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Posts Tagged Beneatha Younger

I Didn’t Know That!

A Raisin in the Sun by Lorraine Hansberry is playing on Park Square Theatre’s Andy Boss Thrust Stage from October 28 to November 20. Here are some Raisin-related facts that you may not have known:

 

A Raisin in the Sun was originally titled A Crystal Stair, an allusion to a line in the poem “Mother to Son,” when Lorraine Hansberry began writing the play in 1957.

Producers Philip Rose and David Cogan took over a year to raise enough money from 150 investors to mount the original run of A Raisin in the Sun on Broadway in 1959.

Columbia Pictures had hired Lorraine Hansberry to write the screenplay for A Raisin in the Sun. Hansberry ended up writing two screenplays, only to have both rejected as being too controversial by studio executives.

The completed film version of A Raisin in the Sun, which was released in 1961, had cut out over a third of Hansberry’s original screenplay as well as downplayed the Youngers’ poor living conditions. Hansberry’s opening with Langston Hughes’ poem “Harlem” superimposed over a montage of scenes in Southside Chicago’s ghetto was one of those cuts; and his poem, in fact, appears nowhere in the film.

Lorraine Hansberry was the godmother to Nina Simone’s daughter Lisa.

The FBI kept a file on Lorraine Hansberry due to her social activism.

A Raisin in the Sun inspired a musical, Raisin, in 1973. It won the Tony Award for Best Musical.

Greta Oglesby, who will play Mama (Lena Younger) in Park Square Theatre’s production, was the understudy for Phylicia Rashad as Mama when A Raisin in the Sun was revived on Broadway in 2004. It was nominated for the Tony Award for Best Revival of a Play.

Director Warren C. Bowles considered actor Theo Langason for both the roles of George Murchison and Joseph Asagai–a wealthy young black man and a poor Nigerian college student, respectively–who want to marry Beneatha Younger (Mama’s daughter). Langason was ultimately cast as Asagai.

 

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Greta Oglesby and Theo Langason

 

Sources:

http://www.enotes.com/topics/raisin-in-the-sun/themes

https://en.m.wikipedia.org/wiki/Lorraine_Hansberry

http://dx.dol.org/10.1080/0033563042000206790

http://parksquaretheatre.org/wp-content/uploads/Raisin-in-the-Sun-Study-Guide-10-9.pdf

What’s Realistic?

The Liar Rehearsal

All fabrications?

For the past weeks, I’ve been writing about a play in which everything seems fabricated. The title character is a compulsive liar, but just about every other character is also duping someone else. Of course, I’m referring to the comedy, The Liar, which is on Park Square Theatre’s Proscenium Stage until October 2. Yet, the fact that the play is a farce and, hence, a critique of real-life societal mores, begs the question: To what extent is the play not realistic?

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What will Jennifer and Bob Jones do?

In juxtaposition, on Park Square’s Boss Thrust Stage from September 23 to October 16 will be the play The Realistic Joneses, a comedy/drama in which we watch two couples, both with the last name of Jones and both neighbors to each other, cope with a progressively debilitating illness. Mortality is certainly a sobering notion throughout the production, and how the characters choose to face it is reflected in the play’s title. The term “realistic” suggests a no-nonsense, pragmatic approach to life; but how does this actually play out for those who must face a terminal illness? Well, by relying on a sense of humor, of course; but what more? I’ll let you find out for yourself!

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The talented cast of A Raisin in the Sun

Then from October 28 to November 20 on the Boss Stage, Lorraine Hansberry’s A Raisin in the Sun will make us ponder: How possible–how realistic–will it be for each member of the Youngers, a poor African-American family, to obtain his/her dream in a racially oppressive society?

Is the world the way Beneatha Younger claims it is to her beau Asagai: “Don’t you see there isn’t any real progress, Asagai, there is only one large circle that we march in, around and around, each of us with our own little picture in front of us–our own little mirage that we think is the future?”

Or is she mistaken, as Asagi counters: “What you just said–about the circle. It isn’t a circle….it is simply a long line–as in geometry, you know–one that curves into infinity. And because we cannot see the end, we also cannot see how it–changes. And it is very odd, but those who see the changes–who dream, who will not give up–are called idealists… and those who see only the circle–they call each other the ‘realists!'”

What an irony that theatre so often has the power to bring us closer to what is true to life–and that make believe opens the door to real self-discoveries.

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Plus Season Package Pricing:

Any 3 or more shows starting at $25 each

Any 6 shows starting at $142 total

All 13 shows starting at $294 total

(All “starting at” prices based on preview prices, standard seats.  Programs, dates and artists subject to change.)

NOTE:  All photographs in this blog were taken by Petronella J. Ystma.

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