From April 7 to 30, Park Square Theatre features the area premiere of THE (curious case of the) WATSON INTELLIGENCE on its Proscenium Stage. A 2014 finalist for the Pulitzer Prize for Drama, playwright Madeleine George’s play is described by Park Square as a “brilliantly witty, time-jumping, loving tribute . . . to the people—and machines—upon which we depend.”
The following is an interview with actor Adam Whisner, who plays two passionate men–both named Merrick and both experiencing women troubles, but each in different time periods:
On the cover of the script, under the title, includes the descriptor, “a play about others.” What does that mean to you?
There’s the person who gets the credit, and the other person who has their back. The other person made them coffee so they could keep working through the night. The other person held them as they sobbed after failed experiment #486. The other person loved them no matter what. We’re not all wired to be that person.
In the context of this play, I think “the others” are the selfless, generous, compassionate companions. They’re the people we all want in our lives, and hopefully strive to be, when and if we’re ready to set ego aside and move from getting to giving. I think the kind of others this play highlights are evolved people, whether they know it or not. You’re either born as one, or you learn how to let go and become one. I think most “Watsons” aren’t entirely consciously aware that they are one. Similarly, the Elizas and Merricks of the world are barely conscious of their need for the Watsons, but it’s a desperate need. In my mid-40s, I’m pretty sure I’m an Eliza/Merrick, minus the brilliant scientist part, who is just starting to learn how to be a Watson.
What is the biggest challenge for you in playing Merrick?
The lines! The Merricks have a lot to say, and I’ve always been a slow memorizer. The more complex challenge is making sure the Merricks are assholes for whom the audience has some compassion. The Merricks’ need for the Watsons is part of what humanizes them. The genius inventor who doesn’t know how to find love is still just a person who needs love. The divorcee running for office who wants to make the whole world a better place is still just a man suffering heartbreak in his little world. Assholes need love, too.
What led you to become an actor?
I was a precocious, sensitive, creative little kid, but always felt pressure to be something else, especially from stronger, tougher, sportier boys. My version of “I’ll show them” was acting in comedic lead roles in junior high school plays. After one of my first performances, I was in the lobby getting a drink from a water fountain as parents were milling about. I overheard one mother tell another that she hated school plays, that her daughter was terrible in them, and that she wished she’d stop doing them. My spirits sank. Then she said, “But that Adam Whisner kid should be on TV. He was hilarious.” I think I went up four hat sizes in that moment. My fate was sealed. Sometimes I think the only reason I’ve been able to make a full-time living as an actor is that I’ve believed I could since 1982.
What are you working on next?
I’m a company member of Wonderlust Productions, a theatre company that gathers personal stories from various communities in Minnesota and then invites those communities’ members to participate in creating plays based on their own stories. Participation includes being an actor or musician in the final production of the play alongside professional theatre artists. It’s not community theatre; it’s theatre for and by a community. We’ve done two full productions: The Veterans Play Project and The Adoption Play Project. Our next play, The Capitol Play Project, will focus on the folks who work at the Minnesota State Capitol who aren’t politicians and will be performed in the state capitol building itself in early 2018. I may wind up in another production before then if it falls in my lap. I don’t audition often enough.
Adam’s cast background:
Park Square Wonderlust Productions’ Six Characters in Search of an Author Representative Theatre Guthrie Theater/Workhaus Collective: Little Eyes; Wonderlust Productions: Veteran’s Play Project, Adoption Play Project; Walking Shadow Theatre Company: The Crowd You’re in With, An Ideal Husband; Theatre Pro Rata: The Woodsman; Loudmouth Collective: A Bright New Boise, Gruesome Playground Injuries; Gremlin Theatre: Burn This; Commonweal Theatre: The Rainmaker; Alan Berks & Company: #Ringtone; Hidden Theatre: This Is Our Youth Training B.A., Theatre Arts, University of Iowa; Actors Theatre of Louisville Acting Apprentice Co. Accolades City Pages Best Actor 2016; Lavender Magazine Crème de la Crème Performances 2015