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Posts Tagged Marisa B. Tejeda

How Do You See It? (Let’s Talk About It!)

It was a lazy Sunday morning on June 27, 2017. I was drinking my cup of joe and reading the Star Tribune. Specifically, an article by Rohan Preston–“About face: Actors on Twin Cities stages increasingly reflect the diversity of their audiences. But they’re hardly ‘colorblind.'” I noted a comment made by Randy Reyes, the artistic director of Mu Performing Arts: “Where nontraditional casting doesn’t work is where you, a person of color, is cast as a white character in a white context.” I had just seen Might As Well Be Dead, the Nero Wolfe mystery, at Park Square Theatre two nights before and had a disparate reaction to a casting decision than my guest. I am an Asian American woman. He is a white male.

Rex Stout’s Nero Wolfe mysteries fall within the “pulp” or “hard boiled” fiction genre, which is noted for its tendency toward “casual misogyny” and “glee with the unseemly parts of human nature–boundless greed, lust, and corruption,” as described in Park Square’s playbill. Might As Well Be Dead is specifically set in 1956, a time when anti-miscegenation statutes were still legal in the United States (until they were struck down in Loving v. Virginia in 1967) and interracial relationships were deeply frowned upon.

It was within this context that I couldn’t help but notice that the female characters in the production, played by the talented Am’Ber Montgomery, Marisa B. Tejeda and Austene Van, were all women of color portraying either a spouse or mistress to high-society white men. Austene also played the businesswoman who, as described on our website, “came begging for help” from Nero Wolfe. While my guest was also initially jolted by this, he was able to “go with it” for the ride in this fictional story, whereas I remained bothered.

Were each of the women of color “cast as a white character in a white context”? Or is this play not about race at all so simply the most capable actor was aptly cast? I’m curious about what you think and so are Artistic Director Richard Cook and Executive Director Michael-jon Pease. You may reach them at cook@parksquaretheatre.org (651.767.8482) or pease@parksquaretheatre.org (651.767.8497).

 

A scene from Might As Well Be Dead

Marisa B. Tejeda: Catch Her If You Can

by Matt DiCintio

Tell me about the characters you play in Might As Well Be Dead. What kind of women are they? What makes you excited about playing them? Do you find it exciting to play multiple characters within one play?

 I love both of the characters that I play. And although they both are quite different than who I am as a person, they have traits that I can definitely connect with. Rita Arkoff is a rich society woman who is quite ditzy and unaware of her surroundings. Delia Brandt is a hipster beatnik who is a junkie and liar; she is very smooth and owns her sexuality. They both have been really fun to play because they both are extremely different than one another. And for a gal who loves character acting, they both have been a blast to play.

I know you’re early in your career, but do you find Nero Wolfe typical of the genre you’ve performed in? Are the characters typical for you? Perhaps in that vein, I see you trained at the Shakespeare Theatre of New Jersey. I wonder if you could tell me about that training, and maybe how you see it fitting into/giving life to your acting career. 

I’ve been in one murder mystery musical before, The Mystery of Edwin Drood, but nothing prior to that. I’ve been very blessed that I have played so many different types of people, from romantic leads in Shakespeare plays to kooky characters in new works and musicals. I am so thankful for all my training that I have received at the Shakespeare Theatre of New Jersey. Brian B. Crowe, Stephen Brown Fried, Bruce Cromer, Benard Cummings and Donnie Mather who taught classes in the three-month program have helped and shaped me immensely as an artist. I was one of the apprentices cast in the Main Stage show and got to work with topnotch artists who made me really want to pursue this life as an actor/artist. It was the toughest three months of my life, but I believe that I am a working artist today because of all the tools I was given at that program.

I see that you graduated from Concordia last year. Are you from the Twin Cities area? If not, I wonder if you could talk about why you’ve stayed and decided to pursue theatre here? And even if you are from the Twin Cities, could you give me your perspective about theatre in the Twin Cities? 

I’m originally from Hastings, Minnesota, but at 16 I wanted to start auditioning for shows outside of school. I worked with Young Artists Initiative, Youth Performance Company and Stages as a student actor. When I was 17, I moved to the Twin Cities so I could be an actor in A Christmas Carol at the Guthrie and I transferred to a project-based high school that allowed me to perform more often. I decided to stay here in the Twin Cities because I felt like I belonged here and had a lot more to learn from the artists I have met here. I decided to go to Concordia in Saint Paul because of the head of the department, Mark Rosenwinkel. Mark has been one of my biggest sources of inspiration and support, and I owe so much to him for helping shape me and push me as an artist, and not just an actor.

Where do you see yourself as an artist in 20 years?

Well, I just started a new theatre collective called Theatre Unchecked. It’s a theatre company dedicated to producing original work created by young POC, Queer and Female-Identifying artists. Although our city is very diverse, I see a lack of diversity in the people creating, directing and producing the work. I wanted to be a part of changing that, so my dear friend Ben Swenson-Klatt and I started Theatre Unchecked. Our show was accepted into the Twin Cities Horror Festival 2017 at the Southern Theatre, so we will be producing that this fall. I hope in 20 years that Theatre Unchecked is producing full seasons of original work, and I hope I am fulfilled by all the art I am creating, whether that be acting, educating, directing, writing or producing.

Of all the roles in all the world, what’s your dream role?

It is a three way tie: Cassius in Julius Caesar, Medea and Natasha in Natasha Pierre & the Great Comet of 1812.

What’s next for you after Might As Well Be Dead finishes up at Park Square?

 I am in GIRL Theatre’s Broad Sex in the Twin Cities, playing at Strike Theater in Minneapolis, as part of the Minnesota Fringe Festival going on August 3-13. It’s a fun comedy inspired by the cult classics Broad City and Sex and the City and follows two quirky millennials who enjoy love, laughter and the light rail. Our show times will be August 4 at 10 pm, August 5 at 5:30 pm, August 7 at 8:30 pm, August 10 at 5:30 pm and August 13 at 4 pm.

A scene from Might As Well Be Dead (Marisa is in red)

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