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Posts Tagged Christina Ham

What’s Missing?

In an interview with Park Square Theatre, feature writer Matt DiCintio asked Christina Ham, the playwright of Nina Simone: Four Women, “Many audience members, especially younger generations, may not be aware of the role musicians like Simone played in the Civil Rights Movement. Why do you feel it’s important that we don’t forget them?”

Regina Marie Williams as Nina Simone (Photo by Petronella J. Ytsma)

Regina Marie Williams as Nina Simone
(Photo by Petronella J. Ytsma)

As part of her reply, Christina stated, “Until 1970, Ms. Simone’s music was such a substantial part of the movement, but after this she was basically pushed into relative obscurity. Books on the Civil Rights Movement don’t even index her or discuss how critical she was to the movement.”

In conversations with audience members who had seen Nina Simone for the first time either last or this season, I often found some to have come expecting lighter fare–namely, a replica of a nightclub act of favorite standards. Instead, they were surprised by the intensity of a production that digs deep into themes of racism, colorism, feminism and activism. The play ultimately leaves a strong impression and makes a powerful impact on its audiences by transcending the standard narratives and perspectives of mainstream history to create a more nuanced and complete truth.

In her interview with DiCintio, Christina also remarked how “this play shines a light on the black women who were and were not musicians during this movement who were often marginalized and forced into the background–even though we were the backbone of the movement.”

How would we see each other differently if credit were more often given where credit was due? For instance, what if the contributions of these and other women in black history had been made prominent? How would society evolve if more points of view do not get submerged, lost, hidden or erased?

This year alone, we have most starkly needed to rethink history in light of the revelation that brilliant black women working at NASA were also instrumental in launching astronaut John Glenn into space. The old narrative of the Space Race may have stayed intact if not for authors Margot Lee Shetterly, who wrote Hidden Figures, and Duchess Harris and Sue Bradford Edwards, who wrote Hidden Human Computers: The Black Women of NASA.

Revealing obscured or missing history has the power to create change. It changes how we see each other and how we see ourselves. It can prevent entrenchment in singular points of view and narrow ways of thinking or even cause a change of heart.

One thing is for certain. After seeing Nina Simone, you won’t come out thinking about the Civil Rights Movement in quite the same way as before.

 

Nina Simone: Four Women on the Boss Thrust Stage until March 5

 

A Fly on the Wall

As an usher for the student matinees as well as mom of a tween, it is dear to my heart that students from all backgrounds descend upon us beginning in the fall to connect through theatre. I often wonder what these young scholars take away from their experience at Park Square Theatre. My only glimpses are their reactions as they watch the play, any comments that I overhear during intermission or after the show and their questions to the cast if they stay for a post-show discussion.

Today while watching The House on Mango Street with a mainly Hmong audience of sixth, seventh and eighth graders (who came without any cellphones!), I witnessed students so engaged in the performance that when the character Darius pointed out beyond the audience to an imaginary cloud, dozens of heads turned to see for themselves. While monitoring the bathrooms at intermission for a different school audience, I once spoke to a girl who thought it was way cool to have just read the book and now see its stage interpretation. And a week ago, I sat in on a cast discussion with a Spanish class conducted en Espanol. Those not totally fluent in Spanish, including cast members, were aided by those more fluent. It was muy estupendo!

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A scene from A House on Mango Street

Photograph by Petronella J. Ytsma

Student groups are now coming to see A Raisin in the Sun on our Boss Thrust Stage. Afterwards, I wonder: What will they have to say about racism and white privilege? How did they feel about the three generations of women in the play? Will they empathize with Walter Lee? How did this play relate to or expand the world around them, both near and far? Will they go deep or barely scratch the surface on the issues? Will it simply be seen and parked or feel much too relevant to ignore?

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A scene from A Raisin in the Sun

Photograph by Connie Shaver

 I really wouldn’t know the answers unless I could be a “fly on the wall” during these young people’s bus rides back or in their classroom discussions. But my greatest hope is that the plays that they see at Park Square Theatre are seeds planted in their minds to inspire future social action and changes to better our world. Or to pursue their greatest dreams and follow their callings based on watching others on stage who do just that.

May Park Square Theatre, in essence, serve as their Muse.

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Students at Park Square Theatre for a matinee

 P.S. Any teacher wanting me to be a “fly on the wall,” just let me know! I would be thrilled to listen in.

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Don’t Miss These Upcoming Raisin in the Sun Events!!!

A Raisin in the Sun student matinees run from November 1 to December 22 (contact Megan Losure at 651.291.9196 or education@parksquaretheatre.org if you would like to watch with school groups)

A Raisin in the Sun evening and weekend performances run from October 28 to November 20

Post-show discussion with Twin Cities playwright Christina Ham and Jamice Obianyo (Director, Community Relations, Ecolab) on Wednesday, November 2

Musings with Twin Cities Theatre Bloggers on Sunday, November 6

Post-show discussion with former Minneapolis Mayor Sharon Sayles Belton on Sunday, November 13

Theatre Fan Night Out: Four Tickets for $99 available for Thursday, November 10, 7:30 pm; Thursday, November 17, 7:30 pm; Friday, November 18, 7:30 pm; Sunday, November 20, 2 pm (use code FAN when ordering)

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