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Posts Tagged Sulia Rose Altenberg

Personal Highlights of the Past Season

The Diary of Anne Frank at Park Square Theatre in Saint Paul, MN - 2018 - Actors playing Anne Frank & Father

It has been 75 years since Anne Frank was given a diary by her father. The Diary of Anne Frank remains a perennial favorite of school groups. This coming season, limited evening performances will also be available. (Photo by Petronella J. Ytsma)

Always, the Education Program

Park Square takes great pride in its Education Program for good reasons. It’s a powerfully transformative program, not just for its effect on its young audiences but also as an inspiration within our own organization. Mindfully created and led by the incomparable Mary Finnerty since 1994, the Education Program has often served as first exposure of professional theatre to young audiences. But you can see how it’s much more than that in such defining moments as when the lightbulb of understanding lit up for a student while Sulia Rose Altenberg, who played Anne Frank, answered his question as to why the Jews didn’t simply pretend to be Christians or the teacher of a Somali group explained that they came to be exposed to a broader community. Our Education Program provides a safe venue for our young patrons to grapple with self-discovery, self-definition and social interconnectedness. It has also been a catalyst for Park Square to consider those very same issues within its own walls. Impactful is only one adjective that best describes “The Program That Mary Built” (see the August 16, 2016, blog post).

A Raisin in the Sun at Park Square Theatre in Saint Paul, MN - 2018

A Raisin in the Sun knocked our socks off and will be back for another season by popular demand. (Photo by Connie Shaver)

Staying In the Thick of It

Park Square Theatre, with its long-held reputation as a white mainstream institution, has had to do much organizational soul-searching to embrace change. Is having to grapple with equity, diversity and inclusion a long and messy process? Does building trust feel hard-won or, more aptly, simply hard? Do they sometimes get things wrong (and, of course, right)? Have they kept forging ahead? The answer is a resounding “Yes!”

Mu Performing Arts co-produced Flower Drum Song with Park Square Theatre and returns with another production in the upcoming season.

The Independents

Collaborations with smaller independent companies through its co-production of Flower Drum Song with Mu Performing Arts and productions by its Theatres in Residence–Sandbox Theatre, Theatre Pro Rata and Girl Friday Productions–broadened the season’s scope. I loved the “one-stop shop” to be able to try out new companies and see what they’re all about. Look forward to French Twist by Flying Foot Forum and the return of Mu Performing Arts for A Korean Drama Addict’s Guide to Losing Your Virginity in our upcoming season.

H. Adam Harris and Kathryn Fumie in this past season’s The (curious case of the) Watson Intelligence
(Photo by Petronella J. Ytsma)

The (curious case of the) Watson Intelligence

Having been one of the volunteer script readers to consider this complex, time-jumping, contemporary play for production, it was exciting to see it finally come to fruition on stage. The thumbs up on the script was actually a tough call, surmising its challenge for audiences to grasp–both its pro and con. The play really made me think about the state of human relationships in our techno-world. Did it do the same for you? It also had one of the most beautiful sets ever by Set Designer Lance Brockman and moving performances by actors Kathryn Fumie, Adam Whisner and H. Adam Harris in roles that let their own true souls shine through their fictional facades. Hope you were there! Note: Contact John White, Literary Management Volunteer (white@Parksquaretheatre.org), to discuss your interest to become a volunteer script reader.

Jamil Jude with Hope Cervantes, who was in this past season’s The House on Mango Street
(Photo by Connie Shaver)

Jamil Jude, Park Square’s former Artistic Programming Associate

When Jamil had just been on board for several months, someone asked me, “Do you even know what he does here?” Guess what a young man with an expansive heart and the passion to build bridges and break down walls has done within his relatively short time in the Twin Cities community? Break a leg at your new gig in Atlanta! (Refer to past blogs “Jamil Jude, Artist Plus,” “What’s That Got to Do With Jamil Jude?” and “Jamil Jude, We’ll Miss You.”)

The Conversations That Became Real

Eric "Pogi" Sumangil

Eric “Pogi” Sumangil

In an industry that endlessly tries to grab a piece of you, remaining guarded is an act of self-care and self-preservation. You’re constantly navigating the minefields of others’ self-interests and being put in compromising situations. Who do you want to be in those circumstances? Who must you become? Who are you really? Whenever you get a glimpse into a theatre professional’s inner humanity, it’s a golden moment for sure! Theatre professionals rock!

Vincent HannamMy Fellow Bloggers

Getting Eric “Pogi” Sumangil on the team for this past season and blogging for another year with the wholehearted Vincent Hannam were awesome, to say the least. As the only blogger without a theatre background and career, following these two’s works online and onstage served as terrific learning tools. Each of us wrote around complex schedules due to multiple gigs and personal responsibilities. Thanks for being there!

 

Sulia Rose Returns

Photo by Emmet Kowler

Photo by Emmet Kowler

Each year, Park Square Theatre presents The Diary of Anne Frank on its Proscenium Stage as one of our most popular Education matinees. Students from 7th to 12th grades witness life in hiding for the Franks in Amsterdam, Holland, until their discovery by the Nazis and subsequent transport to the concentration and death camps. What makes the play particularly poignant for our young audiences is that Anne was a real girl with hopes and dreams just like them.

This season, Sulia Rose Altenberg returns to once again play Anne Frank; she is also the youngest and the first Jewish actor to play her on our stage. On the day when Sulia received the lead role last season, she was still studying abroad in West Amsterdam and felt compelled to visit the Hollansche Schouwberg, the site of a beautiful Jewish theater building that became the Dutch Holocaust Memorial. There she read from a list the names of the Jewish Dutch people killed by the Nazi party: the Franks, the Van Pels and Fritz Pfeffer who’d hidden with the Franks, the Altenbergs, . . . .

Sulia’s connection to the Holocaust definitely helps her identify with Anne but also motivates her to give the most compelling performances possible. She feels a responsibility to both carry on Anne’s legacy as well as to personally and professionally reach for the stars, given the privileges of a blessed life. She notes that “if Anne had been free, then given her personality, she may have very well become an actor or performer” like her.

In her second round as Anne Frank with many returning cast members, Sulia relished going in “knowing what we’re doing this year so able to look at the scenes even more in depth.” This season, she wishes to portray Anne as a maturer 13-year-old with more self-awareness and stronger sense of purpose. She herself has changed within the past year, with stronger boundaries and more assertiveness.

Though Sulia has been acting since she was 11, attended high school at both St. Paul Conservatory for Performing Artists and South High School and became a Park Square Theatre Ambassador in 2012-13, she actually majored in Cultural Studies and Comparative Literature rather than Theatre Arts at the University of Minnesota. She did, however, keep acting for local theatre companies, such as Theatre Unbound, Illusion Theater and Frank Theatre, amongst others.

When not at Park Square, Sulia works for GTC Dramatic Dialogues, an organization that gives presentations and facilitates frank discussions at colleges throughout the nation on issues of racism, sexism, trans- and homophobia, sexual assault and substance abuse. It’s yet another way for Sulia to help make the world a better place.

October 18, 1942, diary entry: This is a photograph of me as I wish I looked all the time. Then I might still have a chance of getting to Hollywood. But at present, I'm afraid, I usually look quite different. (Photo from Anne Frank: Beyond the Diary - A Photographic Remembrance by Ruud van der Rol and Rian Verhoeven for the Anne Frank House)

October 18, 1942, diary entry: This is a photograph of me as I wish I looked all the time. Then I might still have a chance of getting to Hollywood. But at present, I’m afraid, I usually look quite different.
(Photo from Anne Frank: Beyond the Diary – A Photographic Remembrance by Ruud van der Rol and Rian Verhoeven for the Anne Frank House)

 

 

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