As part of the cast of Flower Drum Song, Stephanie Bertumen plays Wu Mei-Li, a new immigrant from China who falls in love with Wang Ta, played by Wesley Mouri.
This was Stephanie’s answer to the question: “What is most meaningful for you about the role that you play in Flower Drum Song–whether it be your particular character role, your overall role of being part of the production, or both?”
My love of the arts largely began when I was a young girl watching Rodgers and Hammerstein (and other classic) movie musicals. As I imagined myself in the worlds of the characters, I sang, danced, and acted my little heart out; but I didn’t realize the gravity of the fact that I was always seeing primarily White actors – White actors on the small screen, on the big screen, and onstage.
Also, as a young person, I didn’t know that I would eventually be exposed to a world where there would be people who wouldn’t see me as capable and worthy as I saw myself. As I did come to this realization, however, my dreams started to shrink back in apprehension and I began to push away the Asian part of myself — a part that I feared made me too “different” to belong. It was not until I moved to Minnesota and encountered other Asian performers that my view of the world (and my view of myself) exploded: “Wait, I can actually be myself here? Someone wants me just as I am?” And so I began to come out of hiding, so to speak.
If I hadn’t ever started on the journey to acknowledging and loving the Asian part of my identity (with the help and support of friends and mentors, especially my own brother Randy Reyes), I don’t think I would have really continued to blossom as an artist, or at least not in the same way; so I am so thankful to be on this road. Now, I’m having experiences that I had started to believe were impossible. It is because playwright David Henry Hwang dared to re-envision Flower Drum Song that this gorgeous, smart libretto exists! It is because of his dream that my dream has become reality.
I am deeply grateful that, in this case of this production, it isn’t an either/or scenario: EITHER beautiful music OR a moving story; EITHER an Asian character OR a three-dimensional character; EITHER the main character OR the Asian character. No, for each, this show gives me both. Just as I myself am both — Asian American — as well as everything else that I am. I am Asian American; I get to be front and center playing a beautifully-written, three-dimensional human being; AND, yes, I get to act and sing and dance to music written by Richard Rodgers and Oscar Hammerstein II.
I do belong – and I belong in a way that is more meaningful than I could have ever imagined, and I am forever thankful for that.
Park Square Debut Representative Theatre Children’s Theatre Company: The Last Firefly; History Theatre: Complicated Fun; Backyard to Broadway Productions: Right, Wrong, or Bomb! A Dating Musical; Mu Performing Arts: Twelfth Night; Casting Spells Productions: Disenchanted!; Theatre L’Homme Dieu (produced by Bloomington Civic Theatre): The 25th Annual Putnam County Spelling Bee Training B.F.A., University of Minnesota/Guthrie Theater Actor Training Program
Flower Drum Song – Co-produced with Mu Performing Arts
Park Square Theatre’s Proscenium Stage – January 20 to February 19