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Posts Tagged Girl Friday

GIRL FRIDAY: The Name Says It All

According to the Merriam-Webster Dictionary, the term “Girl Friday” was first used in 1928 to describe “a woman who does many different jobs in an office.” The definition in the Urban Dictionary is more expansive, dubbing a “Girl Friday” as a “go-to girl” or “a female who acts as a ‘jack of all trades’ and is capable of doing almost anything.”

It was hard to miss just how perfectly Girl Friday Productions fit its name as I spoke with Kirby Bennett about her 13-year-old theatre company. Both a founder and its artistic director, Kirby also manages the organizational and fundraising tasks for its shows as well as acting in each production. In 2012, with the guidance of volunteer counsel Mike Bash, she completed the arduous task of obtaining 501(c) (3) non-profit status for Girl Friday, and she continues to do whatever necessary to keep it viable, relevant, creative and fun. Kirby is, quite frankly, a Girl Friday.

“Tenacity” is a term that also comes to mind to describe Kirby. Again, that is not surprising given her choice of plays that, time and again, feature the resilience of human beings. In fact, Girl Friday Productions’ Idiot’s Delight, on Park Square Theatre’s Boss Thrust Stage from June 29 to July 23, reveals that very quality of the human spirit in a play with a cast of eccentric characters stranded in a European mountaintop resort, unable to cross closed borders, at the outbreak of World War II.

In meeting Girl Friday’s vision “to seek out plays that embody great literature, humanity, relevance and stimulating theatricality,” Kirby does insist that whatever script chosen has substantive female roles.

“All of our productions have had strong roles and voices for women,” Kirby said, “and Idiot’s Delight has a great central female role, and fun and intriguing female supporting roles.”

 

Stacia Rice & John Middleton in Idiot’s Delight
(Photo by Richard Fleischman)

 

Though Kirby sets this particular criteria, Girl Friday’s play selection process is actually collaborative. According to Kirby, “There is no formal committee. I just periodically bring people together to read plays aloud. And I read on my own any title suggested to me!”

This collaborative spirit is aptly at the core of Girl Friday Productions, considering its commitment to large-scale ensemble performances.

While the term “Girl Friday” denotes a person’s awesome capabilities to do “almost anything,” it also carries an out-reaching connotation of how individuals working together can do anything.

As Kirby put it best, “The sum of the whole is greater than the individual.”

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(Note: Be sure to read the prior blog post, “GIRL FRIDAY PRODUCTIONS: From Dream to Reality.”)

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