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Posts Tagged actor

Jane Froiland Knows No Bounds!

For many actors, simply living by your stage chops alone isn’t enough to keep the bills paid. Not in the Twin Cities and definitely not in the other single cities out there. Even in New York, the actors fortunate enough to do it “full time” do most of their work outside of the city, in the regional centers of the country. Despite this, however, actors constantly prove that they are a flexible and hardened group of people; where there’s a will, you can bet they’ll find a way!

Jane Froiland studies hard for the part. (Photo by Connie Shaver)

One mark of a smart artist, like anyone in charge of their own business, is to diversify one’s talent. “Oh, you don’t need an actor this time? That’s fine. How about director? I can offer my services as an experienced stage director! Or manager! Or playwright. Or costumer. Lighting designer? Ok, ok… seriously, can I just sell concessions or help the actors learn their lines?”

This sort of resourcefulness is almost the only viable way *most* actors truly make a “living” in the theatre. Jane Froiland is one such multi-talented artist who is often balancing her performance schedule with her gigs as a stage director. She can currently be seen in Park Square Theatre’s The Diary of Anne Frank while gearing up for a run of You Can’t Take it With You at Woodbury High School. Performing in the mornings and directing in the afternoons? Sounds like a full time job to me! Of her days this spring, Froiland states: “… what a dream to be able to be a part of telling such an important story and be able to foster the next generation of artists all in the same day.”

More than that, it “legitimizes” her standing as a director in the eyes of her students. When they are able to work with a creator who “walks the walk” and is able to express her knowledge from a very real and first-hand professional experience. Not only does this create a high bar from those student-performers to meet, but helps Froiland in her own lifelong education as an actor/director. After all, who knows if some of those Woodbury students are in the audience at Park Square watching their esteemed director perform?

You can watch Jane Froiland yourself in The Diary of Anne Frank, playing select dates in April at Park Square Theatre. More information and tickets can be found here at parksquaretheatre.org!

Have a Laugh with Carolyn Pool

When Henry and Alice: Into the Wild opens the season at Park Square there will be a familiar face in the cast – Carolyn Pool! A veteran of not only Park Square, Pool has been seen on many stages in Minneapolis and Saint Paul working with such esteemed companies as Illusion Theatre, Penumbra, Theatre Mu, Pillsbury House and countless new works at the Playwrights’ Center. She says, however, that Park Square has been a defining feature of her artistic work with such credits as August, Osage County, Proof, The Sisters Rosenweig, and Born Yesterday. The first time she tread the Park Square boards it wasn’t even at the current location in the Hamm Building, but at the old Lowertown venue in School for Wives.

Now Pool brings her talents to Henry and Alice along with fellow stage cohort, John Middleton. The two are not strangers, having appeared on stage together before at Park Square. That was in Dead Man’s Cell Phone where the two’s chemistry was duly noted. When asked about what she hopes the audience is able to take away from the play, she says aptly:

“I hope they laugh! I also hope they see some of themselves in these characters and maybe realize that they are not alone in their experiences. Telling stories truthfully and beautifully even if those stories are sometimes difficult is my greatest passion as an actor. And, when I can make people laugh and feel good too, that is the most wonderful feeling.” 
Carolyn Pool and John Middleton in the rehearsal hall last week (photo by Connie Shaver)

Making people laugh is definitely something Carolyn Pool has made a career of. If you’re well-tuned into the Twin Cities theatre scene you have probably heard about her two-woman shows, (co-created with Shanan Custer) 2 Sugars, Room for Cream and Sometimes There’s Wine. The former earned the duo a 2013 Ivey Award when it played at the New Century Theatre. Pool and Custer are frequent collaborators who are always looking for projects to write, act and laugh in together.

Indeed having a good time is almost certain when she takes the stage with Middleton and Melanie Wermacher. Mark your calendars and plan to join in on the fun on the Boss Stage September 15 – October 22.

 

Carolyn Pool, John Middleton and Melanie Wermacher  in the rehearsal hall. (photo by Connie Shaver)

Role Reprisal: John Middleton

John Middleton

Starting the 2017-2018 season off with a bang is Henry and Alice: Into the Wild by Michele Riml and directed by Mary M. Finnerty. A few of those names may sound familiar to the Park Square faithful, as this delightful rom-com is a sequel to that other delightful rom-com, Sexy Laundry, which brought the house down in 2014. Finnerty also directed the precursor and wouldn’t you know it, John Middleton is also back in the role of Henry, while this time around Carolyn Pool plays his counterpart , Alice. Melanie Wehrmacher rounds out the cast as an interloping family member.

I was able to ask Middleton a few questions about what it’s like getting to act the same character in a new play. After all, that’s not something that happens very often in the theatre. Unlike a movie sequel, you do not have the opportunity to “go back” and catch the first one. For him, the biggest difference will be the fact that in Sexy Laundry he had the even more unique experience to act opposite his real-life wife, Charity Jones. While that may not be the case for Henry and Alice, he is excited to work with friend Carolyn Pool who he says is, “… a terrific actress who’s carried me through productions before – including Dead Man’s Cell Phone here at Park Square.” That production was in 2010, so that gives you an idea of how familiar audiences should be with Middleton. Most recently, he was seen on the Andy Boss Thrust Stage in Idiot’s Delight by Girl Friday Productions, playing the wily, straight-talking American.

 

Sexy Laundry with Charity Jones. Photo by Petronella Ytsma 

But how far can we go? Middleton’s very first production at Park Square in 1991’s The Marriage of Figaro, and while he may not have had many lines he distinctly remembers moving a lot of chairs around. That was only a year after he first came to the Twin Cities as an actor. Hailing from Wisconsin, he landed a role playing a pirate in a production of Peter Pan at the Children’s Theatre Company and liked Minnesota so much he decided to stay. I believe I can speak for the community here when I say we’re certainly glad he did! Other recent Park Square Theatre credits include: Calendar Girls, Romeo and Juliet, The School for Lies, and American Family.

As you can see, Henry and Alice: Into the Wild is but the latest in many wonderful turns on the Park Square boards for John Middleton. As we herald the start of the new season, let’s revisit the familiar world of Sexy Laundry and the actor who brought it to life then as he will now.

Addie’s Delight

Playing a part in Idiot’s Delight from Girl Friday Productions at Park Square is Adelin Phelps, who portrays the character Mrs. Cherry. I was able to catch up with her and ask her some of what she thought about the show and the relevance it can hold in our 21st century world.

From Madison, Wisconsin, she attended Coe College in Cedar Rapids, Iowa, receiving her B.A. in acting. Immediately after graduation, she moved on up to the Twin Cities to pursue a career in the theatre. In her time here she has firmly established herself as a performer and collaborator, working with such noted companies as Minnesota Jewish Theatre, History Theatre, Theatre Latte Da, Walking Shadow and Frank Theatre. If that’s not enough, she is a core and founding member of Transatlantic Love Affair, a group that has earned a bevy of recognition in recent years. She now finds herself within the ranks of Girl Friday Productions and the grand cast of Idiot’s Delight – Robert Sherwood’s prophetic satire on the state of the world just prior to the outbreak of World War II. This marks her debut with Girl Friday, and her second time on a Park Square stage (following 2012’s King Lear).

While definitely not from the world of medieval England, Mrs. Cherry does happen to be a Brit among the band of internationals holed up in the Alpine hotel in which Idiot’s Delight takes place. Young and newly married to the dashing Mr. Cherry (Gabriel Murphy), she must reconcile the joys of kissing, dancing and abundant love with the stark realities of encroaching war. Those themes certainly lend themsevles to the political strife currently swirling around the world, not just at home, and how we are able to overcome that discord is a central question of the piece. As Phelps says, The need for humor, the struggle for an open, brave heart, the importance to understand history, and connecting with other humans… that draws me as a person to the project.”

Especially the benefits of connecting with other humans is apparent in Sherwood’s play. An ensemble cast of characters all born in different countries are suddenly forced into company with each other, thanks to the actions of their own governments. In a sense of irony, the very people they should be at war with become their friends within the walls of the hotel.

All these international characters is most exciting to Phelps who relishes the chance to use her sense of play and imagination in creating a dialect or new physicality to bring her role to life. And the dancing! There’s much for any actor to sink their teeth into and Phelps is eager to share that infectious zeal with the audiences. Indeed, viewers are in for a treat when they take their seats this summer. Phelps has been delighted to work with Girl Friday Productions and director, Craig Johnson in getting to tell such a story!

 

 

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