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Posts Tagged Idiot’s Delight

Gabriel Murphy: From His Viewpoint

Gabriel Murphy has previously graced our Andy Boss Thrust Stage in Park Square Theatre’s 4000 Miles in the 2014-2105 season) and Wonderlust Productions’ Six Characters in Search of an Author (2015-2016). This season, he appears on our Proscenium Stage in Park Square’s regional premiere of Amy’s View from May 12 to June 4, playing the pivotal role of Amy’s rather narcissistic partner, Dominic, who sorely tests her lifelong belief that love conquers all.

As Dominic, Gabriel is also the match that lights the fire of conflict between the mother-daughter pair of Esme and Amy, portrayed by Linda Kelsey and Tracey Maloney, respectively. But don’t be surprised if his character also sparks heated debate amongst audience members regarding the boundaries of love.

Recently, Gabriel answered questions that I had about his character as well as himself. Here’s what he had to say:

What attracted you to the role of Dominic?

Honestly, I was initially attracted to the role of Dominic because it meant being reunited with Linda Kelsey and Director Gary Gisselman. We’d worked together on 4000 Miles, which was such a fantastic experience for me. I’m so grateful to be back in a rehearsal room with the two of them as well as with the rest of this delightful cast. In addition to that, I’m excited to be tackling such an intelligent character. Dominic has many flaws, but he is incredibly smart and ambitious. Those are fun qualities to explore.

Yours is a key “triggering” role in the play. What is/are the biggest challenge(s) in playing Dominic?

Triggering, indeed! Dominic does have a tendency to rub people the wrong way. Dominic can be arrogant and caustic, but he and Amy do share a real love so I suppose the biggest challenge in playing Dominic is making sure I don’t ignore his humor and warmth. I also find David Hare’s language inherently challenging. He is a brilliant playwright so tackling his dialogue is a delightful challenge.

How is playing Dominic changing your personal view on relationships, life, etc.?

As a young actor attempting to establish myself in the Twin Cities, I can sometimes focus very intensely on my career. Playing Dominic is an excellent reminder for me that ambition has its drawbacks. In the play, Amy’s titular view is that people should give love without any conditions or expectations so, you know, that’s not a bad thing to think about.

How did you end up being an actor?

I went to a tiny private school in Kansas with a graduating class of 22 people. My school was so small that everyone was required to participate in extracurricular activities because, otherwise, we wouldn’t have had enough people to put on plays or create sports teams. Basically, I began doing plays by force!

Anything else that you would like the readers to know about the play or yourself?

For being such a compact play, Amy’s View manages to cover a huge span of time in the lives of these characters. David Hare’s writing is incredibly funny and witty; but every day in rehearsal, the heart in the play strikes me. I’m always caught off guard by how moving the play is. Also, this is the second play I’ve done with Linda and Gary in which I spend the first moments of the show dealing with a bicycle. In reality, I’ve actually never learned how to ride a bicycle. My boyfriend is making that my project for the summer.

Gabriel Murphy (center) in rehearsal with Linda Kelsey, Tracey Maloney and Nathaniel Fuller (left to right) (Photo by Connie Shaver)

Don’t miss seeing Gabriel Murphy in Amy’s View. Then return to Park Square to catch him again this summer in Idiot’s Delight, presented by Girl Friday Productions, on our Andy Boss Thrust Stage from June 29 to July 23. 

 

Kathy Kohl: Doing What She Loves

 

Kathy Kohl (left) with stage manager Amanda Bowman (right) (photo by Petronella J. Ytsma)

Costume designer Kathy Kohl (left) with stage manager Amanda Bowman (right)
(Photo by Connie Shaver)

People choose their careers for many reasons: It’s what they think that they should want to be. Their parents want them to be that. They do it for the money. They really don’t know what they want to do. They love doing it.

Fortunate are those who can ultimately create a profession from a lifelong interest. Kathy Kohl, the costume designer for THE (curious case of the) WATSON INTELLIGENCE is one of those lucky people.

“I started sewing when I was little, stitching together clothing for my cat, who was not amused!” Kathy said. “I received further training through 4-H and made much of my own wardrobe in high school. I was always interested in historical clothing via old pictures and books of art, but because I was primarily a musician–playing piano and trombone, I didn’t get into theater until I was an adult.”

Kathy created her first costumes in the mid-’70s. They were commissioned by her husband Allan, who is a children’s storyteller and needed a Robin Hood costume for his presentation of the Sherwood Forest folk. She also designed a Maid Marian one for herself.

“Just for fun, I took a pattern-drafting class around that time at the extension service where we lived in Wisconsin,” Kathy recalled. “And when the call came many years later from a community theater that needed a Victorian nightgown that couldn’t be found in commercial patterns, I was on my way.”

For many years, Kathy was not only a costumer but also an actor on the college and community level.

“But my need to see the full finished production was too strong,” Kathy admitted, “so I made the difficult choice between the two, and costumes won.”

Besides her work on Watson Intelligence, currently on Park Square’s Proscenium Stage until April 30, Kathy is also the costume designer for Girl Friday Productions’ Idiot’s Delight, which will be on Park Square’s Boss Thrust Stage from June 29 to July 23.

“After that I’ll be following its director, Craig Johnson, to northern Vermont for A Midsummer Night’s Dream at a new theater in Greensboro, Vermont, very near where I grew up! ” Kathy said. “The venue is built like Shakespeare’s Globe, complete with a groundling area in the audience. Should be a blast!”

(NOTE: Look out for the upcoming post about Kathy’s costume designs for Watson Intelligence.)

Park Square Theatre Seeks Resident Theatre Partners

Is your  theatre company interested in participating with Park Square Theatre as a member of the second generation of resident theatres?

Park Square is seeking to work with up to three groups, beginning with the 2017-2018 season.  

We need partners who:

  • Can produce one full production per year, for at least two consecutive seasons, as part of Park Square’s Boss Thrust Stage subscription season
  • Have a track record of successful producing for a loyal audience
  • Have plans and ambitions for continued programming and the ability to program ahead (18-24 months out)
  • Are willing to collaborate with Park Square and other Partners to coordinate programming, scheduling and marketing

Park Square’s contribution to the partnership includes:

  • Use of the  Andy Boss Thrust Stage for tech/dress and performances
  • Ticketing, sales and house management
  • Direct marketing and promotion as part of the Theatre’s subscription series
  • Collaboration for joint/shared marketing and the potential for joint fundraising

To be considered for 2017-2018, please submit your expression of interest to Richard Cook (cook@parksquaretheatre.org/651.767.7482) no later than November 1, 2016.

 

  Big Money at Park Square Theatre, 2017             Up: The Man in the Flying Chair at Park Square Theatre, 2017

Current Resident Theatre Partners Sandbox Theatre (photo of Peter Heeringa by Matthew Glover), Theatre Pro Rata and Girl Friday Productions present Big Money, Up: The Man in the Flying Chair and Idiot’s Delight, respectively, for the Park Square Theatre 2016-2017 season

          Idiot's Delight, produced by Girl Friday Productions, at Park Square Theatre, 2017

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