Since December 2015, Jamil Jude has served as Park Square Theatre’s Artistic Programming Associate. As such, he is mentored by Artistic Director Richard Cook through the Leadership U[niversity] – One-on-One Program to foster the professional development of early-career, rising leaders of theatre. Jamil was only one of six exceptionally talented applicants awarded such a mentorship by Theatre Communications Group, the national organization formed to strengthen, nurture and promote professional nonprofit American theatre.
While Jamil may be most visible to our audiences as the facilitator for post-show discussions, such as the upcoming Sunday, February 19, Musings for Nina Simone: Four Women or most recently as a promoter of Nina on Fox 9 with Alix Kendall, his work at Park Square, Jamil explained, “is really focused on advancing our broader inclusivity goals.”
“Richard began the work by expanding Park Square’s repertoire–the stories we tell and the artists who tell them,” Jamil elaborated. “I’ve been lucky enough to assist in that effort, retooling our process of identifying plays and artists, introducing new systems meant to streamline our production process and being another set of artistic eyes as plays move towards the stage. It’s amazing to witness a theatre like Park Square in this part of its growth.”
Over 40 years later, Park Square Theatre remains a work in progress, an organization in dynamic change to, as Jamil describes, “develop a deeper understanding of its place in the community and how to respond to the needs, wants and aesthetic desires of said community. To play a small part in that is a humbling experience.”
Work in progress is also an apt description for Jamil Jude himself. He, too, continually examines his purpose and relevance as an artist. Self-defined as an “Artist Plus,” he works as a freelance director, producer, playwright, dramaturg, speaker or whatever role needed to pursue an artistic vision. That vision is, more often than not, in service to social justice. He has, in fact, more specifically described himself as a “social justice based art maker dedicated to building communities, bringing new communities to the arts and to using the arts as a means to eliminate artificial barriers that society imposes.”
Besides Park Square Theatre, Jamil has been involved in various ways with other theatre organizations throughout the Twin Cities, including Mixed Blood Theatre Company, Children’s Theatre Company, Guthrie Theater, Daleko Arts, Theatre in the Round, Minnesota Fringe Festival and more. He is also a co-producer of The New Griots Festival, dedicated to promoting the work of the next generation of Twin Cities black artists across disciplines (visual, performing, literary, etc.).
Also fitting is that Jamil recently directed Baltimore is Burning, a new play about the death of Freddie Gray while in police custody. It was the inaugural production for the promising new theatre company Underdog Theatre, which “creates art for the underserved, underrepresented, and unheard,” and satisfyingly garnered good reviews. Kory LaQuess Pullam, who has graced Park Square’s stages, is its playwright and the founding artistic director of Underdog.
Dear to Jamil’s heart is his latest project, directing The Highwaymen, a new play based on research that Jamil and playwright Josh Wilder did on the destruction of St. Paul’s Rondo neighborhood in the 1960s to make way for I-94. The demolition of that thriving, predominantly black community echoed similar occurrences throughout the nation to make way for progress on the backs of people of color. Josh dedicated The Highwaymen, which runs through February 26 at the History Theatre in St. Paul, to “the memories we step on and the lives we drive over.”
In November 2015, Jamil was listed in American Theatre, a publication and theatre communications group, as one of “Six Theatre Workers You Should Know.” Whether as part of Park Square Theatre, someone else’s team or working solo, he’ll ever strive to bring us socially relevant theatre to spark constructive community interactions and inspire social change. Whatever Jamil touches, you can just feel them coming: those positive vibrations.