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Posts Tagged Transatlantic Love Affair

ADELIN PHELPS: Her Thread of Love

A thread of love runs throughout the story of Cardboard Piano, a play set in northern Uganda. It begins with the profound love between two teenage girls, Chris and Adiel, who perform their own secret wedding ceremony in the town’s church on New Year’s eve. One is the daughter of the white missionaries who’d founded the church; the other, a local Ugandan parishioner. Actor Adelin Phelps plays Chris, the missionaries’ daughter; Kiara Jackson is Adiel, her bride. The play takes us on a years-long journey from the night of their wedding to its aftermath.

Adelin’s copy of the script
(Photo by Connie Shaver)

“When I first read this play, I really connected with Chris,” Adelin said. “I very quickly fell in love with her and with this story. I love how passionate Chris is and her strong conviction in what she believes. Yet there’s this contradiction that lives in her; she’s smart but also naive and sheltered.

I play Chris at different ages, 16 and 30 years old. And as broken as she becomes, she’s a fighter in the whole play. Women fighting for their needs and beliefs on stage–I’m drawn to that.”

Playing a rich, complex character that must sustain intense emotions as well as display a range of emotions in quick shifts will require stamina. As Adelin attests, “This is not an easy play for any of the cast members. It’s an intense story that moves quickly. What happens to Chris is difficult to execute, but getting to try to do it is so incredible from an actor’s standpoint of serving this story.”

The cast of Cardboard Piano (l to r): Michael Jemison, Ansa Akyea, Adelin Phelps and Kiara Jackson
(Photo by Connie Shaver)

A thread of love runs through Adelin’s desire to not only be in Cardboard Piano, but also to be an actor in the first place. Her desire to act began early as a deep inner knowledge, then a private acknowledgement before coming out as a public dream.

Adelin first fell in love with theatre when, as a child, she saw The Wizard of Oz with her school. The experience was so powerful that she was glued to the stage.

For a long time, however, Adelin pursued dance instead. Though she loved movement, she never wanted to become a professional dancer. And she came to realize that what she loved most about dance were its acting aspects.

“When I was 17,” Adelin recalled, “I knew I wanted to go to college and learn how to act. I had very little experience, not really doing it in high school, but I knew I had to pursue it. The fire in my belly had grown bigger and hotter every year throughout my life. And so I decided to apply and audition for schools. ”

Adelin had made no backup plan, having consciously made the decision to commit her life to acting. Ultimately, she got into her top pick of Coe College in Cedar Rapids, Iowa; and, as she put it, “The rest is history.”

A thread of love has steadily run through Adelin’s acting career, quite evident in a physical theatre ensemble that she co-founded with core members in 2010 after a few years of collaborating on Minnesota Fringe Festival performances. Called Transatlantic Love Affair, the ensemble’s name was inspired by the long-distance relationship between Artistic Director Isabel Nelson and Artistic Associate Diogo Lopes before they got married.

The special synergy within the group was there from the beginning. Not only do they love working together, but they also work beautifully together. That’s a good recipe for stellar productions, and their shows have been consistently well-received. In fact, their 2017 production Promised Land, a reimagined telling of Hansel and Gretel as an immigration story, sold out all its performances.

Adelin Phelps and Kiara Jackson being directed by Signe V. Harriday during a rehearsal of Cardboard Piano
(Photo by Connie Shaver)

Adelin has wondered, “What would it have been like if she’d pursued acting earlier?” But she doesn’t dwell on it. She’s simply grateful that she’d ultimately followed her heart to do what she loves.

Adelin anticipates an exciting year ahead. Besides being in Cardboard Piano, she’s involved in other projects that she is not privy to reveal at the moment. So look out for her, and follow her thread of love.

Information on Transatlantic Love Affair here

Tickets and information on Cardboard Piano here

Addie’s Delight

Playing a part in Idiot’s Delight from Girl Friday Productions at Park Square is Adelin Phelps, who portrays the character Mrs. Cherry. I was able to catch up with her and ask her some of what she thought about the show and the relevance it can hold in our 21st century world.

From Madison, Wisconsin, she attended Coe College in Cedar Rapids, Iowa, receiving her B.A. in acting. Immediately after graduation, she moved on up to the Twin Cities to pursue a career in the theatre. In her time here she has firmly established herself as a performer and collaborator, working with such noted companies as Minnesota Jewish Theatre, History Theatre, Theatre Latte Da, Walking Shadow and Frank Theatre. If that’s not enough, she is a core and founding member of Transatlantic Love Affair, a group that has earned a bevy of recognition in recent years. She now finds herself within the ranks of Girl Friday Productions and the grand cast of Idiot’s Delight – Robert Sherwood’s prophetic satire on the state of the world just prior to the outbreak of World War II. This marks her debut with Girl Friday, and her second time on a Park Square stage (following 2012’s King Lear).

While definitely not from the world of medieval England, Mrs. Cherry does happen to be a Brit among the band of internationals holed up in the Alpine hotel in which Idiot’s Delight takes place. Young and newly married to the dashing Mr. Cherry (Gabriel Murphy), she must reconcile the joys of kissing, dancing and abundant love with the stark realities of encroaching war. Those themes certainly lend themsevles to the political strife currently swirling around the world, not just at home, and how we are able to overcome that discord is a central question of the piece. As Phelps says, The need for humor, the struggle for an open, brave heart, the importance to understand history, and connecting with other humans… that draws me as a person to the project.”

Especially the benefits of connecting with other humans is apparent in Sherwood’s play. An ensemble cast of characters all born in different countries are suddenly forced into company with each other, thanks to the actions of their own governments. In a sense of irony, the very people they should be at war with become their friends within the walls of the hotel.

All these international characters is most exciting to Phelps who relishes the chance to use her sense of play and imagination in creating a dialect or new physicality to bring her role to life. And the dancing! There’s much for any actor to sink their teeth into and Phelps is eager to share that infectious zeal with the audiences. Indeed, viewers are in for a treat when they take their seats this summer. Phelps has been delighted to work with Girl Friday Productions and director, Craig Johnson in getting to tell such a story!

 

 

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