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Derek Dirlam: Code Name – Archie Goodwin

Right now at Park Square, you can catch the mystery-thriller of the summer, Might as Well Be Dead: A Nero Wolfe Mystery, on stage through July 30th. While the hero, Nero Wolfe, may have his name in the title, what good would he be without his loyal right-hand man? Filling that role is Archie Goodwin, a witty ladies man who works as Wolfe’s live-in assistant and aides him in the solving of mysteries. A highly skilled private investigator, it’s Goodwin who scours New York City collecting the evidence that Wolfe needs in order to solve a case. Such is the character that has filled volumes of detective fiction, but who can possibly bring this persona to life on the stage? Stepping in to do just that is actor Derek Dirlam, who has embraced the role emphatically.

 

A fan of the genre, he appreciates the expectations some fans may have in regards to Archie. Fortunately, thanks to the numerous stories author Rex Stout produced, Dirlam had plenty of varied sources to draw from. As mentioned in a previous blog about the author, Rex Stout wrote Nero Wolfe mysteries from 1934 to 1975. A remarkable span of time that was part of the greater pop cultural fascination with all things noir, pulp and hard-boiled. Think of characters like Sam Spade and you’ll know just where Dirlam is coming from in shaping the world of Archie Goodwin. He’s long been a listener of vintage radio-dramas and classic films like The Big Sleep, Double Indemnity and A Touch of Evil have proven helpful in getting into character, as well as tuning in to the music of the 1940s and ‘50s. Dirlam has created his own “Archie Playlist” that features jazz artists Buck Clayton, Coleman Hawkins and Louis Prima among others. Such a fan is he, that before being cast in Nero Wolfe, Dirlam produced his own play in the mystery genre at last year’s Fringe Festival entitled “A Study in Emerald” by Neil Gaiman, and it was combing through potential source material that he first came across the titles of Nero Wolfe.

As previously mentioned, there are about 40 years worth of Archie Goodwin to draw upon and Dirlam hopes that he’s able to flesh out his version of the character in a way that appeals to both the hard-boiled and the casual fan. Working with E.J. Subkoviak has been a wonderful experience as well, to which Dirlam says:

As the show developed, E.J. and I were able to incorporate several nuances of Archie and Wolfe’s relationship from the books that weren’t necessarily highlighted in this particular script, which I think makes the duo more interesting, and is also an added nod to the fans of the books.”

With actors like Dirlam and Subkoviak infusing Archie and Nero with such positive chemistry, there’s certainly plenty for audiences to enjoy. Full of suspicious characters, twists and turns, Might as Well Be Dead: A Nero Wolfe Mystery promises to keep those same audiences on their toes as they play their part in the mystery and get to know the one and only Archie Goodwin.

Subkoviak (left) and Dirlam (right) in Might as Well Be Dead: A Nero Wolfe Mystery plays on the proscenium stage through July 30.

Addie’s Delight

Playing a part in Idiot’s Delight from Girl Friday Productions at Park Square is Adelin Phelps, who portrays the character Mrs. Cherry. I was able to catch up with her and ask her some of what she thought about the show and the relevance it can hold in our 21st century world.

From Madison, Wisconsin, she attended Coe College in Cedar Rapids, Iowa, receiving her B.A. in acting. Immediately after graduation, she moved on up to the Twin Cities to pursue a career in the theatre. In her time here she has firmly established herself as a performer and collaborator, working with such noted companies as Minnesota Jewish Theatre, History Theatre, Theatre Latte Da, Walking Shadow and Frank Theatre. If that’s not enough, she is a core and founding member of Transatlantic Love Affair, a group that has earned a bevy of recognition in recent years. She now finds herself within the ranks of Girl Friday Productions and the grand cast of Idiot’s Delight – Robert Sherwood’s prophetic satire on the state of the world just prior to the outbreak of World War II. This marks her debut with Girl Friday, and her second time on a Park Square stage (following 2012’s King Lear).

While definitely not from the world of medieval England, Mrs. Cherry does happen to be a Brit among the band of internationals holed up in the Alpine hotel in which Idiot’s Delight takes place. Young and newly married to the dashing Mr. Cherry (Gabriel Murphy), she must reconcile the joys of kissing, dancing and abundant love with the stark realities of encroaching war. Those themes certainly lend themsevles to the political strife currently swirling around the world, not just at home, and how we are able to overcome that discord is a central question of the piece. As Phelps says, The need for humor, the struggle for an open, brave heart, the importance to understand history, and connecting with other humans… that draws me as a person to the project.”

Especially the benefits of connecting with other humans is apparent in Sherwood’s play. An ensemble cast of characters all born in different countries are suddenly forced into company with each other, thanks to the actions of their own governments. In a sense of irony, the very people they should be at war with become their friends within the walls of the hotel.

All these international characters is most exciting to Phelps who relishes the chance to use her sense of play and imagination in creating a dialect or new physicality to bring her role to life. And the dancing! There’s much for any actor to sink their teeth into and Phelps is eager to share that infectious zeal with the audiences. Indeed, viewers are in for a treat when they take their seats this summer. Phelps has been delighted to work with Girl Friday Productions and director, Craig Johnson in getting to tell such a story!

 

 

Chatting with the Master Sleuth Himself!

Actor E.J. Subkoviak, who is playing Nero Wolfe this summer in Might as Well Be Dead: A Nero Wolfe Mystery, graciously offered his insight into not only the character but to just how vast and enthralling the world of this play is!

1. What is like to play such a renowned character? You’re second time around, do you find yourself discovering new layers behind the character?

I first played Rex Stout’s armchair detective Nero Wolfe at Park Square a few years ago in The Red Box, and it was a real honor, as this was the first time Mr. Wolfe had ever been commissioned to appear onstage anywhere.

He’s very much an American Sherlock Holmes in many ways. (In fact, there are those devoted fans who believe – yes, they did the math – that Wolfe may be the love child of Holmes and his Jersey girlfriend Irene Adler. They even took the Jim Garrison conspiracy approach and noted that ShERlock HOLmes and NERo WOLfe both have the ER/OL in the middle of their names. Mr. Stout neither confirmed nor denied this theory, but was obviously flattered that people had put so much time and research into something he created.)

Like Holmes, he’s an eccentric genius who hides his emotions, and has his own addictions. (Holmes has his cocaine; Wolfe has his lavish gourmet meals.) And being a man of mystery, there is so much mystery about the man himself. Why is yellow his favorite color? (His dwellings look like Colonel Mustard’s house.) What’s with the orchid fascination? (We never see it onstage, but he has a rooftop full of them.) Why is he so hard on women? Why won’t he leave the house? Did something happen to him in his past life as an Albanian spy to create this corpulent grump? These are questions that can’t help but come to mind, and even after so many books, Stout leaves them as questions. What we know about Wolfe we know only through the eyes of his young protege, Archie Goodwin, who narrates the books and the plays.

In playing Wolfe a second time, I find he’s very much in my blood now. Based on the original reaction of the “Wolfe Pack” (the Rex Stout fan club – their name, not mine, I swear) and Rebecca Stout-Bradbury, Stout’s daughter and one of the heads of his estate, I didn’t see how I could change a thing I was doing. The only thing I looked for this time around were opportunities to show hints – and in such a plot-heavy venue as mysteries are, all we have room for are hints – of things Wolfe may be too afraid to reveal explicitly, so that he becomes slightly more than just a robust super-computer expunging deductions and menus. In this case, I found some brief moments in his interactions with Archie Goodwin (his Dr. Watson) that suggest he’s quietly aware that while he’s always barking orders and often scolding his protege’s antics, Archie’s the closest thing to family as he’ll ever have, which ties in somewhat with Archie’s final speech that invokes the title of the show. Again, it doesn’t play into the mystery as a whole, or the puzzle the audience is obviously attentive to, but it’s an attempted step up with the character in this second episode.

E.J. Subkoviak

2. Are you a fan of this genre and had you always known about Nero Wolfe? When did you first discover the series?

Indeed, mystery and thrillers have always been my favorite genre, even as a boy. While everyone else in my 3rd grade class was reading Judy Blume, I was reading the adventures of Encyclopedia Brown, boy detective, and trying to use my eight year-old wits to help him solve such mind-boggling capers as “The Case of the Broken Globe”.

Nero Wolfe was a name I was somewhat familiar with, perhaps remembering the William Conrad TV series that aired during my youth. When our director Peter Moore first told me he was considering me for the role, I said, “Oh yeah, isn’t he like a judge or a lawyer or something?” And he said, “No, he’s a detective. Look him up.” So I did – I googled “Nero Wolfe” and got my answer: “Morbidly obese private detective…” I had to stop for a minute and look at myself in the mirror at that point and do a little crying, but it wasn’t long before I became very intrigued by everything else I read about the guy.

3. What are some influences you draw upon as an actor taking on a great detective role such as this?

The Nero Wolfe books are, to me, a nice combination of the hard-boiled detective stories with the Jessica Rabbits holding a gun on the cover, and the more elegant Agatha Christie-like drawing room mysteries that always had the detective gathering all the suspects at the end and slowly, methodically, revealing who the killer is and how they did it. Being a mystery lover, I loved watching such TV sleuths as Stacy Keach’s Mike Hammer and David Suchet’s Hercule Poirot.

Other than that, I try not to do too much, and I just try to remain confident that our playwright Joseph Goodrich is right when he tells me, “You ARE Nero Wolfe.” That takes a little pressure off me acting-wise, but puts a lot of pressure on me to start some kind of exercise regiment.

4. What’s your favorite part of the show and what do you think audiences will enjoy the most?

My favorite parts to play are the moments that highlight the differences between Wolfe and Archie. Archie is Wolfe’s Dr. Watson, but what sets this team apart from the Holmes/Watson relationship, and indeed adds some fun and interest, is not only the age difference and the mentor/protege picture, but that these two are really cut from two very different cloths. They’re an odd couple solving mysteries together, and when their tactics, behaviors and vocabulary clash, it makes for some often laugh-inducing fun. Archie is also a much more outgoing, dare I say likable guy, so to see him throw grouchy Mr. Wolfe a little sunshine now and again is rewarding, especially in the middle of so much murder and mayhem. I really think this relationship is at the heart of what makes the Nero Wolfe stories fun enough to give it a real fan base.

Peter Moore [director], always finds a group of terrific and talented people, and this is no exception. I am delighted to be working again with so many old friends and many new ones, cast and crew alike. Wolfe would call them “satisfactory”, which, to the rest of us, means “exceeds all expectations”.

 

Making the Past Present

Something you’ll hear a lot about in regards to Idiot’s Delight, is the history of the events taking place and how it can arguably be a mirror to today’s world. If history does indeed repeat itself, then can this play serve as a guide book to our future? Perhaps not even a guidebook, but a warning? With stakes that high, I wouldn’t recommend missing out on this one!

Dramaturg Kit Gordon. (Courtesy photo)

Helping to make sense of all this, for the actors as well as the audience, is the role of the dramaturg. Serving in this role is long time Girl Friday dramaturg, Kit Gordon, who has been involved with the company since the earliest days. She is also a company member of Theatre Pro Rata and has served as their resident dramaturg for a number of years as well. 

What skills lend themselves to being a good dramaturg? Certainly a passion for history and theatre, but also finding a joy in academic research. Gordon studied all of it in college and worked in the humanities, English literature and women’s studies. She then went on to complete her PhD in English, with a focus on Shakespeare within her own experiences as a teacher, writer and theatre practitioner. Up until 2013, her day job was an undergraduate academic adviser at the University of Minnesota.

When it comes to dramaturgy, Gordon’s loves the research but is quick to point out that her job is “not to have all the answers but to know where to find them”, as stated in a 2014 interview with Chris Hewitt in the Pioneer Press

I asked her to expand upon some of the themes of Idiot’s Delight and comment on all of the drawing-a-parallel-to-our-modern-world talk that’s been going on with this play. Echoing sentiments of Adelin Phelps and Craig Johnson, she says:

 

Our world is in some ways more complex than it was in 1936, but people are still people – and some of them are dangerous. While the parallels are not exact, the emotions that spring from our fears about what might happen (with ISIS, with North Korea, with radical political movements in the U.S.) are similar to those felt by characters in the play… I think that by exploring the dilemmas of the characters in the play, we explore our own.”

 

No matter what the “big picture” is, it seems to all boil down to the people in the room and the relationships they hold with each other. That’s what turns a good story into a riveting drama and what Girl Friday excels so much at bringing to life. Like any meaningful work of art, this play has an ability to make you think. Oh, you’ll laugh, for sure. Maybe so hard as to produce a tear, but you’re still bound to come away with a new sense of humanity – how special it really is to be able to live and love in peace.

You can check out Girl Friday’s website here and see the online study guide compiled by Kit Gordon! https://www.girlfridayproductions.org/upcoming-show

 

Meet Marketing Wizkid, Zach Anderson

A new face you might run into these days at Park Square Theatre is that of our new marketing intern, Zach Anderson! A local boy, through and through, he was born in Chanhassen and currently attends Macalester College where he is ready to graduate and throw himself into the Twin Cities theatre community. I’d say Park Square is a good place to start!

As the marketing intern, Zach’s primary duties are assisting Connie Shaver, who is the Marketing and Audience Development Director for the theatre and Rachel Wandrei, Marketing and Engagement Manager. His tasks can included anything from working on social media campaigns, to working on Park Square’s marketing archives to engaging with our audiences at local events such as the Twin Cities Jazz Festival. and Nine Nights of Music. What does he study at Macalester? Why, theatre and media, of course. With his double-majors, he is focused on performance and marketing, respectively (with some film analysis too). 

 

Zach and Rachel Wandrei sort through some of Park Square’s archives. Photo by Connie Shaver
In fact, Zach’s passions for the art form have been with him for as long as he can remember. Being from Chanhassen, he was naturally raised on shows at the Chanhassen Dinner Theatres but was also exposed to the wide array of theatrics that makes Minnesota such a wonderfully creative place. He credits his parents for such an eclectic smattering of genres like burlesque, Shakespeare, drag, and even Mr. Tom Stoppard. Yes, growing up so close to the Twin Cites definitely has it’s advantages when it comes to culture, with museums and music performances a-plenty. Even more so when you are a kid and you can attend any number of children’s theater camps and participate in shows the way Zach did.

Such a rich background in the performing arts has certainly set him up for succuss in the field. Anyone who has even done one show, although for fun, will admit that it takes a tremendous amount of time, energy, and dedication to pull off. Like any worthy pursuit, of course, it can be taxing on the mind and body but true to his nature, Zach knows how to roll with the punches. An ardent meditator, he started the practice when he was a mere eight years old! Zach’s whole philosophy is best explained in his own words:

Something I’ve realized in past years is emotions come after work, not before. When one truly works to their best abilities with full heart the emotions will line up as wanted. Too many times do I see people throwing themselves into solutions rather than processes, and God knows life is a process not a solution. I think that’s when work becomes duty, and when mere satisfaction becomes joy.

This joy, then, is found in the theater for Zach and is absolutely the reason he wants to create and share it with the world! He hopes that others can find the solace they seek within the act of telling a story.

Zach and Jamil Jude look at an audience engagement plan. Photo by Connie Shaver

While creating theater is definitely a full-time effort, Zach manages to blow off steam with other worthy endeavors such as playing guitar, reading, drinking coffee or attempting to write a book. He says there’s more to come on that front, but I think we can forgive him for not finishing the next Great American Novel when he’s got so many plays to do!

The Mighty Quinn Shadko

Those of you who regularly attend shows at Park Square Theatre might be familiar Quinn Shadko, the actor and singer, who has appeared on stage in The Snow Queen, The Diary of Anne Frank and went on as the understudy in Of Mice and Men. Where you might not know her from is the day-to-day operations of the theatre, a job she just recently took on, working in the education department. Due to those two latter credits, Shadko knows first hand the extraordinary impact that Park Square’s education series has on the students of Minnesota (and even Wisconsin and Iowa at times). Every year over 32,000 students come through the doors to see theatre and it is her job to not only manage the mind-boggling logistics, but also ensure the experience is positive, enriching and long lasting. She sums it up best by saying:

“It’s our privilege to bring to life for them what they’re reading on the page, and usually it’s an impression that lasts a lifetime. We don’t just want to create a new generation of artists or even theatre-goers, but smart, sensitive citizens who think globally and see theatre as a medium for open discussion and social change.”

These sentiments are vital, especially considering that this may be the first time a student has or will see a play. Every little detail must count! Education and entertainment must go hand-in-hand!

Quinn Shadko (left) in The Snow Queen. Photo by Petronella. 

Shadko has always been involved in theatre and is an experienced actor with local and national credits under her belt including a national tour of Clifford the Big Red Dog and (much much more locally) The Realish Housewives of Edina. Not limited to the stage, she also works a fair amount in voiceover and is currently the voice of HealthPartners on the radio.

Hailing from southwest Minneapolis, she attended Breck School where her drama director, Tom Hegg, was a force in her early development as a performer. Following high school she moved to Houston, Texas to attend Rice University and studied classical voice performance and linguistics. Not done yet, she then moved to New York where she earned a Master of Music in voice performance (with a specialty in musical theatre) from NYU.

After time away from Minnesota, however, she knew she wanted to return home and take advantage of the ability to blend artistic opportunities with such a high quality of life. Indeed, whenever Shadko finds herself not working or performing, she hits the lakes of Minneapolis and loves exploring the city. Right now you can prepare to see her in the role of “Zerlina” in Don Giovanni, produced by Skylark Opera at the Woman’s Club in Minneapolis. It’s an English-language adaptation and set in Minnesota during the Prohibition Era!

Photo by Vera Mariner.

How lucky we are at Park Square to have her manage such a special program as the education series. Of course it’s a mighty responsibility but that suits Shadko just fine. She wouldn’t want it any other way.

 

The Writer Behind Nero Wolfe

When I learned that Park Square was going to be producing Might as Well be Dead: A Nero Wolfe Mystery (June 16 – July 30), I was excited for the chance to do some sleuthing myself into the background of this character and series of stories that were published between 1934 and 1975. That’s a remarkable span of time for one detective, really only comparable to Sherlock Holmes (who appeared in novels and short stories between 1887 and 1927).

A portrait of Nero Wolfe by Kevin Gordon.

With such a rich history then, where are the countless movies and television series’ to depict Nero Wolfe? I believe it would be because the appeal of these stories are found in the pages of a book, the stage of a theatre, or even the homey atmosphere of a radio broadcast. Indeed, many of the Nero Wolfe mysteries have been adapted to those formats (and to be fair, there have been several successful incarnations for TV). Nonetheless, even with all the various media formats, Nero Wolfe is a flavor of detective fiction best-suited for the thinking man. Philip Marlowe, he is not, as he and his sidekick Archie Goodwin prefer to solve their crimes from the comforts of their New York City brownstone.

Like I stated in the beginning, the chance to dive deeper into the history of Nero Wolfe excited me, but even more so I wanted to get to know the man behind the character. Just who was the author and how might that real life have affected the fictional persona?

Writer Rex Stout (biography.com)

Well, to begin with that author is Rex Stout and he was an American born in Indiana in 1886 (what do you know, a year before Mr. Holmes debuted) and died in 1975 in Connecticut. While he was a lifelong writer, he actually took a number of years off from the profession to simply just make some money. His money-making venture was actually through an invention all of his own by which schools could keep track of money saved by students in accounts at the school. That made him enough money that he could then devote his full-time to the writing of short stories. I certainly know a few artists who wouldn’t mind that kind of income source! I can also see that Stout was definitely an intelligent man, who’s mind was mirrored in that of Wolfe’s.

Another element mirrored in the stories would be the captivating real life adventures of Rex Stout. As a young man he served as a yeoman in the Navy for two years, even serving aboard Theodore Roosevelt’s presidential yacht. I am sure that seeing the world in such a way, with so many colorful real-life characters inspired Stout in his writing of adventure, crime and fantasy stories.

All of those stories were written and serialized in pulp magazines such as All-Story Magazine (later Argosy). Between 1912 and 1918 he honed his skills for the Nero Wolfe stories to come. Then, even when they did come, he again wasn’t afraid to take time off of writing for pursue other interests – this time to write propaganda is support of the war effort of World War II.

For so many achievements, Rex Stout will always be defined by his greatest creation, Nero Wolfe. It turned out all right for him, for sure, and he is up there with Agatha Christie, Raymond Chandler and Arthur Conan Doyle when it comes to the Mount Rushmore of fictional crime writers. Good of Park Square then to produce a show featuring such a legacy this summer! Might as Well be Dead: A Nero Wolfe Mystery plays from June 16 to July 30 on the Proscenium Stage and features E.J. Subkoviak is the title role.

Meet Laura Leffler, the Newest Member of the Team

Park Square Theatre is excited to welcome Laura Leffler to downtown Saint Paul as she assumes the duties of the Company and Contract Manager. With a wealth of experience, she is stoked and ready to embrace all the challenges to come her way, including carving out time in her eventful day to connect with this blogger and answer a few questions!

What’s your background? What brought you to the Twin Cities and how did you get involved with Park Square?

I’m from Kansas City. I moved to the Twin Cities for an internship with Theatre de la Jeune Lune after graduating with my M.A. in Theatre History with an emphasis in Direction from the University of Kansas. I went to undergrad at a teeny tiny liberal arts college called Baker University, where I majored in English Literature and Theatre with an emphasis in performance. After moving to the Twin Cities, I co-founded the theatre company Savage Umbrella, for which I serve as the Artistic Director.

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Laura Leffler in her spiffy new office. Photo by Connie Shaver.

I met Megan West, the former Production Manager, at the Minnesota Theatre Alliance’s Performing Arts Human Resource Training series in 2015. I admired her work and tenacity for striving for diversity and inclusion, so when she went on maternity leave last fall, I covered for her while she was having a really cute baby. That time last fall allowed me to meet a lot of the staff, and get a small taste of the culture at Park Square.

What is the nature of your new role? What is your favorite part about it and what can be a challenge?

As the Company and Contract Manager, I feel a little like I’m learning to drive the car while I’m actually driving the car (which is a fun metaphor that helps me feel less overwhelmed). It’s a slightly different job than I had while I was covering for Megan, as some staffing changes and responsibilities shifted around. My favorite part is to get to be in the room where it happens (thanks, Hamilton) and have big picture conversations with Artistic Director Richard Cook and Executive Director Michael-jon Pease. Also, having a hand in casting is great. I think I’m good at putting together a team to work together in the room, and I’m excited that gets to be a part of my every day work. Everything that involves spreadsheets is a challenge, because I’m “Queen of the Right Brains”. But, every challenge is an opportunity, and I’m always excited to jump at an opportunity for growth.

Have you always done theatre-related work?

What theatre artist ever does all theatre-related work? No, most recently I was covering a few shifts at a local co-op deli. Love me some organic veggies, but they put an inordinate amount of lettuce on their sandwiches, so I’m glad to be back in a theatre setting!

What do you like to do when you’re not working hard?

I have wanderlust like nobody’s business, so I’m always looking forward to the next trip. Camping and tromping around Europe are my favorites. I have a goal to visit all of the national parks, and I’m about 40 short still, so I gotta get moving on that. I’m an avid cook and foodie, so if you ever want to talk Michael Pollan or the latest season of Top Chef, I’m your gal. I like high-brow theatre and dumb movies, rooting for Minnesota United and the Kansas City Royals (sorry, Twins, I bleed blue), and making my 4-year old daughter laugh.

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Now that you know all about Laura, it won’t be awkward to randomly talk to her about your favorite episode of Top Chef or your last trip to a national park. As for that Royals and Twins rivalry… well… we’ll just let that play out on the field.

Welcome to our team at Park Square!

Park Square: It’s a Family Affair

If you have been to Park Square Theatre then you have probably met or seen our indefatigable House Manager, Jiffy Kunik, who runs a tight ship while being just the darn coolest.  I’m here now to let you know where she gets all that pluck, grit and charm – her father, John Kunik.

Kunik is currently an understudy in The Diary of Anne Frank, serving as back up for the roles of Mr. Van Daan and Mr. Dussel. He hasn’t had to go on yet, but you can bet he’s ready at a moment’s notice thanks to a lifetime in the theatre. This isn’t his first gig at Park Square but you would have to go back in time a bit to discover his previous credits…

… It was 1975 and America was preparing to celebrate the bicentennial while trying to figure out just where it was going. While the nation was coping with the end of war, Watergate and a crippling gas shortage, Saint Paul was ushering in the beginning of a new theatre called Park Square. This is where John Kunik got his start in Twin Cities theatre, working with founder Paul Mathey. They collaborated on shows such as The Roar of the Greasepaint—the Smell of the Crowd (1978), A Delicate Balance (1979) and even Kunik’s original one-act play When You Get in Trouble, Call Time Out, based on two characters who appear in Young Bucks, a full-length play he wrote in graduate school.

Young Bucks was the SIU-Carbondale entry into the American College Theatre Festival and was produced professionally in Chicago and Off-Off Broadway. A favorite memory of his in recounting the old days when the theatre  was in the Park Square Court Building across the street from Mears Park, was when a deer jumped through the window of the ground-level bar, completely destroying the glass. It was a Dixieland Bar and patrons had to wait two weeks for it to be repaired!

Photo by Stephanie K. Kunik

The father-daughter duo of John Kunik and Jiffy Kunik. Photo by Stephanie K. Kunik

Not only is Kunik a veteran of the stage, but a Viet Nam era vet as well. Right before he was set to begin graduate school, he was drafted and following basic training was sent to Seattle to await orders to go to what was surely Vietnam. Fate decided to have some fun, however, and Kunik was surprised to learn that he was headed to Anchorage, Alaska with the special services unit. His duties included being in charge of the entertainment division. As a private he was in charge of lieutenants and sergeants, directing them in various shows. One awesome story was when Kunik was directing Come Blow Your Horn with the father in the play was being acted by the head of the Criminal Investigation Division of the Alaskan Command who he was apparently investigating the guy playing his son, for drugs. What happened? Well he waited until after closing to bust him, of course!

Kunik spent a couple years in Alaska doing important work and gathering some incredible stories. When he was discharged he went back to school at Southern Illinois University and moved to Chicago to pursue a career in theatre. What brought him to the Twin Cities was a friend who came to visit and inspired him to move on a dime. Since then he has acted, directed and written shows for a plethora of companies including The Children’s Theater Company, Theatre in the Round, Lakeshore Players, Hey City Theater (home of the long running Tony ‘n Tina’s Wedding). He recently performed in The Gin Game at Pioneer Players in St. Cloud and directed The Sunshine Boys for Buffalo Community Theater. Perhaps the coolest credit on his resume is performing in a show at the Amsterdam Bar that was produced by his daughter Jiffy and entitled “Metal Not Metal” where, fully regaled in his tuxedo, he performed heavy metal lyrics as poetry….

It’s all pretty incredible and unfortunately we’ll have to wait for the autobiography to hear more. Park Square certainly loves both John and Jiffy and is happy to have them on the team!

The Stage Manager Chronicles: Lyndsey Harter

Ringing in the New Year on the Proscenium stage at Park Square will be Flower Drum Song, a Rodgers and Hammerstein musical with a book by David Henry Hwang. The play is a co-production with Mu Performing Arts. As noted in the previous Chronicle, it is being stage managed by Jamie J. Kranz, and assisting her in that role is Assistant Stage Manager, Lyndsey R. Harter.

Harter has been with Park Square since the fall of 2014, although it was just this past one when she was able to join Actors’ Equity, the professional union for American actors and stage managers in the theatre. This distinction is something an aspiring individual must work for and Harter was able to helm her first play with such a distinction at Park Square with The House on Mango Street. This was after a summer stage managing plays at the Great River Shakespeare Festival with oft PST director, Doug Scholz-Carlson.

Lyndsey R. Harter.

Lyndsey R. Harter.

 

In fact, Harter frequently collaborates elsewhere and will follow Flower Drum Song with another play from Mu Performing Arts in the spring at the Guthrie’s Dowling Studio. She and Randy Reyes have previously worked together at Park Square on Murder for Two.

So how did Harter find herself in this position? Raised in Grand Forks, North Dakota, she moved to St. Paul in order to study costume design at Hamline University. Despite notable achievements, including two awards with the Kennedy Center American Collegiate Theater Festival, she began to gravitate toward stage management and the unique challenges it afforded. It was during her junior year the stage manager of one of the school’s plays had too many conflicts and needed a new person. Employing her excellent organizational skills and affable attitude, Harter was well poised to jump in. She immediately fell in love with seeing how “all the pieces fit together and how one change affects five others.”

Harter grew up in a military family and while real-world duties of actors and soldiers couldn’t be more different, they both share a sense of extreme discipline and teamwork. These attributes have no doubt been an aid to her career. Whenever she is not behind the tech table she loves to stay physically active and finds exercise to be a great way to find “balance and mental space.” Oh, and peanut butter M&Ms are also a little pleasure of hers.

Who knew all of that was going on behind the scenes at Park Square? When you see Flower Drum Song, don’t hesitate to thank the crew and if you want to bring some of those M&Ms, it wouldn’t go unnoticed. Come see it on the Proscenium Stage at Park Square, running January 20 – February 19.

In the control room at the Great River Shakespeare Festival. Photo by Megan Winter.

In the control room at the Great River Shakespeare Festival. Photo by Megan Winter.

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