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Posts Tagged Sandbox Theatre

Personal Highlights of the Past Season

The Diary of Anne Frank at Park Square Theatre in Saint Paul, MN - 2018 - Actors playing Anne Frank & Father

It has been 75 years since Anne Frank was given a diary by her father. The Diary of Anne Frank remains a perennial favorite of school groups. This coming season, limited evening performances will also be available. (Photo by Petronella J. Ytsma)

Always, the Education Program

Park Square takes great pride in its Education Program for good reasons. It’s a powerfully transformative program, not just for its effect on its young audiences but also as an inspiration within our own organization. Mindfully created and led by the incomparable Mary Finnerty since 1994, the Education Program has often served as first exposure of professional theatre to young audiences. But you can see how it’s much more than that in such defining moments as when the lightbulb of understanding lit up for a student while Sulia Rose Altenberg, who played Anne Frank, answered his question as to why the Jews didn’t simply pretend to be Christians or the teacher of a Somali group explained that they came to be exposed to a broader community. Our Education Program provides a safe venue for our young patrons to grapple with self-discovery, self-definition and social interconnectedness. It has also been a catalyst for Park Square to consider those very same issues within its own walls. Impactful is only one adjective that best describes “The Program That Mary Built” (see the August 16, 2016, blog post).

A Raisin in the Sun at Park Square Theatre in Saint Paul, MN - 2018

A Raisin in the Sun knocked our socks off and will be back for another season by popular demand. (Photo by Connie Shaver)

Staying In the Thick of It

Park Square Theatre, with its long-held reputation as a white mainstream institution, has had to do much organizational soul-searching to embrace change. Is having to grapple with equity, diversity and inclusion a long and messy process? Does building trust feel hard-won or, more aptly, simply hard? Do they sometimes get things wrong (and, of course, right)? Have they kept forging ahead? The answer is a resounding “Yes!”

Mu Performing Arts co-produced Flower Drum Song with Park Square Theatre and returns with another production in the upcoming season.

The Independents

Collaborations with smaller independent companies through its co-production of Flower Drum Song with Mu Performing Arts and productions by its Theatres in Residence–Sandbox Theatre, Theatre Pro Rata and Girl Friday Productions–broadened the season’s scope. I loved the “one-stop shop” to be able to try out new companies and see what they’re all about. Look forward to French Twist by Flying Foot Forum and the return of Mu Performing Arts for A Korean Drama Addict’s Guide to Losing Your Virginity in our upcoming season.

H. Adam Harris and Kathryn Fumie in this past season’s The (curious case of the) Watson Intelligence
(Photo by Petronella J. Ytsma)

The (curious case of the) Watson Intelligence

Having been one of the volunteer script readers to consider this complex, time-jumping, contemporary play for production, it was exciting to see it finally come to fruition on stage. The thumbs up on the script was actually a tough call, surmising its challenge for audiences to grasp–both its pro and con. The play really made me think about the state of human relationships in our techno-world. Did it do the same for you? It also had one of the most beautiful sets ever by Set Designer Lance Brockman and moving performances by actors Kathryn Fumie, Adam Whisner and H. Adam Harris in roles that let their own true souls shine through their fictional facades. Hope you were there! Note: Contact John White, Literary Management Volunteer (white@Parksquaretheatre.org), to discuss your interest to become a volunteer script reader.

Jamil Jude with Hope Cervantes, who was in this past season’s The House on Mango Street
(Photo by Connie Shaver)

Jamil Jude, Park Square’s former Artistic Programming Associate

When Jamil had just been on board for several months, someone asked me, “Do you even know what he does here?” Guess what a young man with an expansive heart and the passion to build bridges and break down walls has done within his relatively short time in the Twin Cities community? Break a leg at your new gig in Atlanta! (Refer to past blogs “Jamil Jude, Artist Plus,” “What’s That Got to Do With Jamil Jude?” and “Jamil Jude, We’ll Miss You.”)

The Conversations That Became Real

Eric "Pogi" Sumangil

Eric “Pogi” Sumangil

In an industry that endlessly tries to grab a piece of you, remaining guarded is an act of self-care and self-preservation. You’re constantly navigating the minefields of others’ self-interests and being put in compromising situations. Who do you want to be in those circumstances? Who must you become? Who are you really? Whenever you get a glimpse into a theatre professional’s inner humanity, it’s a golden moment for sure! Theatre professionals rock!

Vincent HannamMy Fellow Bloggers

Getting Eric “Pogi” Sumangil on the team for this past season and blogging for another year with the wholehearted Vincent Hannam were awesome, to say the least. As the only blogger without a theatre background and career, following these two’s works online and onstage served as terrific learning tools. Each of us wrote around complex schedules due to multiple gigs and personal responsibilities. Thanks for being there!

 

#allarewelcome: Illuminating Brave Spaces January 19

Ghostlight on stage with caption Be a Light

Challenging times can cause many of us wonder where the light is in the world. If these days seem like that for you, the Ghostlight Project brings good news and the opportunity to illuminate our little corner of the country.

On January 19 at 5:30 pm hundreds of theatres across the U.S. will host outdoor gatherings for a collective action to shine some light — in the form of flashlights, cell phone lights, fairy lights, etc.— to celebrate our theatres as Brave Spaces.

Please join us at Park Square as several theatre companies including Mu Performing Arts, Girl Friday Productions, Sandbox Theatre  and Prime Productions gather under the Park Square marquee on West 7th Place to participate in  the project. Our event will include music, the opportunity to join with others, to light a light, make a personal pledge and gather for coffee and hot cocoa in the lobby.

Details are available on Park Square’s Ghostlight Project page For more about the nationwide initiative, visit the TheGhostlightProject.com.

Bring friends — and your light.

#bealight
#ghostlightproject
#allarewelcome

More or Less

While walking by the corner of Thomas and Hamline Avenues in St. Paul, I looked down and discovered this poem on the sidewalk.  It fed my heart and soul all day and everyday thereafter when I have passed by it again.

Sidewalk poetry Photo by T. T. Cheng

Sidewalk poetry
Photo by T. T. Cheng

I love how art, whatever its form, can do that–connect to your very being and express your deepest yearnings. Every fiber of you responds to its pull, and your life is forever changed. You don’t even have to fully understand it. Art that has stuck with me often involved those “What the heck?” moments. My mind craves to understand and connect, deeply interacting with what’s before me.

At Park Square Theatre, I recall feeling my synapses crackle and pop the first time I experienced Sandbox Theatre’s ensemble work–namely, how the story of our world overrun by anthropomorphic newts, driving humans to extinction so intrigued me that I had to see War with the Newts more than once. Sandbox’s second production on our Boss Thrust Stage, Queens, was just as thought-provoking–this time, a work about an African-American boxer finding his place in a world ruled by Jim Crow laws. Now I can’t wait to see their world premiere of Big Money on the Boss this January. What will the story of a man who suddenly devotes his life to winning big in a game show have to do with me or with you? The only answer I know to give is to show up and open myself to the surprise of discovery.

And isn’t surprise a key element of powerful art? It wakes me up to ponder big questions–to give me “a little more eats,” something for my mind to chew over, swallow and digest so I can attempt to make meaning out of this crazy, imperfect world. Art is imperative to my survival as an empathetic human being; it pushes me to expand beyond my own little corner of the world to connect with yours–the very impetus needed to make “a little less war, a little more peace.”

As we head into another new year, consider doing your part to bring peace on Earth. Actively support the arts in any way that you can: as a creator, spectator, donor, volunteer, subscriber or promoter. We shall all be richer for it.

 

Park Square Theatre Seeks Resident Theatre Partners

Is your  theatre company interested in participating with Park Square Theatre as a member of the second generation of resident theatres?

Park Square is seeking to work with up to three groups, beginning with the 2017-2018 season.  

We need partners who:

  • Can produce one full production per year, for at least two consecutive seasons, as part of Park Square’s Boss Thrust Stage subscription season
  • Have a track record of successful producing for a loyal audience
  • Have plans and ambitions for continued programming and the ability to program ahead (18-24 months out)
  • Are willing to collaborate with Park Square and other Partners to coordinate programming, scheduling and marketing

Park Square’s contribution to the partnership includes:

  • Use of the  Andy Boss Thrust Stage for tech/dress and performances
  • Ticketing, sales and house management
  • Direct marketing and promotion as part of the Theatre’s subscription series
  • Collaboration for joint/shared marketing and the potential for joint fundraising

To be considered for 2017-2018, please submit your expression of interest to Richard Cook (cook@parksquaretheatre.org/651.767.7482) no later than November 1, 2016.

 

  Big Money at Park Square Theatre, 2017             Up: The Man in the Flying Chair at Park Square Theatre, 2017

Current Resident Theatre Partners Sandbox Theatre (photo of Peter Heeringa by Matthew Glover), Theatre Pro Rata and Girl Friday Productions present Big Money, Up: The Man in the Flying Chair and Idiot’s Delight, respectively, for the Park Square Theatre 2016-2017 season

          Idiot's Delight, produced by Girl Friday Productions, at Park Square Theatre, 2017

True Gems

I was recently inspired by Matthew Glover’s blogs on June 1 (“When 40 Feels Like a Lot”) and June 3 (“The Finish Line”). Glover was co-Director and Project Lead on Sandbox Theatre’s Queens, which just ended its run on Park Square Theatre’s Andy Boss Thrust Stage. Each of his posts gave us a glimpse of the immense dedication of artists to bring their creations to audiences, regardless of size, and how they feel called to give beyond the best of themselves—in this case, performing through excruciating pain from an injury.

Glover made me recall how I had discovered Sandbox Theatre at Park Square Theatre last season. The ensemble was performing War With the Newts, also on the Boss Stage and as part of Park Square’s Theatres in Residence Series. It was a truly groundbreaking production, described as “a deep exploration of the themes of nationalism, exploitative business practices and human nature’s self-destructive tendencies.” In short, humanity faced extinction at the hands of anthropomorphic newts. Reviewers described the play as “quirky” and “darkly funny.” The utter originality of the production simply blew my mind—in a very good way, leading me to see it twice.

war-with-the-newts-notext

As you can imagine, I could not wait to see Queens this season. But like War With the Newts, Queens also fought for a larger audience, though both garnered good reviews. The sheer quiet beauty of the sure-footed performances made me want to see Queens again as well, though I was unable to do so this time.

In a May 25 review on Queens in City Pages, Jay Gabler wrote, “If you’re willing to set aside your expectations of a conventional narrative, though, you’ll find a show built on trust—trust among the performers, trust in the material, and trust in the audience.” I think that his words would also ring true for War With the Newts a year ago. Sandbox Theatre does excellent but unconventional work that may challenge the audience in new ways; and, often, cutting-edge art takes time to be recognized for the gem that it is—to, essentially, build an audience.

Pondering on the incredible dedication of Sandbox Theatre to its craft made me think about all the other smaller theatres in the Twin Cities that have or will perform at Park Square Theatre this season–Wonderlust Productions, Mu Performing Arts, Other Tiger Productions and Flying Foot Forum–and how they “sweat blood” to inspire us, broaden and challenge our views, and bring us together.

New start-ups, such as Full Circle Theatre (co-founded by Rick Shiomi who was also co-founder of Mu Performing Arts) and Hero Now Theatre (which cast our own Vincent Hannam in its inaugural play), have only cropped up this past year; and you can be sure that others will keep coming, all bent on working to build mutual understanding and inspire a better future.

I encourage you to come and engage with these and other theatres as you discover their existence. Come be challenged. Come to explore. Come to receive their gifts—always with an open mind.

 

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