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Posts Tagged Cliton

The Liar: Featuring Sha’ Cage

As part of our Meet the Cast of The Liar Blog Series, let us introduce you to Sha’ Cage:

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ROLE: Dorante, a young man just arrived in Paris

DESCRIPTIVE LINES ABOUT DORANTE IN THE PLAY:

Said to Dorante by his servant Cliton:

No disrespect. Is there a molecule
Of truth in anything that stems from there?
(Points to Dorante’s mouth.)
‘Cause you lie anytime and anywhere!

CAST QUESTION:

What attracted you to the role of Dorante, a constant liar?

I’m often drawn to roles that seem incredibly difficult, things that I’ve never tried, characters that move me or characters that are a bit insane. So what does that say about me, you ask? Dorante has a bit of all these elements rolled into one. I’m still trying to get into his psyche, but he’s absolutely playful and fun.  He really can’t help but tell lies.

As someone who loves a good lie–although horrible at telling one and getting away with it, I must admit that I’m utterly and thoroughly intrigued!

The other day, my son asked me, ” Mom, what if you make a mistake and tell the truth?”

I said, “I’ll just pretend it was my twin brother.”

He got a kick out of that lie.

I’m thrilled to step into Dorante’s shoes and onto this fast-paced journey of discovery, twists and turns.

CAST BACKGROUND:

Park Square Mary T. and Lizzy K. Representative Theatre Ten Thousand Things: Henry IV; Penumbra Theatre: Ballad of Emmett Till; GuthrieTheater: Clybourne Park; Mixed Blood Theatre: Ruined; Frank Theatre: Venus, F*cking A Film New Neighbors, Cry About a Nickel, Drop Dead Gorgeous, Radio, Midnight, Joe’s Somebody, Factotum Awards/Other Regional Emmy; Ivey Award; McKnight Fellowship; Distinguished Fox/TCG Fellowship; Named one of the Leading Artists of her generation by Insight; Named a Changemaker by Women’s Press; City Pages Best Solo Performer (Frank Theatre: Grounded); Star Tribune 2014 Mover and Maker; Mpls St. Paul Magazine Power Couple of the Year 2015 (with artistic partner EG Bailey) Upcoming Projects Co-curating a film festival in Sweden (October); Intermedia Arts: a work in progress of her solo work Say Her Name (Nov 29); touring her show in 2017 (nationally and abroad).

Sha' Cage with Rex Isom Jr. in a rehearsal. (Photograph by Connie Shaver)

Sha’ Cage with Rex Isom Jr. in a rehearsal.
(Photograph by Connie Shaver)

Area Premiere of The Liar - Park Square Theatre’s Proscenium Stage – September 9 to October 2

Lies! Lies!

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Park Square Theatre’s 2016-2017 season begins with the area premiere of The Liar on stage September 9 to October 2.  Playwright David Ives’ laugh-out-loud comedy centers on the escapades of Dorante, a gentleman who cannot tell the truth, and his servant Cliton who cannot tell a lie.

In the spirit of the play’s hilarious premise, we asked people to share their own stories about lies with humorous results. The stories kept coming in:

When my husband plays Scrabble, he will invariably bluff with a nonexistent word.  BLOKY so the word with the high-scoring Y tile can earn double points. DOX with the X! He has gotten away with NEMO against a child opponent.

My husband doesn’t often get away with lying when playing against me, though. I know his tell: it’s in the lips–how he stretches them thin to suppress the truth (or a giggle).

——

I remember the story that my sister and her husband told about him making her pancakes when they were dating. She hates pancakes but lied that she loved them, so he made her pancakes for every breakfast. She finally couldn’t stand it anymore and had to tell him that she does not like  pancakes.

——

When my younger brother was in high school, he was an avid deer hunter. He told my sister he needed to get some Pine-Sol to use while he was out at the deer stand. My sister later asked me what Pine-Sol had to do with deer hunting.

I said, “Oh, there’s this new kind of deer hunting that’s really popular right now. What you do is, you sit in the deer stand with a bottle of Pine-Sol and wait for the deer to walk by. When it’s directly below you, you pour the stuff down into its eyes. While it’s staggering around, blinded, you jump down from the deer stand and slit its throat with a Buck knife.”

I was rather young at the time and assumed that she knew I was joking, but I apparently told her this idiotic story so matter of factly that she completely believed it (I suppose it helped that she was pretty gullible). For several days, she kept angrily coming back to the cruelty of this practice and my apparent indifference to it, and I was really enjoying her righteous outrage until she wrote a letter to the editor of the local paper, objecting to this barbaric practice. I confessed the truth to her before she sent the letter, which no doubt saved her some embarrassment. But I sometimes regret not seeing that letter in print.

For the record, hunters used Pine-Sol to cover up their human scent from the deer’s sensitive noses.

——

(Watch out for yet more lies in upcoming blogs!)

The Naming of Things

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Sha Cage and Zach Curtis in The Liar

As I was watching the final plays of last season, I began to wonder what effect would it have on audience draw and expectations if some of those plays had had a different name. For instance, despite its billing as a comedy/drama, did people think Sons of a Prophet would be a heavier drama, considering its title and central theme on suffering? What if the play had instead been called All Is Well, which was the invariably optimistic mantra of the Douaihy family throughout the play?

Coming up from September 9 to October 2 as the first play of the Park Square Theatre 2016-2017 season is the area premiere of The Liar by playwright David Ives. It features Sha Cage in the title role, Dorante, who just cannot tell the truth (as described by another character in the play: “This guy’s so slippery he’s a sea of grease”). In contrast, his servant Cliton, played by Zach Curtis, cannot tell a lie (his self-described “tragic flaw”). This juxtaposition of yin-yang characters and the awkward situations triggered result in an outright, laugh-out-loud comedy.

To me, The Liar seems an apt enough title for a comedy. Straight and to the point, it is devoid of adjectives, kept open with possibilities. It’s not called The Dirty Liar, for instance, with angry overtones, or The Silly Liar to limit its scope of humor. Nor does the play bear any of these other titles that may cause preconceived notions:

  • Untruthful – sounds like a sinister and heavy drama
  • Honestly!?! – too sincere
  • Dorante, The Liar – must be a tragic period piece
  • Liar! Liar! Pants on Fire! – geared toward a young audience
  • Liar! – potential ripoff of the 1997 Jim Carrey movie, Liar! Liar!

Titles do matter to spark initial interest to see a production. The Liar is a misleadingly honest title that denotes a mystery and a truth that you shall experience only if you come to see the play.

I wouldn’t lie about something like that!

 

 

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