bill is a tense thriller about a woman who is hospitalized after seemingly falling from her balcony in The Patient.

“Agatha Christie’s worked spanned and spoke to so many decades – from her first story written in 1916 to 1974,” says director Austene Van. “As we approached these three plays, we wanted to explore that impact by setting each one in a different time period to suit the nature of the story. Since Hercule Poirot appeared in her earliest work, The Wasp’s Nest is set in the elegant and formal time at the end of World War I, while The Rat’s Nest is set in the 1950’s. Each time period gives the actors – who play roles in at least two of the plays – different tools, from corseted costumes to the quick repartee we love in films from the 1930s and ‘40s. Since so many of us know Christie’s work through film, we wanted our music and design to play with the idea of black and white film emerging into the full color era.”

Casting “was a dream” says Van. “I chose actors who could each look guilty, to heighten the sense of mystery,” she laughs.

The cast of local favorites includes: Bob Davis* as Hercule Poirot, Audrey Park,* Sara Richardson* (KEN LUDWIG’S BASKERVILLE), Peter Christian Hansen*, Ryan Colbert* (GREAT EXPECTATIONS), Jamie White Jachimiec, H Adam Harris* (THE CURIOUS CASE OF THE WATSON INTELLIGENCE), Neal Beckman (ROMEO & JULIET), Rajane Katurah Brown* (MARIE AND ROSETTA).

The production team for AGATHA CHRISTIE’S RULE OF THUMB includes Sarah Brandner (Set Designer), Mike Kittel (Lighting Designer), Jeff Bailey (Sound Designer), Brent Anderson (Assistant Lighting Designer), Annie Enneking (Fight Director), Keely Wolter (vocal coach), Connor McEvoy (Properties Designer), Sonya Berlovitz (Costumer), Lyndsey Harter* (Stage Manager) Samantha Diekman* (Assistant Stage Manager) and Dallis Votava (Stage Management Intern).

*Member, Actors Equity Association

Ticket prices: Previews: $25-$37. Regular Run: $25-$60. Discounts are available for seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square Ticket Office, 20 W. Seventh Place, or by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at www.parksquaretheatre.org. #PSTSparkle

CALENDAR INFORMATION
Previews: July 12 – 19, 2019
Opening Night: July 20, 2019
Regular Run: July 20 – Aug 25, 2019
Tickets: Previews: $20-$37; Regular Run: $25-$60

PARK SQUARE THEATRE, 20 W. Seventh Place, Saint Paul
Ticket office: 651.291.7005 or www.parksquaretheatre.org

calendar-rule-of-thumb-5-30-18-17:30pm 2:00pm
P – Preview
B – 99¢ Bargain Preview
D – Post-show Discussion
O – Opening Night
ASL – American Sign Language
AD – Audio Description
C – Open Captioning

PHOTOS by Richard Fleischman parksquaretheatre.org/media/photos/
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PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

Flying Foot Forum Returns to Park Square

Flying Foot Forum Returns to Park Square

HEAVEN

Flying Foot Forum’s emotional, dance filled musical returns

MEDIA CONTACT
Connie Shaver, shaver@parksquaretheatre.org

Park Square Theatre and Flying Foot Forum present Heaven, on the Proscenium stage from May 31 through June 23, 2019. Created and directed by Joe Chvala, H

EAVEN is a choreographic blend of frenzied dancing, music and theatre set in war-torn Bosnia during the 1990s. The production features Orkestar Bez Ime, a Balkan party band, music by Chan Poling (The Suburbs, Glensheen) Joe Chvala, Victor Zupanc, and Natalie Nowytski, and actors who sing and speak in English and Serbo-Croatian as this story steeped in history celebrates the Bosnian culture and the dignity of those who lived through the war.

Heaven was first presented in March 2011 at the Guthrie’s Dowling Theatre. That production was ironically timed as the Arab Spring uprising was engulfing Egypt. Chvala is finding the messages of the play are as timely today as they were in 2011.

“Heaven is a show of sharp contrasts, filled with beautiful music, love stories and raucous dancing, as it brings us inside the violence of the Bosnian War,” said Chvala. “It is a cautionary tale of the need to find common ground rather than fight those who are different from us.”

The play begins in a café, the crowd singing Bosnian songs. Photo journalist Peter Adamson is documenting the war and is frustrated that his photos are not prompting the world to take action. He finds himself on a journey with his translator Faruk to save Faruk’s wife. Amid the horrors of war, there is humor, love and hope as the characters try to maintain their humanity. “This is theater that grabs you by the shoulders and shakes you in your seat.” (How Was the Show)

The production is enriched by a series of public events created in partnership by Park Square Theatre, Flying Foot Forum, World Without Genocide, The St Paul Rotary Club and the Minneapolis University Rotary Club to take audiences into the heart of the Bosnian War, genocide and through the transitional justice efforts that have followed in the decades since the war ended. Next up:

Exhumations and Justice

Post-show conversation following the Sunday, June 16 performance

A discussion following the performance will be led by Dr. Andrew Baker, Hennepin County Medical Examiner, who served as a forensic pathologist in Kosovo.

Sex Trafficking and Genocide

Film The Whistleblower and FBI talk on sex trafficking

Tuesday, June 11, 7:00 p.m.
Mitchell Hamline School of Law, 875 Summit Avenue, St. Paul

This 2010 biographical crime drama starring Rachel Weisz and Vanessa Redgrave is the story of Kathryn Bolkovac, a Nebraska police officer recruited as a UN peacekeeper for DynCorp International in post-war Bosnia in 1999. While there, she discovered a sex trafficking ring serving (and facilitated by) DynCorp employees, with the UN’s SFOR peacekeeping force turning a blind eye. A post-film talk will be moderated by FBI Special Agent Michael Melcher of the sex trafficking unit.

 

The production team for Heaven includes Emma Lai (Assistant Director); Jake Endres (Music Director); Robin Mcintyre (Scenic Design); Cindy Forsgren (Costume Design); Kirby Moore (Properties Design); Marcus Dilliard (Lighting Design); Cody Anderson (Sound Design); Steve Campbell (Video Design); Stela O’Center (Language and Culture Consultant); Joe Papke (Dialect Coach); Rachel Lantow *(Stage Manager);and Paran Kashani (Assistant Stage Manager)

CAST:

Jeremy Bensussan

Jan Campbell

Joe Chvala

Peter Colburn

Michelle de Joya

Ariel Donahue

Kevin Dustrude

Mary Gantenbein

Karla Grotting

Liam Hage

Christian LaBissoniere

Cooper Lajeunesse

Helena Magalhaes

Riley McNutt

Natalie Nowytski

Charles Robison

Jessica Staples

Molly Stoltz

Nicolas Sullivan

Lara Trujillo

Eric Webster

Joe Weismann

Mabel Weismann

 

BAND

Colleen Bertsch

Jeffrey Gram

Jake Endres

Scott Keever

Eric Ray

Ticket prices: Previews: $20-$37. Regular Run: $25-$60. Discounts are available for seniors, military personnel, those under age 30, and groups. Tickets are on sale at the Park Square ticket office, 20 W. Seventh Place, or by phone: 651.291.7005, (12 noon to 5 p.m. Tuesday through Friday), or online at parksquaretheatre.org.   #PSTHeaven

*Member, Actors Equity Association

CALENDAR INFORMATION

Heaven

Park Square’s Proscenium Stage

Previews: May 31 – June 6, 2019

Opening Night: June 7

Regular Run: June 7 – 23, 2019

Tickets: Previews: $20-$37; Regular Run: $25-$60

PARK SQUARE THEATRE, 20 W. Seventh Place, Saint Paul

Ticket office: 651-291-7005 or parksquaretheatre.org

 

UP NEXT ON THE PARK SQUARE PROSCENIUM STAGE:

The world premiere of:

Jefferson Township Sparkling Junior Talent Pageant

Book and Lyrics by Keith Hovis

Directed by and Laura Leffler

Previews: June 14 – 20, 2019

Opening Night: June 21

Regular Run: June 21 – July 28, 2019

 

PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. www.parksquaretheatre.org

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Park Square Announces 45th Season

Park Square Announces 45th Season

First Season for new Artistic Director Flordelino Lagundino Features Big Scale, Big Heart, Three Musicals and One World Premiere

MEDIA CONTACT

Connie Shaver, shaver@parksquaretheatre.org

 

Saint Paul, Minn., Feb. 14, 2019 – Park Square Theatre announced its 45th theatre season for 2019-2020 today. This is the first season to be created by Artistic Director Flordelino Lagundino, who took the reins of the theatre on August 1, 2018, after a national search. Flordelino will direct two shows in his first season, both by Korean American playwrights: AUBERGINE by Julia Cho and UN (the completely true story of the rise of Kim Jong Un) by John Kim.

Flordelino is building on Park Square’s commitment to new work with regional premieres, as well as one world premiere. He is also continuing former Artistic Director Richard Cook’s legacy of guaranteeing that every season includes at least one directing debut by introducing Park Square audiences to nationally recognized directors Mark Valdez, Ilana Ransom Toeplitz and Madeline Sayet, as well as local powerhouses Marcela Lorca and Lisa Channer.

“I wanted my first season to have an emphasis on community and to show as many people as possible that they have a place at Park Square and that they belong here,” said Flordelino. “I’ve been listening carefully to our community my first five months in town and am working to provide us all with stories that uplift, entertain, prod, and ultimately help us understand each other as fellow humans. And I think this is a moment in time when we all need to get up and dance!”

The season opens with that exact counterpoint: a delicious human drama on the Boss and plenty of dance moves on the Proscenium.

First on the Boss Stage will be the area premiere of AUBERGINE (Sept 20 – Oct 20, 2019) by Julia Cho, author of The Language archive, directed by Flordelino Lagundino. In this poignant and lyrical new play, a son cooks a meal for his dying father to say everything that words can’t. Since this first-generation Korean American speaks English and only limited Korean, the making of a perfect meal is an expression more precise than language, and the medium through which his love gradually reveals itself.

“This was one of the most beautiful plays I have ever read,” says Flordelino. “When I encountered it for the first time, I felt it was the best play I had read by an Asian American author in the last ten years. The writing feels so personal. It is a humorous and sensitive play about memories, food, and a relationship fractured by the loss of native language and the distance created between families because of war and the resulting Korean diaspora.”

The season continues on the Park Square Proscenium Stage with the Tony Award-nominated campy rock musical THE ROCKY HORROR SHOW by Richard O’Brien (Sept 27 – Nov 2, 2019), directed by Ilana Ransom Toeplitz. “I really want to rock the house and upend the way that people think of Park Square,” says Flordelino. “This is a great show to bring the generations together – those that stood in line as teenagers to see the original movie in 1975 (coincidentally the year Park Square opened), and young people experiencing it for their first time. I want the walls to shake and for people to get up, dance, laugh and have a good time!”

Ilana Ransom Toeplitz

THE ROCKY HORROR SHOW will be Toeplitz’s Park Square and Twin Cities directing debut. She has served as associate director for the national tours of DIRTY DANCING: THE CLASSIC STORY ON STAGE and A CHRISTMAS STORY: THE MUSICAL!, as well as being a Drama League Director’s Project Alum (2017 Leo Shull New Musicals Directing Fellow). “The whole night should feel like a party that’s been locked up in a time machine for years, begging to come out and play,” says Toeplitz. “It all culminates in Frank-N-Furter’s epic floor show, which has all the glitz of a David Bowie concert combined with all of the glam of an episode of RuPaul’s Drag Race. Audience participation is encouraged.”

A special one-week only presentation of PAIGE IN FULL by Paige Hernandez will take to the Boss Stage (Oct 25– 27, 2019). This unique experience blends poetry, dance, media and music to share a multicultural girl’s journey through hip-hop to self-discovery. Since its premiere in 2010, this “visual mix-tape” has sold out performances throughout the country and garnered praise from critics and audiences alike for its energy, intelligence, and originality.

Paige in Full

Warren Bowles

Park Square will offer just one weekend of general audience performances of its critically acclaimed production of Lorraine Hansberry’s A RAISIN IN THE SUN, directed by Warren Bowles (Boss Stage, Dec 6-8, 2019), with student matinees playing (Nov 18 – Dec 20, 2019).

Lisa Channer

For the holidays on the Proscenium Stage, Park Square continues its tradition of “counter programming” by featuring the regional premiere of PRIDE AND PREJUDICE (Nov 15 – Dec 22, 2019) adapted from the Jane Austen classic by Kate Hamill (SENSE AND SENSIBILITY, LITTLE WOMEN) and directed by Lisa Channer in her Park Square debut. This clever comedy offers a decidedly progressive take on the trials of Lizzy, Mr. Darcy, and the whole Bennet clan, with a few dance breaks thrown in for good measure. “I love it because of the emphasis on the actor and the emphasis on theatricality,” says Flordelino. “Many of the actors play multiple roles and there is a sense of joy and abandon. Like the original Austen, it also gets to the depths of what it means to really fight for love and family.”

Mark Valdez

2020 kicks off on the Proscenium with a brand-new take on the Broadway musical EVITA by Tim Rice and Andrew Lloyd Weber, directed by Mark Valdez in his Park Square debut with musical direction by Denise Prosek and choreography by Joe Chvala (Jan 17 – Mar 1, 2020). “Mark is blowing the dust off this classic,” says Flordelino. “He is taking on how populism meets politics. What does it take to rise up in today’s society and make a name for yourself? And at what cost do we make our way up the ladder of success and power in any political environment?”

Valdez, who directs frequently at Mixed Blood Theatre, just received the Americans for the Arts 2019 Johnson Fellowship for Artists Transforming Communities, a $65,000 award that will help Mark continue his ground-breaking work in community-based theatre engagement.

The world premiere of UN (the completely true story of Kim Jong Un) by John Kim (Feb 7 – Mar 1, 2020) will be directed by Flordelino Lagundino, who was involved in the early development of the play at Pan Asian Rep in New York City. The play is a hilarious, irreverent, and brutal take on the life and rise to power of Korean dictator Kim Jong Un. It chronicles his life as teen who loves basketball, Michael Jordan and the Chicago Bulls, through the shaping of his mythology as the Supreme Leader. “John Kim and I have known each other for about 20 years,” shares Flordelino. “We met when I directed him in David Henry Hwang’s THE SOUND OF A VOICE when John was an undergrad actor at George Mason University. His script looks at the often-insane ways in which power is given and taken, and how the western world looks and frames power from countries that do not share its Eurocentric origins.”

FACE TO FACE: OUR HMONG COMMUNITY (Boss Stage, Mar 5 – 15, 2020) is a first-ever partnership between Park Square and the internationally-renowned Ping Chong + Company, a New York-based leader in innovative community-based theatre engagement. FACE TO FACE will be a community-specific, interview-based theater piece examining issues of culture and identity within Saint Paul’s vibrant Hmong Community. This original play will feature members from the Hmong community that will tell their stories – in their own words. “Minnesota has crossed an important and exciting cultural threshold,” says Executive Director Michael-jon Pease, “with more state legislators named ‘Xiong’ than ‘Johnson.’ This project is a way to explore the many facets of a community who are woven into our Minnesota fabric.”

FACE TO FACE is a larger series of theatre-based engagement projects which lifts up different parts of our community so that we all can know each other just a little bit better,” says Flordelino.

Marcela Lorca

The community spirit continues with the Midwest premiere of MISS YOU LIKE HELL by Tony and Pulitzer Prize-winning playwright Quiara Alegría Hudes (ELLIOT, A SOLDIER’S FUGUE, WATER BY THE SPOONFUL, In the Heights) and acclaimed, genre-breaking singer/songwriter Erin McKeown (Apr 17 – May 17, 2020). Marcela Lorca is directing. The musical recently played Off-Broadway at The Public Theater in 2018, where it was nominated for five Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations.

After living estranged from each other for years, 16-year old Olivia and her mom, an undocumented immigrant on the verge of deportation, embark on a road trip that crosses state lines. Together they meet Americans of different backgrounds, shared dreams, and complicated truths in this powerful new show with vast heart and fierce humor.

Michael Evan Haney

Summer in Saint Paul kicks off on the Proscenium Stage with Jeffrey Hatcher’s twisting, tantalizing mystery HOLMES AND WATSON (Jun 12 – Jul 26, 2020) directed by Michael Evan Haney. Sherlock Holmes has been dead three years when Dr. Watson receives a message from a mental asylum: three patients are claiming to be Sherlock Holmes. Did the world’s greatest sleuth fake his own death? Who is the real detective and who are the imposters? “Jeffrey is a local playwriting legend,” says Flordelino. “This mystery is Hatcher at his best. The writing is driving, taut, and will keep you on the edge of your seat.” Director Michael Evan Haney will make his Park Square directing debut. “Jeffrey Hatcher has built his play upon one of the most famous mysteries in English Literature—the death? (Disappearance?) of Sherlock Holmes at Reichenbach Falls” added Haney. “ He has created a Rubik’s Cube of a plot in HOLMES AND WATSON—a fast paced 90 minutes of suspense, mystery and thrills.”

The summer fun continues with guillotines and a cry for liberty on the Boss Stage with the regional premiere of THE REVOLUTIONISTS by Lauren Gunderson (Jun 19 – Jul 19, 2020). Four badass women lose their heads in this irreverent, woman-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world.

Madeline Sayet

THE REVOLUTIONISTS will be directed by Madeline Sayet in her Park Square Theatre debut. Sayet is a recipient of The White House Champion of Change Award from President Obama and a member of the FORBES 30 Under 30 in Hollywood and Entertainment for her work as a director, writer, performer and educator. “This story is biting and playful, full of passion, humor and poignant truths for all of us — not just those who die for causes, but everyone who tries to stand up,” says Sayet. “It immediately made me think of the Oscar Wilde quote, ‘If you want to tell people the truth, you’d better make them laugh, otherwise they’ll kill you.’”

In addition to the full season of public performances, Park Square will continue to serve the region’s largest teen theatre audience with 127 daytime matinees for students in 7th-12th grade from select shows in the season as well as from its repertory of literary classics ROMEO & JULIET, adapted and directed by David Mann, and THE DIARY OF ANNE FRANK, directed by Ellen Fenster.

 

SEASON TICKETS are on sale now. Current subscribers have priority in ordering through March. Seating of new subscriptions will begin in April. Season packages range in size from all eight plays and three add-ons in the season to a choose-your-own series of three or more. Subscription package prices begin at $66.

 

The Ticket Office is open from noon to 5:00 pm Tuesday through Friday. Call 651.291.7005.

PHOTO LINKS

Madeline Sayet

Ilana Ransom Toeplitz

Michael Evan Haney headshot

Flordelino Lagundino and Michael-jon Pease headshots by Amy Anderson HERE

Paige in Full

Ping Chong + Co

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PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. parksquaretheatre.org

Press Release: PRIME PRODUCTIONS brings the future to the stage.

PRIME PRODUCTIONS BRINGS THE FUTURE TO THE STAGE WITH MARJORIE PRIME AT PARK SQUARE THEATRE

MEDIA CONTACT:  Connie Shaver
651-767-8492 | shaver@parksquaretheatre.org
Tickets: 651-291-7005 or parksquaretheatre.org

 

St Paul, Minn. (February 19, 2019) – Continuing their mission to tell more stories about women in their second act, PRIME Productions opens Jordan Harrison’s Marjorie Prime directed by Elena Giannetti, April 26, 2019 on the Andy Boss Thrust Stage at Park Square Theatre.

“Science fiction is here…Every day is science fiction. We buy these things that already know our moods and what we want for lunch even though we don’t know ourselves…”
– Tess in Marjorie Prime

It’s the age of artificial intelligence, and 85-year-old Marjorie – a jumble of disparate, fading memories – is living with her adult daughter and son-in-law, but also has a handsome new companion who’s programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? In this richly spare, wondrous new play Harrison explores the mysteries of human identity and the limits – if any – of what technology can replace.

“Jordan Harrison’s elegant, thoughtful and quietly unsettling drama that keeps developing in your head, like a photographic negative, long after you have seen it…At some point, you realize that its been landing skillfully targeted punch after punch, right where it hurts.”
Ben Brantley, NY Times

Director Elena Giannetti says: “Although this play is set in the not-too-distant future, the themes of memory, loss and grief and how we confront them is very much in the now. By using artificial intelligence as a backdrop for a conversation around relationships and memory, Jordan gives us a smart and unsettlingly current setting to debate the issue of how much we need to remember, and who decides the value of those memories and the role of technology is used to preserve them. I’m so excited to tell a story that helps PRIME put mature actors on stage, while also giving voice to the struggle people face when dealing with their own mortality.”

“You don’t really believe that living is a distraction from death.”
– Jon in Marjorie Prime

The cast features Candace Barrett Birk* (Marjorie), Laura Stearns (Tess), Andre Shoals* (Jon), and James Rodriguez (Walter). The production design team includes Costume Designer Amy Kaufman, Sound Designer Katie Korpi, Lighting Designer Mike Kittel, Set Designer Joseph Stanley and Stage Manager Jamie Kranz.   * Member, Actors’ Equity Association

Marjorie Prime is made possible by the Saint Paul Cultural Star Grant Program and is being produced by PRIME Productions as a part of Park Square’s “Theatres in Residence” Series.

 

EVENT: MARJORIE PRIME
Written by: Jordan Harrison
Directed by: Elena Giannetti
Dates: April 19 – May 19, 2019

Previews: April 19 – 25, 2019

Opening Night/Media Night: Friday, April 26, 2019

Thursday – Sunday performances

Venue:            Park Square Theatre

Andy Boss Thrust Stage

Historic Hamm Building

20 West Seventh Place

St Paul, MN 55102

Tickets: Priced from $20 – $60

Discounts available for seniors, patrons under 30, veterans/military personnel, and groups.

All tickets available through the Park Square Theatre Ticket Office

651-291-7005  || parksquaretheatre.org

Website: primeprods.org
Facebook: @PrimeProds
Twitter: @PRIMEbroads
Summary: Set in the not-too-distant future, Marjorie is 85-years-old and lives with her adult daughter Tess and son-in-law Jon. Her new “companion” Walter, is programmed to keep her company and help her retain the memories of her past. Tess and Jon struggle to decide what memories should be kept and which ones are better off forgotten, as the smart technology of their time takes them further into the unknown. As time goes on, they must all confront the dilemma of how to reconcile the past with the urgency of the present and decide how much of the future is worth living for.

Editors: All high res photos are available for download at primeprods.org/media

Performance Schedule: 20 performances 

Friday, April 19 7:30 PM Preview
Saturday, April 20 7:30 PM Preview
     
Tuesday, April 23 7:30 PM Preview
Wednesday, April 24 7:30 PM Preview – post show discussion with cast
Thursday, April 25 7:30 PM Preview
Friday, April 26 7:30 PM Opening Night/Media Night with Reception
Saturday, April 27 7:30 PM  
Sunday, April 28 2:00 PM Matinee – ASL Access Services provided
     
Thursday, May 2 7:30 PM  
Friday, May 3 7:30 PM Audio Description Access Services provided
Saturday, May 4 7:30 PM  
Sunday, May 5 2:00 PM Matinee – post show discussion with cast
     
Thursday, May 9 7:30 PM  
Friday, May 10 7:30 PM  
Saturday, May 11 7:30 PM  
Sunday, May 12 2:00 PM Matinee
   
Thursday, May 16 7:30 PM  
Friday, May 17 7:30 PM Open Captioning Access Services provided
Saturday, May 18 7:30 PM Open Captioning Access Services provided
Sunday, May 19 2:00 PM Matinee – Open Captioning Access Services provided

About the Playwright
Jordan Harrison’s Marjorie Prime was a 2015 Pulitzer Prize finalist, as well as winning the 2016 Horton Foote Prize for Outstanding New American Play. The play had its New York premiere at Playwrights Horizons and its Chicago premiere at Writers Theatre after premiering at the Mark Taper Forum/CTG in Los Angeles. His play Maple and Vine premiered in the 2011 Humana Festival at Actors Theatre of Louisville and went on to productions at American Conservatory Theatre and Playwrights Horizons, among others.

Harrison’s other plays include The Grown-Up (2014 Humana Festival), Doris to Darlene (Playwrights Horizons), Amazons and their Men (Clubbed Thumb), Act A Lady (2006 Humana Festival), Finn in the Underworld (Berkeley Repertory Theatre), Futura (Portland Center Stage, NAATCO), Kid-Simple (2004 Humana Festival), Standing on Ceremony (Minetta Lane), The Museum Play (Washington Ensemble Theatre), and a musical, Suprema (O’Neill Music Theatre Conference). His children’s musical, The Flea and the Professor, won the Barrymore Award for Best Production after premiering at the Arden Theatre.  Harrison is the recipient of a Guggenheim Fellowship, a Hodder Fellowship, the Kesselring Prize, the Roe Green Award from Cleveland Play House, the Heideman Award, a Theater Masters Innovative Playwright Award, the Loewe Award for Musical Theater, Jerome and McKnight Fellowships, a NYSCA grant, and a NEA/TCG Residency with The Empty Space Theater. A graduate of Stanford University and the Brown MFA program, Harrison is an alumnus of New Dramatists. He is an Affiliated Artist with Clubbed Thumb, The Civilians, and The Playwrights’ Center. Harrison writes for the Netflix original series “Orange is the New Black.”

About the Director

Elena Giannetti is a Twin Cities director, with credits including Park Square Theatre (Midsummer Nights Dream), Artistry (The Last Five Years), and Lyric Arts (If/Then, Coney Island Christmas). In addition to being a co-founder of PRIME Productions, Elena has acted on stages from the Guthrie, Children’s Theater, Park Square Theatre, History Theater and Mixed Blood, as well as on film and television. She is a graduate of Macalester College with a BA in Dramatic Arts.

About PRIME Productions

PRIME Productions was founded in 2016 as a professional Equity theater in the Minneapolis/St. Paul, Minnesota region. With a focus on celebrating women in their second act, their mission is to explore, illuminate and support women over 50 and their stories through the creative voice of performance. The company co-founders are Alison Edwards, Elena Giannetti and Shelli Place.

PRIME Productions launched their first production in May 2017 with LITTLE WARS by Stephen Carl McCasland at Mixed Blood Theatre. In the fall of 2017, they created PRIME Voices: A Series of Staged Readings which offered free public staged readings of three different plays by female playwrights, all presented at local venues (Jungle Theater, History Theatre and Park Square Theatre). For their second season, PRIME Productions presented TWO DEGREES by Tira Palmquist at the Guthrie Theater Dowling Studio in October 2018.

To date, 19 female actors over the age of 50 have been cast in roles with PRIME Productions.

PRIME Productions grew out of the realization that there was a scarcity of opportunities within theater for women in their prime: older female characters are often stereotyped, marginalized or altogether eliminated from the narrative. “The Twin Cities is rich in experienced female talent, “ says co-founder Shelli Place, “but there’s a gap in the plays and roles to fully utilize that resource.” PRIME Productions fills this gap by producing plays that employ more female theater artists and addresses issues relevant to an aging population. The plays are selected to encourage and include the participation of all genders, races, sexual orientations, abilities and ages – snapshots of real lives in our times, with mature women center stage addressing issues relevant to a vibrant aging population.

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Announcing the 2019 Artist Fellowship Recipients

Program aims to increase the pipeline for under-represented artists

Saint Paul, Minn., March 13, 2019 – Flordelino Lagundino, Park Square Theatre’s John W. Harris Artistic Director, has announced the eight recipients for the pilot year of a new Artist Fellowship program at Park Square: Ricardo Beaird, Ernest Briggs, Mary Capers, Maxwell Collyard, Ashawnti Sakina Ford, Sophie Peyton, Lindsey C. Samples, DJ Kool Akiem Scott.

“Fellowships gave me an inside track at some of the best theatres in the country, advancing my artistry and building my network,” says Lagundino. “We were delighted to receive 58 applications this year. It’s important to me that in our work at Park Square we find ways to open doors and build a pipeline for all early career theatre artists, especially for marginalized communities such as indigenous, people of color, and LGBTQA artists, in order to create a greater sense of belonging for everyone in our community.”

The first year of the new theatre fellowship program is made possible by major grants from the Minnesota State Arts Board and Saint Paul’s Cultural STAR program. Fellows will deepen and develop new skills over the upcoming year in residence by participating in projects which will connect them to Park Square and the Saint Paul/larger Twin Cities’ community.

For the 2019 fellowships, there were five assistant directing tracks and three assistant designer tracks assigned (design may be in any theatrical design medium: set, costume, lights, props, sound, or projections). Each fellow will assist on two shows from early stages through final production, and will have a voice in production meetings, planning, rehearsals, and direct collaboration with lead production staff and the Artistic Director.

Collectively, the fellows will form a self-directed cohort of emerging leaders and may participate in the various department functions at Park Square in areas such as casting, season planning, carpentry, electrics, wardrobe or run crew, and in budgeting, human resources or marketing. Additionally, there will be opportunities to meet with artistic leaders at Park Square’s partner theatres as well as other area theatrical institutions. To involve the fellow cohort with the wider community, staff support, and dedicated resources will be provided to help each fellow create an engagement experience as a part of Park Square’s mission to center artmaking within the ongoing dialogue we have with our community.

At the end of the fellowship year, the cohort will participate in an Evening Cabaret Performance in which Twin Cities Artistic Leaders will be invited. This culminating event will be co-hosted with the MN Theatre Alliance. Feedback will be considered for the planning of future iterations and development of the program.

Park Square’s community partners in this program include Springboard for the Arts, the MN Theatre Alliance, the Metropolitan Regional Arts Council, Theatre Mu, the History Theatre, PRIME Productions, and the East Side Freedom Library.

Headshots of recipients HERE  BIOS follow below.

Ricardo Beaird [Director Track] is a theatre maker and teaching artist from Nashville who recently performed at Park Square in Dot and Baskerville: A Sherlock Holmes Mystery. Currently, Ricardo is an actor/presenter at the Science Museum of Minnesota. This year, he was selected to be a Red Eye Theater Works-In-Progress artist with his collaborator, Megan Burns.

Ernest Briggs [Director] is a professional actor and Twin Cities native who has worked in Minneapolis, Chicago, Los Angeles and Florida. Ernest received his Master of Fine Arts in Acting from the University of Florida. He has worked locally as an actor with Mixed Blood Theatre, Park Square Theatre, Girl Friday Productions, Minnesota History Theatre, Artistry Theatre, Children’s Theatre Company, Teatro Del Pueblo, Pillsbury House Theatre, Turtle Theatre Collective, South Coast Repertory (CA), Tilted Windmills Theatricals (FL) and various feature films. He has also directed productions for the Minnesota Fringe Festival, Nimbus Theatre and various short films.

Mary Capers [Design] is a wig designer from South Jamaica Queens, New York. She has a Bachelor of Arts from SUNY Fredonia and a pending Master of Fine Arts in Theatrical Design and Production from Brooklyn College. She has worked at various theatres around the country and is happy to finally call the Twin Cities home.

Maxwell Collyard [Design] is an interdisciplinary theatre/film artist based in the Twin Cities working mainly with digital content and live performance. Maxwell designed projections for Turtle Theater Collective, Theatre Novi Most, Frank Theatre, and the Playwrights’ Center. He also works as a cinematographer/editor for various fundraisers, Mixed Blood Theatre/Project 154, and with Fox and Coyote, Annie and the Bang Bang, Daniel Bonespur, and Porno Wolves to create music videos. He enjoys making movies in his spare time and is currently preparing a feature-length film for festivals. Maxwell also works as an actor and assistant director for theatres in the Twin Cities.

Ashawnti Sakina Ford [Director] is an actress, teaching artist, improviser, playwright, poet and director born and raised in the Twin Cities. Her work is typically centered in social change and arts accessibility. She recently co-founded The Black Ensemble Players theatre company to give rising black artists the opportunity to work on classical and new theatre. She is also a member of Blackout Improv which was recently recognized as a Minnesota Change-maker by MPR. Ashawnti has been seen on stages including the History Theatre and the Guthrie Dowling studio and has worked with companies including Full Circle Theatre, Sandbox Theatre and Combustible.

Sophie Peyton [Director] is a freelance director, dramaturg, and community engagement coordinator. Originally from Boston, she moved to Minneapolis to further her career in new play development and artistic administration. She holds a B.A. from Temple University and has worked on the administrative and producing staff at McCarter Theatre Center, Wilma Theater, and PlayPenn: New Play Development Conference. Regional credits include Minnesota Opera, Trademark Theater, History Theatre, Park Square Theatre, McCarter Theatre Center, and Wilma Theater. She’s had the pleasure of assisting directors Emily Mann, Adam Immerwahr, Jamil Jude, Peter Rothstein, and Doug Scholz-Carlson.

Lindsey C. Samples [Director] is a multidisciplinary theater artist. She believes art is a critical ingredient in fostering a healthy society and creating necessary social change. As a director, performer, teaching artist, and arts administrator, she has used theater as a bridge to be in conversation across communities, geography, cultures, languages, abilities, and identities. Lindsey holds a B.A. in Theater from Loyola University Chicago and an M.Ed. in Youth Development Leadership from the University of Minnesota.

DJ Kool Akiem Scott [Design] is an educator, teaching artist, renowned DJ, composer, sound designer, and producer. Widely recognized as a pioneer of the Twin Cities Hip-Hop community, he’s produced for the legendary Micranots, was DJ for MF Doom’s domestic and European tours, and has performed with artists such as Public Enemy, De La Soul, The Roots, Grandmaster Flash, and Jazzy Jeff. Kool Akiem has produced seven albums, many of which are critically acclaimed that released on Rhymesayers Entertainment, Subverse Records, and Mental Madness Wreckords. He has held DJ residencies in New York and Atlanta, and hosted radio shows including The Panther Power Hour on WRFG (Atlanta) and WEQY (Saint Paul). His expertise and philosophies on Sampling and Hip Hop pedagogy have been featured in several books including Five Percenter Rap by Felicia Miyakawa and Making Beats by Joseph Schlosh. He composed original scores for the award-winning stage play Kung Fu Zombies vs Cannibals (Theater Mu), was DJ for Illyria (Theater Latte Da), a sound designer for The Two Kids That Blow Shit Up (Theater Mu) and was recently commissioned to compose the theme song for Kung Fu Zombies vs Shaman Warrior (Smithsonian). He taught Hip Hop Music History at McNally Smith College of Music and conducts DJ and recording residencies and workshops for all ages as a teaching artist through COMPAS, East Metro Integration District and Intermedia Arts.

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PARK SQUARE THEATRE. 20 W. Seventh Place, Saint Paul. Ticket Office: 651.291.7005. parksquaretheatre.org