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Posts Tagged Robert Sherwood

Addie’s Delight

Playing a part in Idiot’s Delight from Girl Friday Productions at Park Square is Adelin Phelps, who portrays the character Mrs. Cherry. I was able to catch up with her and ask her some of what she thought about the show and the relevance it can hold in our 21st century world.

From Madison, Wisconsin, she attended Coe College in Cedar Rapids, Iowa, receiving her B.A. in acting. Immediately after graduation, she moved on up to the Twin Cities to pursue a career in the theatre. In her time here she has firmly established herself as a performer and collaborator, working with such noted companies as Minnesota Jewish Theatre, History Theatre, Theatre Latte Da, Walking Shadow and Frank Theatre. If that’s not enough, she is a core and founding member of Transatlantic Love Affair, a group that has earned a bevy of recognition in recent years. She now finds herself within the ranks of Girl Friday Productions and the grand cast of Idiot’s Delight – Robert Sherwood’s prophetic satire on the state of the world just prior to the outbreak of World War II. This marks her debut with Girl Friday, and her second time on a Park Square stage (following 2012’s King Lear).

While definitely not from the world of medieval England, Mrs. Cherry does happen to be a Brit among the band of internationals holed up in the Alpine hotel in which Idiot’s Delight takes place. Young and newly married to the dashing Mr. Cherry (Gabriel Murphy), she must reconcile the joys of kissing, dancing and abundant love with the stark realities of encroaching war. Those themes certainly lend themsevles to the political strife currently swirling around the world, not just at home, and how we are able to overcome that discord is a central question of the piece. As Phelps says, The need for humor, the struggle for an open, brave heart, the importance to understand history, and connecting with other humans… that draws me as a person to the project.”

Especially the benefits of connecting with other humans is apparent in Sherwood’s play. An ensemble cast of characters all born in different countries are suddenly forced into company with each other, thanks to the actions of their own governments. In a sense of irony, the very people they should be at war with become their friends within the walls of the hotel.

All these international characters is most exciting to Phelps who relishes the chance to use her sense of play and imagination in creating a dialect or new physicality to bring her role to life. And the dancing! There’s much for any actor to sink their teeth into and Phelps is eager to share that infectious zeal with the audiences. Indeed, viewers are in for a treat when they take their seats this summer. Phelps has been delighted to work with Girl Friday Productions and director, Craig Johnson in getting to tell such a story!

 

 

Craig Johnson on Reviving a Classic

In anticipation of Idiot’s Delight, this year’s offering from Girl Friday Productions at Park Square, I wanted to get to know more about some of the creative souls behind the show. Who are they and what part do they play in bringing such a production to life?

In combing through the wildly impressive credits of actors and designers, I gravitated to the person at the helm and decided to ask him a few questions first. As the director, Craig Johnson, is no rookie when it comes to either the theatre, Park Square or Girl Friday. According to his profile on Minnesotaplaylist.com, he’s a veteran of 200 productions, including 52 at Park Square over the years. This includes multiple awards and recognitions, especially for his work with Girl Friday Productions which include Our Town (director), Street Scene (director), Camino Real (actor) and The Matchmaker (director) which was one of the first shows to grace the Andy Boss Thrust at Park Square a couple of summers ago. This year, now he is in charge of Idiot’s Delight by Robert Sherwood and offers his take on the play.

What about this play drew you to the project? What speaks to you as an artist and perhaps, a “normal” person?

Idiot’s Delight…um…delighted me on several levels when I first read it. I have a nostalgic love for these big, sleek, well-constructed, entertaining yet thoughtful, limousine-like plays that Broadway produced in its heyday between the wars. It was a time when a lot of people could afford to go to the theater regularly. Of course this was mainly people in the New York area, but it was a wide swath of the population, and the good plays usually went out on tour around the country and got picked up by resident stock companies in places like Saint Paul and Minneapolis. I like dusting off these old plays whose names and authors I recognize but have never seen or read, and hoping they still have something to say to us. And I like when one of these plays, like Idiot’s Delight, still resonates. It connects us to our shared theatrical history that broadens that stream beyond yet another revival of A Midsummer Night’s Dream, Uncle Vanya, or The Importance of Being Earnest — just to name three plays I absolutely love!

You’re a history buff, are there parallels to our current world situation? If so, how do you highlight this in the production? (Maybe without giving too much away!)

Author Robert Sherwood wrote Idiot’s Delight in 1936, during the depths of the Great Depression, when many were becoming increasingly alarmed by the threat of European fascism in Italy and Germany. He imagines how another world war might occur–and was startlingly accurate in some ways to actual events just a few years in the future. That alone is fascinating. But the play also looks at the toxic brew of populism, nationalism, xenophobia, and militarism, and how those forces can lead a culture away from civil society toward barbarism. In that, sadly, many might see echoes of current events making headlines in the US and Europe. So the play works as a sober cautionary tale.

You’ve worked a ton with Girl Friday Productions. What keeps you coming back to GFP?

Well, I’ve known GFP artistic director Kirby Bennett for many years — she’s a friend, neighbor, and colleague. I so admire the unique niche she’s carved out in the rich theatrical ecosystem of the Twin Cities. GFP does one show every two years. They are large-scale shows that most small professional companies wouldn’t touch because of the personnel expense. But Kirby’s care and thoughtful planning is much appreciated by actors and designers. The scripts, too, carry an interesting thread — they are usually about what it means to be an American. They’re plays that still carry meaning and hope for us today, even though they cluster in that rich period of American writing from the 1920s to the 1950s. Some productions like Our Town revisit familiar texts, but others, like Camino Real and Street Scene are like Idiot’s Delight plays once heralded that we think warrant coming off the bookshelf and having another turn in the spotlight.

I should probably get your basic info: Where do you come from in life and artistically? Your college/ training, hometown, etc.

I was born and raised in Saint Paul — though because of my Dad’s job with 3M we lived overseas in Tokyo and Belgium for several years when I was growing up. I’ve been doing plays since my triumphant debut in Green Eggs and Ham in 6th grade. I went to the University of Minnesota, and after a long career doubling my theater work with my job managing the James J. Hill House for the Minnesota Historical Society, I now focus on acting, directing and teaching full time. And love every minute of it. Also I’ve done 52 shows at Park Square going back to 1979, so this is like home to me.

What do you want audiences to come away thinking and/or feeling after seeing this show?

I hope audiences appreciate the thoughtful balance of entertainment and social commentary that Sherwood offers. There are show tunes to enjoy, a rich tapestry of quirky characters to laugh at, and a poignant love story. But there are important questions to ponder: How should Americans interact with the rest of the world? What are the forces that harden us against our neighbors? What does it mean to close a border — to keep some inside and others out? How do we balance freedom and security?

There you have it, folks, I could not have said it any better myself!

Come see just what Johnson means this summer at Park Square where Girl Friday Productions will be presenting Idiot’s Delight on the Andy Boss Thrust Stage June 29 – July 23.

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